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Koshi Guruma
, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the second group, Dai Nikyo, of the traditional throwing list, Gokyo (no waza), of Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo. It is classified as a hip technique, Koshi-waza. Technique description In Koshi Guruma the attacker tries to force his opponent to bend down a little and thereby be able to hold his right arm around the opponents head. This is no problem against smaller opponents. During this process he wheels his right hip inwards a bit past the opponents right hip. The legs follow in a series of steps during this wheel and in the new position the attacker simply bends over a bit, thereby lifting the opponent from the ground. The last step is then to rotate the body clockwise as this move throws the opponent to the ground. The attacker can choose to follow into the throw and, if done properly, positions himself directly into Kesa-gatame. Technique histo ...
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Nage-waza
In martial arts, a throw is a grappling technique that involves off-balancing or lifting an opponent, and throwing them to the ground, in Japanese martial arts referred to as ''nage-waza'', 投げ技, "throwing technique". Throws are a subset of takedown (grappling). Certain throwing techniques called sacrifice throws (''sutemi-waza'', 捨身技, "sacrifice technique") involve putting oneself in a potentially disadvantageous position, such as on the ground, in order to execute a throw. Types of throws There are several major types of throw, among Asian martial arts, Judo has the most developed throwing techniques and throws are considered its specialty. Most throws are named by describing the circumvention point of the throw (e.g., hip throw, shoulder throw, wrist throw etc.), or the nature of effect of the throw on the opponent (e.g., heaven and earth throw, valley drop, body drop) with variations are given descriptive names. The names used here are attributed to Jujutsu throw ...
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Hip Throwing Techniques
In vertebrate anatomy, hip (or "coxa"Latin ''coxa'' was used by Celsus in the sense "hip", but by Pliny the Elder in the sense "hip bone" (Diab, p 77) in medical terminology) refers to either an anatomical region or a joint. The hip region is located lateral and anterior to the gluteal region, inferior to the iliac crest, and overlying the greater trochanter of the femur, or "thigh bone". In adults, three of the bones of the pelvis have fused into the hip bone or acetabulum which forms part of the hip region. The hip joint, scientifically referred to as the acetabulofemoral joint (''art. coxae''), is the joint between the head of the femur and acetabulum of the pelvis and its primary function is to support the weight of the body in both static (e.g., standing) and dynamic (e.g., walking or running) postures. The hip joints have very important roles in retaining balance, and for maintaining the pelvic inclination angle. Pain of the hip may be the result of numerous caus ...
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Throw (grappling)
In martial arts, a throw is a grappling technique that involves off-balancing or lifting an opponent, and throwing them to the ground, in Japanese martial arts referred to as ''nage-waza'', 投げ技, "throwing technique". Throws are a subset of takedown (grappling). Certain throwing techniques called sacrifice throws (''sutemi-waza'', 捨身技, "sacrifice technique") involve putting oneself in a potentially disadvantageous position, such as on the ground, in order to execute a throw. Types of throws There are several major types of throw, among Asian martial arts, Judo has the most developed throwing techniques and throws are considered its specialty. Most throws are named by describing the circumvention point of the throw (e.g., hip throw, shoulder throw, wrist throw etc.), or the nature of effect of the throw on the opponent (e.g., heaven and earth throw, valley drop, body drop) with variations are given descriptive names. The names used here are attributed to Jujutsu throw ...
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Judo
is an unarmed modern Japanese martial art, Olympic sport (since 1964), and the most prominent form of jacket wrestling competed internationally.『日本大百科全書』電子版【柔道】(CD-ROM version of Encyclopedia Nipponica, "Judo"). Judo was created in 1882 by Kanō Jigorō () as an eclectic martial art, distinguishing itself from its predecessors (primarily Tenjin Shinyo-ryu jujutsu and Kitō-ryū jujutsu) due to an emphasis on "randori" (, lit. 'free sparring') instead of " kata" (pre-arranged forms) alongside its removal of striking and weapon training elements. Judo rose to prominence for its dominance over established jujutsu schools in tournaments hosted by the Tokyo Metropolitan Police Department (警視庁武術大会, ''Keishicho Bujutsu Taikai''), resulting in its adoption as the department's primary martial art. A judo practitioner is called a , and the judo uniform is called . The objective of competitive judo is to throw an opponent, immobilize them ...
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Judo Lists
Like many other martial arts, Kodokan judo provides lists of techniques students must learn to earn rank. For a more complete list of judo techniques by technique classification, including Japanese kanji, see the article judo techniques. Ukemi (breakfalls) Students first learn how to fall, and must master the fall exercises before moving on to the throws lists. * Mae ukemi, forward fall. * Ushiro ukemi, backward fall. * Yoko ukemi, side fall (accompanied by hard slap of tatami mat). * Mae Mawari Ukemi, forward judo roll. Nage-waza (throwing techniques) The 68 throws of Kodokan judo Dai ikkyo (1st group) # Deashi harai (or barai) # Hiza guruma # Sasae tsurikomi ashi # Uki goshi # Osoto gari (Major Outside Reap) # O goshi # Ouchi gari # Seoi nage Dai nikyo (2nd group) # Kosoto gari # Kouchi gari # Koshi guruma # Tsurikomi goshi # Okuriashi harai # Tai otoshi # Harai goshi # Uchi mata Dai sankyo (3rd group) # Kosoto gake # Tsuri goshi # Yoko otoshi # Ashi guruma # H ...
