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Kawala
The ''kāwālā'' ( or ; also called ''salamiya'', ) is an end-blown cane flute used in Arabic music. It is similar to the '' ney'' but has six finger holes, while the ''ney'' has seven (including one in the back). The ''kawala'' comes in up to nine different sizes, according to the '' maqam''. Though very similar to the ney, a highly popular flute in traditional Middle Eastern music, the kawala does not have a hole in the back as the ney does. The kawala has the fundamental tonal structure customary among the Egyptian folk music community, and the basis for many folk melodies, instrumental or vocal. The kawala is hollow and has four knots, with six fingerholes in a straight line along it. The instrument has up to nine different sizes, according to the scale required in a musical composition. Most often played today at religious festivals and weddings, it has its origin as a shepherds tool, used to guide their flock. For this reason the seems to assist in any musical composit ...
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Kaval
The kaval is a Diatonic and chromatic, chromatic end-blown flute, end-blown oblique flute traditionally played throughout the Balkans (in Albania, Romania, Bulgaria, Southern Serbia, Kosovo, North Macedonia, Northern Greece, and elsewhere) and Anatolia (including Turkey and Armenia). The kaval is primarily associated with mountain Shepherd, shepherds. Unlike the transverse flute, the kaval is fully open at both ends, and is played by blowing on the sharpened edge of one end. The kaval has eight playing holes (seven in front and one in the back for the thumb) and usually four more unfingered Intonation (music), intonation holes near the bottom of the kaval. As a wooden rim-blown flute, kaval is similar to the ''kawala'' of the Arab world and ''ney'' of the Middle East. Construction While typically made of wood (European Cornel, cornel cherry, apricot, plum, boxwood (genus), boxwood, mountain ash, etc.), kavals are also made from water buffalo horn, ''Arundo donax'' Linnaeus ...
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Ney (Turkish)
The Turkish ney is an end-blown flute made of reed, an Ottoman variation on the ancient ney. Together with the Turkish tanbur lute and Turkish kemençe fiddle are considered the most typical instruments of Classical Turkish music. The ney also plays a primary role in the music of the Mevlevi Sufi rites (''semâ''). Description A rim-blown, oblique flute made of giant reed (''Arundo donax''), the Turkish ney has six finger-holes on the front and a high-set thumb-hole on the back. The thumb hole is not centered but rather is angled to the left or right depending on whether the instrument was intended to be played with the left or right hand on top. A feature that distinguishes it from similar instruments of other cultures is the flared mouthpiece or lip rest, called a ''bashpare'', traditionally made of water buffalo horn, ivory, or ebony, but in modern times many are plastic or similar durable material. The Turkish ney is played by pressing the ''bashpare'' against nearly ...
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Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples of other materials include brass, silver, cane, and other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air across the edge of a hole i ...
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Arabic Maqam
In traditional Arabic music, maqam (, literally "ascent"; ') is the system of melodic modes, which is mainly melodic. The word ''maqam'' in Arabic means place, location or position. The Arabic ''maqam'' is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabic art music". There are 72 heptatonic tone rows or scales of maqamat. These are constructed from augmented, major, neutral, and minor seconds. Each ''maqam'' is built on a scale, and carries a tradition that defines its habitual phrases, important notes, melodic development and modulation. Both compositions and improvisations in traditional Arabic music are based on the ''maqam'' system. ''Maqamat'' can be realized with either vocal or instrumental music, and do not include a rhythmic component. An essential factor in performance is that each maqam describes the "tonal-spatial factor" or set of musical notes and the rela ...
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Kwela
Kwela is a genre of street music originating from southern Africa. It is distinguished by its prominent use of the pennywhistle, jazz-inspired elements, and a distinctive skiffle-like rhythm. It evolved from the marabi sound. Kwela brought South African music to international prominence in the 1950s. Although Kwela has its roots in southern Africa, its later adaptations and many other African folk idioms have permeated Western music (listen to the albums ''A Swingin' Safari'' by the Bert Kaempfert Orchestra (1962) and ''Graceland'' by Paul Simon (1986)), giving modern South African music, particularly jazz, much of its distinctive sound and lilting swagger. The Piranhas' 1980 UK Top Ten hit 'Tom Hark' was based on an earlier 1950s Kwela hit song. One reason for the use of the pennywhistle is its affordability and portability. It is also valued for its versatility, functioning effectively as both a solo and ensemble instrument. The popularity of the pennywhistle may be because f ...
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