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L'Orfeide
''L'Orfeide'' is an opera composed by Gian Francesco Malipiero who also wrote the Italian libretto, partly based on the myth of Orpheus and incorporating texts by Italian Renaissance poets. The work consists of three parts – ''La morte delle maschere'' (The death of the masks), ''Sette canzoni'' (Seven songs), and ''Orfeo, ovvero L'ottava canzone'' (Orpheus, or The eighth song). It received its first complete performance on 5 November 1925 at the Stadttheater in Düsseldorf. Background and performance history Although it is often referred to as a trilogy (or an operatic triptych), Malipiero himself described the work as one opera in three parts, with parts I and II also able to be performed independently. ''L'Orfeide'' was composed between 1918 and 1922. The first part to be composed, and what would eventually become Part II of the complete work, was ''Sette Canzoni'', composed by Malipiero between 1918 and 1919. However, according to Waterhouse (1999), Malpiero's correspondenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Francesco Malipiero
Gian Francesco Malipiero (; 18 March 1882 – 1 August 1973) was an Italian composer, musicologist, music teacher and editor. Life Early years Born in Venice into an aristocratic family, the grandson of the opera composer Francesco Malipiero, Gian Francesco Malipiero was prevented by family troubles from pursuing his musical education in a consistent manner. His father separated from his mother in 1893 and took Gian Francesco to Trieste, Berlin and eventually to Vienna. The young Malipiero and his father broke up their relationship bitterly, and in 1899 Malipiero returned to his mother's home in Venice, where he entered the Venice ''Liceo Musicale'' (now the Conservatorio di Musica Benedetto Marcello di Venezia).John C.G. Watherhouse (1993). "Gian Francesco Malipiero (1883–1973)". In Symphonies nos.3 and 4 · Sinfonia del mare (pp. 3–5) D booklet Germany: Naxos. After stopping counterpoint lessons with the composer, organist and pedagogue Marco Enrico Bossi, Malipiero continu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'heure Espagnole
''L'heure espagnole'' is a French one-act opera from 1911, described as a ''comédie musicale'', with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same nameStoullig E. ''Les Annales du Théâtre et de la Musique, 30eme edition, 1904.'' Librairie Paul Ollendorff, Paris, 1905.Roland-Manuel, p. 52: When Franc-Nohain heard Ravel play the work through to him for the first time, he apparently looked at his watch and said to Ravel "56 minutes". The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain". The original play had first been performed at the Théâ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impresario
An impresario (from the Italian ''impresa'', "an enterprise or undertaking") is a person who organizes and often finances concerts, plays, or operas, performing a role in stage arts that is similar to that of a film or television producer. History The term originated in the social and economic world of Italian opera, in which from the mid-18th century to the 1830s, the impresario was the key figure in the organization of a lyric season. The owners of the theatre, usually amateurs from the nobility, charged the impresario with hiring a composer (until the 1850s operas were expected to be new) and the orchestra, singers, costumes and sets, all while assuming considerable financial risk. In 1786 Wolfgang Amadeus Mozart satirized the stress and emotional mayhem in a single-act farce ''Der Schauspieldirektor'' (''The Impresario''). Antonio Vivaldi was unusual in acting as both impresario and composer; in 1714 he managed seasons at Teatro San Angelo in Venice, where his opera ''Orla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SAND Maurice Masques Et Bouffons 04
Sand is a granular material composed of finely divided mineral particles. Sand has various compositions but is defined by its grain size. Sand grains are smaller than gravel and coarser than silt. Sand can also refer to a textural class of soil or soil type; i.e., a soil containing more than 85 percent sand-sized particles by mass. The composition of sand varies, depending on the local rock sources and conditions, but the most common constituent of sand in inland continental settings and non-tropical coastal settings is silica (silicon dioxide, or SiO2), usually in the form of quartz. Calcium carbonate is the second most common type of sand, for example, aragonite, which has mostly been created, over the past 500million years, by various forms of life, like coral and shellfish. For example, it is the primary form of sand apparent in areas where reefs have dominated the ecosystem for millions of years like the Caribbean. Somewhat more rarely, sand may be composed of calcium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice Biennale
The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name ''biennale''; ''biennial''). The other events hosted by the Foundationspanning theatre, music, and danceare held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido. Organization Art Biennale The Art Biennale (La Biennale d'Arte di Venezia), is one of the largest and most important contemporary visual art exhibitions in the world. So-called because it is held biannually (in odd-numbered years), it is the original biennale on which others in the world have been modeled. The exhibition space spans over 7,000 square meters, and artists from ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marionette
A marionette (; french: marionnette, ) is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television. The attachment of the strings varies according to its character or purpose. Etymology In French, ''marionette'' means "little Mary". In France, during the Middle Ages, string puppets were often used to depict biblical events, with the Virgin Mary being a popular character, hence the name. In France, the word ''marionette'' can refer to any kind of puppet, but elsewhere it typically refers only to string puppets. History Ancient times Puppetry is an ancient form of performance. Some historians claim that they predate actors in theatre. There is evidence that they we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edinburgh International Festival