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Judo Technique
This is a list of judo techniques. They are categorized into throwing techniques (''nage-waza''), grappling techniques (''katame-waza''), body-striking techniques (''atemi-waza)'', blocks and parries (''uke-waza''), receiving/breakfall techniques (''ukemi''), and resuscitation techniques (''kappo''). Nage-waza (投げ技): throwing techniques Te-waza (手技): hand throwing techniques # Ippon seoinage (一本背負投): Single-handed back throw # Kata guruma (肩車): Shoulder wheel # Kibisu gaeshi (踵返): One-hand reversal # Morote gari (双手刈): Two-hand reap # Obi otoshi (帯落): Belt drop # Seoi nage (背負投): Back throw # Seoi otoshi (背負落): Back drop # Sukui nage (掬投): Scoop throw # Sumi otoshi (隅落): Corner drop # Tai otoshi (体落): Body drop # Uchi mata sukashi (内股透): Inner thigh void throw # Uki otoshi (浮落): Floating drop # Yama arashi (山嵐): Mountain storm # Kouchi gaeshi (小内返): Small inner reap reversal # Ku ...
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Kodokan
The , or ''Kōdōkan'' (講道館), is the headquarters of the worldwide judo community. The ''kōdōkan'' was founded in 1882 by Kanō Jigorō, the founder of judo, and is now an eight-story building in Tokyo. Etymology Literally, ''kō'' (講) means "to lecture", ''dō'' (道) means "way," and ''kan'' (館) is "a public building". Together it can be translated as "a place for the study of the way." Function The Kodokan Institute offers classes for those who want to master judo. The program is authorized as a non-regular school by the Tokyo Metropolitan Government. Its courses include the theories and practice of judo, and matters of general education. The course is divided into two parts: a general course for novices, and special courses for those who have completed the general course or its equivalent. The Kodokan also issues ranks, and many '' judoka'' (practitioners of judo) around the world become Kodokan members and have their ranks registered with the Kodokan. T ...
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The Canon Of Judo
The Canon of Judo is a book that was originally published in 1956, and written by Kodokan 10th dan, Kyuzo Mifune (1883-1965). The book covers almost all of the Kodokan recognized techniques, adds variations and new techniques, including Do-Jime in passing as well. The book also describes fifteen Kata developed by Mifune to teach adaptation through reversal and counters. The book organizes the techniques differently from the official Kodokan Gokyo. This book is based on new and revised material by the author made between the original publish date and the authors death. The original book, "Canon of Judo", does not contain this information. Furthermore, the original book was translated by K. Sugai whose translations were poor at best. (For example, "Or this is to throw him down by foot sweeping instant before his advanced-feet are fixed in order to change his position or break your balance.") Subjects covered The book gives a brief history of Jujutsu in Japan, and gives the lineag ...
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Uki Goshi
is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the first group, Dai Ikkyo, of the traditional throwing list, Gokyo (no waza), of Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo. It is classified as a hip technique, Koshi-Waza. Uki goshi is known as a favorite throw of Jigoro Kano himself. It is demonstrated in the Nage no Kata. It used to be much drilled in traditional judo dojos. Technique description Uki Goshi, also known as floating hip, is a type of hip throw. To execute the throw, the person throwing (known as tori) pulls the person being thrown, (known as uke) up and forward putting them off balance. ''Tori'' places ''uke'' round his/her back while turning so that the side of his/her hip is in close contact with ''uke'' and pulling ''uke's'' arm around. ''Tori'' then twists ''uke'' around using ''tori's'' back and hip as a pivot point. ''Tori's'' leading leg barely blocks ''uke's'' leading leg and ''tori'' ...
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O Goshi
is one of the original 40 throws of Judo as compiled by Jigoro Kano. It belongs to the of the , of Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo. It is classified as a . Technique description ''O-goshi's'' classification as a , indicates the central role that the hip plays in the execution of the technique. In this technique, is to uke's front. involves tori turning his hips, moving them in front and below uke's hips, with tori's passing behind uke's back, usually under uke's arm, while minimising the amount of space between tori's back and uke's chest. Tori's pulls uke's arm to the front, maintaining the balance break. involves tori lifting with the hips and bending forward while continuing the pull to the front and down, bringing uke onto the mat at tori's feet. History of technique ''O-goshi'' is known to have existed in the '' Tenjin Shinyō-ryū'' traditional school ('' koryū'') of '' jujutsu'', which Jigoro Kano studied prior to found ...
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