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Javanese Mythology
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ideas has occurred. For example, the older ancestral mythology might be merged with foreign mythology, such as Hindu, Islam, or Christian biblical mythology. Foreign influences Some native Indonesian ethnic groups that were isolated from the rest of the world until recent centuries have their own native myths and gods. These native mythologies are relatively free from foreign influences, such as Torajans, Nias, Bataks, Dayaks and Papuans. By contrast, Javanese, Balinese,and Sundanese were influenced by Hindu-Buddhist Indian mythology as early as the 1st century CE. Hindu gods, legends and epics such as ''Ramayana'' and ''Mahabharata'' w ...
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Wayang Painting Of Bharatayudha Battle
, also known as ( jv, ꦮꦪꦁ, translit=wayang), is a traditional form of puppet theatre play originating from the Indonesian island of Java. refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as . Performances of wayang puppet theatre are accompanied by a ''gamelan'' orchestra in Java, and by ''gender wayang'' in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the ''Ramayana'' and the ''Mahabharata'', as well as local adaptations of cultural legends. Traditionally, a is played out in a ritualized midnight-to-dawn show by a ''dalang'', an artist and spiritual leader; people watch the show from both sides of the screen. performances are still very popular among Indonesians, especially in the islands of Java and Bali. performances are usually held at certain rituals, certain ceremonies, certain events, and even tourist attractions. In ritual contexts, puppet shows are used for prayer rituals (held in ...
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Hindu Gods
Hindu deities are the gods and goddesses in Hinduism. The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati. The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism's diverse traditions.Nicholas Gier (2000), Spiritual Titanism: Indian, Chinese, and Western Perspectives, State University of New York Press, , pp. 59-76Jeaneane D. Fowler (2012), The Bhagavad Gita, Sussex Academic Press, , pp. 253-262 The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy, to thirty-three major deities in the Vedas, to hundreds of deities mentioned in the Puranas of Hinduism. Illustrations of major deities include Vishnu, Lakshmi, Shiva, Parvati, Brahma and Saraswati. These deities have distinct and complex personalities, ...
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Pandawa
The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) refers to the five legendary brothers— Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva—who are the central characters of the Hindu epic ''Mahabharata''. They are acknowledged as the sons of Pandu, the King of Kuru, but were fathered by different '' Devas'' (gods) due to Pandu's inability to naturally conceive children. In the epic, the Pandavas married Draupadi, the princess of Panchala, and founded the city of Indraprastha after the Kuru Kingdom was split to avoid succession disputes. After their paternal cousins the Kauravas—led by Duryodhana—tricked them into surrendering their kingdom and refused to return it, the Pandavas waged a civil war against their extended family, and this conflict was known as the Kurukshetra War. With the help of the god Krishna, the Pandavas eventually won the war with the death of the Kauravas, albeit at great cost. Etymology The word ''Pandava'' ( sa, पाण्� ...
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Punakawan
In Javanese culture, Javanese ''wayang'' (shadow puppets), the ''panakawan'' or ''panakavan'' (''phanakavhan'') are the clown servants of the hero. There are four of them – ''Semar'' (also known as ''Ki Lurah Semar''), ''Petruk'', ''Gareng'' and ''Bagong''. ''Semar'' is the personification of a deity, sometimes said to be the ''dhanyang'' or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so ''Semar'' is always portrayed as short and fat with a pug nose and a dangling hernia. His three companions are his adopted sons, given to ''Semar'' as votaries by their parents. ''Petruk'' is portrayed as tall and gangling with a long nose, ''Gareng'' as short with a club foot and ''Bagong'' as obese. The panakawan always appear in the second act of a wayang performance – ''pathet sanga'' – as servants to the hero of the story regardless of who that hero is. Similar characters appear in ...
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Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy ('' shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively. T ...
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Nyai Roro Kidul
''Kanjeng Ratu Kidul'' Sundanese: ᮑᮤ ᮛᮛ ᮊᮤᮓᮥᮜ᮪, Nyai Rara Kidul) ( Javanese: ꦚꦻ​ꦫꦫ​ꦏꦶꦢꦸꦭ꧀, Nyi Rara Kidul) ( Balinese: ᬜᬶᬭᭀᬭᭀᬓᬶᬤᬸᬮ᭄, Nyi Rara Kidul) is a supernatural being in Indonesian folklore. She is the Queen of the Southern Sea (Indian Ocean) in Sundanese and Javanese mythology. In an older Sundanese folklore, she is a beautiful princess named Dewi Kadita who comes from the Sundanese kingdom of Pajajaran. According to Javanese beliefs, she is also the mythical spiritual consort of the Sultans of Mataram and Yogyakarta, beginning with Senopati and continuing to the present day. Names Nyai Loro Kidul spirit has many different names, which reflect the diverse stories of her origin in different sagas, legends, myths and traditional folklore. The Sundanese folk tale tells of Dewi Kadita, the beautiful daughter of the Sunda Kingdom in Western Java. Other names include Ratu Laut Selatan ("Queen of the Sou ...