The Edinburgh International Festival is an annual arts festival in Edinburgh, Scotland, spread over the final three weeks in August. Notable figures from the international world of music (especially classical music) and the performing arts are invited to join the festival. Visual art exhibitions, talks and workshops are also hosted. The first 'International Festival of Music and Drama' took place between 22 August and 11 September 1947. Under the first festival director, the distinguished Austrian-born impresario Rudolf Bing, it had a broadly-based programme, covering orchestral, choral and chamber music, Lieder and song, opera, ballet, drama, film, and Scottish 'piping and dancing' on the Esplanade of Edinburgh Castle, a structure that was followed in subsequent years. The Festival has taken place every year since 1947, except for 2020 when it was cancelled due to the COVID-19 Pandemic. A scaled-back version of the festival was held in 2021. Festival directors *1947–1949: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Prigioniero
''Il prigioniero'' (''The Prisoner'') is an opera (originally a radio opera) in a prologue and one act, with music and libretto by Luigi Dallapiccola. The opera was first broadcast by the Italian radio station RAI on 1 December 1949. The work is based on the short story ''La torture par l'espérance'' ("Torture by Hope") from the collection ''Nouveaux contes cruels'' by the French writer Auguste Villiers de l'Isle-Adam and from ''La Légende d'Ulenspiegel et de Lamme Goedzak'' by Charles De Coster. Some of the musical material is based on Dallapiccola's earlier choral work on a similar theme, ''Canti di prigionia'' (1938). Dallapiccola composed ''Il prigioniero'' in the period of 1944–1948. The work contains seven parts and lasts about 50 minutes. The musical idiom is serialism, and it is one of the first completed operas using that compositional method. Performance history The opera's first stage performance was at the Teatro Comunale Florence on May 20, 1950. The performers wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Dallapiccola
Luigi Dallapiccola (February 3, 1904 – February 19, 1975) was an Italian composer known for his lyrical twelve-tone compositions. Biography Dallapiccola was born in Pisino d'Istria (at the time part of Austria-Hungary, current Pazin, Croatia), to Italian parents. Unlike many composers born into highly musical environments, his early musical career was irregular at best. Political disputes over his birthplace of Istria, then part of the Austro-Hungarian empire, led to instability and frequent moves. His father was headmaster of an Italian-language school – the only one in the city – which was shut down at the start of World War I. The family, considered politically subversive, was placed in internment at Graz, Austria, where the budding composer did not even have access to a piano, though he did attend performances at the local opera house, which cemented his desire to pursue composition as a career. Once back in his hometown Pisino after the war, he travelled f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Theatre, Edinburgh
The King's Theatre is a theatre in Edinburgh, Scotland. History of the theatre The King's became famous for being a venue belonging to the theatre empire Howard & Wyndham. The theatre was originally commissioned by the Edinburgh Building Company Ltd, chaired by Robert C. Buchanan. The King's was built as a rival to the successful Royal Lyceum Theatre, which had been established for over twenty years. Buchanan was experienced in the industry as he already managed a large number of provincial variety theatres, however this was his most ambitious project yet. The foundation stone was laid on 18 August 1906 by Andrew Carnegie, with copies of the current newspaper and coins buried underneath. During construction the owners experienced financial troubles being unable to pay the final costs to the contractor William Stewart Cruikshank and to the architects, surveyors and lawyers, at which stage the operating rights were transferred to a new King's Theatre Company, of which Cruikshank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cocteau
Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The ''National Observer'' suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.” He is best known for his novels ''Le Grand Écart'' (1923), ''Le Livre blanc'' (1928), and '' Les Enfants Terribles'' (1929); the stage plays ''La Voix Humaine'' (1930), '' La Machine Infernale'' (1934), ''Les Parents terribles'' (1938), '' La Machine à écrire'' (1941), and ''L'Aigle à deux têtes'' (1946); and the films ''The Blood of a Poet'' (1930), ''Les Parents Terribles'' (1948), ''Beauty and the Beast'' (1946), ''Orpheus'' (1950), and ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Campanello
''Il campanello'' or ''Il campanello di notte'' (''The Night Bell'') is a dramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville ''La sonnette de nuit''. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade". Performance history The opera was presented in Italian at the Lyceum Theatre in London on 6 June 1836 and in English on 9 March 1841. It was also given in English in 1870. It was first performed in Italian in the US in Philadelphia on 25 October 1861; this production went on to New York three days later. An English translation was seen in that city on 7 May 1917. Among other performances, the work was staged by Teatro Regio di Torino in 1995 and by the Donizetti festival, Bergamo in 2010. Roles Synopsis :Time: Early 19th century :Place: NaplesOsborne 1994, p. 248 At the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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