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Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer and songwriter considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Meek pioneered space age and experimental pop music, and assisted in the development of recording practices like overdubbing, sampling and reverberation. Charting singles Meek produced for other artists include " Johnny Remember Me" ( John Leyton, 1961), " Just Like Eddie" (Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), " Have I the Right?" ( the Honeycombs, 1964), and " Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five weeks at number one in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newent
Newent (; originally called "Noent") is a market town and civil parish in the Forest of Dean in Gloucestershire, England. The town is north-west of Gloucester. Its population was 5,073 at the 2001 census, rising to 5,207 in 2011, The population was 6,777 at the 2021 Census. Once a medieval market and fair town, its site had been settled at least since Roman times. The first written record of it appears in the 1086 Domesday Book. Etymology Noent, Newent's original name, may have meant "new place" in Celtic. It also may mean "new inn", referring to lodgings for travellers to Wales, according to John Leland (c. 1503–1552), who mentioned a house called ''New Inn'', later named ''The Boothall'', which provided lodging along the road to Wales. There was indeed such a house in Lewall Street, owned by members of the Richardson family in the late 18th and early 19th centuries. Lewall Street runs between High Street and Court Lane, north of Broad Street. Geography Situated only 3 m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier that year ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Leyton
John Dudley Leyton (born 17 February 1936) is an English retired actor and singer. Leyton as a singer is best known for his hit song "Johnny Remember Me" (written by Geoff Goddard and produced by Joe Meek), which reached number one in the UK Singles Chart in August 1961 despite being banned by the BBC for its death references. His follow-up single, " Wild Wind", reached number two in the same chart. Alongside singing, Leyton's acting career saw him appearing in television and films throughout the 1960s. His films included '' The Great Escape'', '' Guns at Batasi'', '' Von Ryan's Express'' and '' Krakatoa, East of Java''. In 2009, he also had a small role in the film ''Telstar'', a biopic based on Joe Meek's life in which Leyton himself was portrayed by Callum Dixon. Career Leyton went to Highgate School and after completing his national service with the Royal Army Service Corps, he studied drama, paying his way through drama school with bit-part roles in films and on tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Remember Me
"Johnny Remember Me" is a song which became a 1961 UK Singles Chart #1 hit single for John Leyton, backed by The Outlaws. It was producer Joe Meek's first #1 production. Recounting the haunting – real or imagined – of a young man by his dead lover, the song is one of the most noted of the ' death ditties' that populated the pop charts, on both sides of the Atlantic, in the early to mid-1960s. It is distinguished in particular by its eerie, echoing sound (a hallmark of Meek's production style) and by the ghostly, foreboding female wails that form its backing vocal, by Lissa Gray. The recording was arranged by Charles Blackwell. Despite the line, "the girl I loved who died a year ago" being changed to the more vague "the girl I loved and lost a year ago", the song was banned by the BBC, along with many other 'death discs', which were popular at the time. Creation and success The song was written and composed by Geoff Goddard who awoke inspired and sang it straight into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverberation
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflection (physics), reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 millisecond, ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overdubbing
Overdubbing (also known as layering) is a technique used in audio recording in which audio Music track, tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final Audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Pop
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental music, experimental techniques such as musique concrète, aleatoric music, or eclecticism in music, eclecticism into pop contexts. Often, the compositional process involves the use of electronic music, electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously. Experimental pop music developed concurrently with experimental jazz as a new kind of avant-garde, with many younger musicians embracing the practice of making studio recordings along the fringes of popular music. In the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, orchestration, reverb, unnatural reverb, and other sound ef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Mix Tapes
''Tiny Mix Tapes'' (also ''TMT'' or ''tinymixtapes'') is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, and sometimes surreal news, as well as a podcast and its mixtape generator. History Originally called ''Tiny Mixtapes Gone to Heaven'' and hosted on GeoCities, the webzine moved to its current domain in 2001. ''Tiny Mix Tapes'' is a featured reviewer on Metacritic. The writing staff is composed of volunteers who often use pen names (such as "Wolfman," "Mango Starr," "Chizzly St. Claw," and "Filmore Mescalito Holmes"). Some contributors, like Rebecca Armendariz and Alex Brown, go by their real names. Its cofounder and editor-in-chief is Minneapolis-resident Marvin Lin (who writes as "Mr. P"). The music reviews, features, news, film, comics, and the "DeLorean", "Cerberus", and "Automatic Mix Tapes" columns are edited by "Jay," "Gumshoe," "Dan Smart," Benjamin Pearson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auteur
An (; , ) is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director is likened to the "author" of the film, thus manifesting the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film '' The Bellboy'' via sweeping control, and was praised for "personal genius". By 1970, the New Hollywood era had emerged with studios granting directors broad leeway. Pauline Kael argued, however, that "a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Studio As An Instrument
In music production, the recording studio is often treated as a musical instrument when it plays a significant role in the music composition, composition of music. Sometimes called "playing the studio", the approach is typically embodied by artists or producers who favor the creative use of studio technology in record production, as opposed to simply documenting live performances in studio. Techniques include the incorporation of noise in music, non-musical sounds, overdubbing, magnetic tape, tape edits, sound synthesis, Audio_signal_processing#Audio_effects, audio signal processing, and combining segmented performances (Take#Music_recording, takes) into a unified whole. Composers have exploited the potential of multitrack recording from the time the technology was first introduced. Before the late 1940s, musical recordings were typically created with the idea of presenting a faithful rendition of a real-life performance. Following the advent of three-track tape recorders in the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