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Dewi Sri
Dewi Sri or Shridevi ( Javanese: ꦢꦺꦮꦶꦱꦿꦶ, Balinese: ᬤᬾᬯᬶᬲ᭄ᬭᬶ, Dewi Sri)( Sundanese: ᮑᮄ ᮕᮧᮠᮎᮤ ᮞᮀᮠᮡᮀ ᮃᮞᮢᮤ, Nyai Pohaci Sanghyang Asri) is the Javanese, Sundanese, and Balinese Hindu Goddess of rice and fertility, still widely worshiped on the islands of Java, Bali and Lombok, Indonesia. The cult of the rice goddess has its origin in the prehistoric domestication, development and propagation of rice cultivation in Asia, possibly brought by Austroasiatic or Austronesian population that finally migrated and settled in the archipelago. Similar but slightly different rice spirits mythologies are widespread among Indonesian ethnicities and also neighboring countries. The mythology of Dewi Sri is native to Javanese and Sundanese, also Hinduism in the archipelago since early as the first century. She was equated with the Hindu goddess Shri Lakshmi, and often regarded as an incarnation or one of her manifestations. ...
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Semar
Semar is a character in Javanese mythology who frequently appears in wayang shadow plays. He is one of the punokawan (clowns), but is in fact divine and very wise. He is the dhanyang (guardian spirit) of Java,Geertz, 23. and is regarded by some as the most sacred figure of the wayang set. Holt, 144. He is said to be the god Sang Hyang Ismaya in human form.Budihardja, "Grepen uit de Wajang," ''Djawa'' II (1922), 22-23; cited in Holt, 145. The name Semar is said to derive from the Javanese word ''samar'' ("dim, obscure, mysterious"). He is often referred to with the honorific, "Kyai Lurah Semar" ("the venerable chief"). Description In depictions, Semar appears with a flat nose, a protruding lower jaw, a tired eye, and bulging rear, belly, and chest. He wears a checkered hipcloth, symbolizing sacredness. Like the other panakawan, the wayang kulit puppet does not have the elaborate openwork and ornamentation characteristic of the heroes In wayang wong, Semar always leans for ...
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Kinnara
A kinnara is a celestial musician, part human and part bird, who are musically paradigmatic lovers, in Hinduism and Buddhism. In these traditions, the ''kinnaras'' (male) and ''kinnaris'' (female counterpart) are two of the most beloved mythological characters. Believed to come from the Himalayas, they often watch over the wellbeing of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina. Their character is also clarified in the ''Adi Parva'' of the ''Mahabharata'', where they say: They are featured in a number of Buddhist texts, including the Jataka tales and Lotus Sutra. In Southeast Asian Buddhist mythology, kinnaris, the female counterpart of kinnaras, are depicted as half-bird, half-woman creatures. One of the many creatures that inhabit the mythical Himavanta, kinnaris have the head, torso, and arms of a woman and the wings, tail and feet of a swan. They are renowned for their dance, song and poetry, and are a traditi ...
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Apsara
An apsaras or apsara ( sa, अप्सरा ' lso ' pi, अक्चरा, translit=accharā) is a type of female spirit of the clouds and waters in Hinduism and Buddhist culture. They figure prominently in the sculpture, dance, literature and painting of many Indian and Southeast Asian cultures. There are two types of apsaras: ''laukika'' (worldly) and ''daivika'' (divine). Urvasi, Menaka, Rambha, Tilottama and Ghritachi are the most famous among them. They are most often depicted in the court and discretion of Indra. Apsaras are widely known as ''Apsara'' ( ) in Khmer, and also called as ''Accharā'' in Pāli, or ''Bidadari'' ( Malay, Maranao), ''Biraddali'' ( Tausug, Sinama), ''Hapsari/Apsari'' or ''Widadari/Widyadari'' ( Javanese), ''Helloi'' ( Meitei) and ''Apsorn'' ( th , อัปสร). English translations of the word "Apsara" include "nymph", " fairy", "celestial nymph", and "celestial maiden". In Hinduism, apsaras are beautiful, supernatural fem ...
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Asura
Asuras (Sanskrit: असुर) are a class of beings in Indic religions. They are described as power-seeking clans related to the more benevolent Devas (also known as Suras) in Hinduism. In its Buddhist context, the word is sometimes translated "titan", " demigod", or "antigod". According to Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called '' Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are called ''Devas'', while malevolent Asuras compete against these Devas and are considered "enem ...
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