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Jacques-Philippe D'Orneval
Jacques-Philippe d’Orneval called Dorneval was an 18th-century French playwright, born in Paris to an unknown date and died in 1766. We know nothing about his origins and life. He wrote more than 80 theatre plays for the theatres de la foire, alone or in collaboration with Alain-René Lesage, Louis Fuzelier, Alexis Piron, Joseph de La Font and Jacques Autreau. He ended his life in old age, having a passion for chemistry and Philosopher's Stone. Works *''Arlequin traitant'', three-act opéra comique, in prose and vaudevilles (22 March 1716, Foire Saint-Germain) *''Les Amours de Nanterre'', opéra comique in one act in collaboration with Autreau and Lesage (1718, Foire Saint-Laurent) *''L'Ile des Amazones'', one-act play in collaboration with Lesage (1718, Foire Saint-Laurent). Banned by the Opéra-Comique. *''Le Monde renversé'', one-act play in collaboration with Lesage (1718, Foire Saint-Laurent) *''La Forêt de Dodone'', one-act play in collaboration with Fuzelier and L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Foire
Théâtre de la foire is the collective name given to the theatre put on at the annual fairs at Saint-Germain and Saint-Laurent (and for a time, at Saint-Ovide) in Paris. Foire Saint-Germain The earliest references to the annual fair date to 1176. The fairground itself was established in 1482 by Louis XI for the benefit of the Abbey of Saint-Germain-des-Prés and was located near the Abbey on the Left Bank southwest of the city center just outside one of the gates of the city wall built by Philip II at the beginning of the 13th century. The covered Saint-Germain market today occupies part of the former fairground site with access from the Boulevard Saint-Germain via the Rue de Montfaucon satellite view. The fair generally lasted three to five weeks around Easter. During the 18th century it consistently opened on 3 February and lasted until Palm Sunday. The fair's first actors whose names are recorded were Jehan Courtin and Nicolas Poteau, who so entertained the Parisian public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain-René Lesage
Alain-René Lesage (; 6 May 166817 November 1747; older spelling Le Sage) was a French novelist and playwright. Lesage is best known for his comic novel '' The Devil upon Two Sticks'' (1707, ''Le Diable boiteux''), his comedy ''Turcaret'' (1709), and his picaresque novel ''Gil Blas'' (1715–1735). Life Youth and education Claude Lesage, the father of the novelist, held the united positions of advocate, notary and registrar of the royal court in Rhuys. His mother's name was Jeanne Brenugat. Both Lesage's father and mother died when Lesage was very young, and he was left in the care of his uncle who wasted his education and fortune. Père Bochard, of the Order of the Jesuits, Principal of the College in Vannes, became interested in the boy on account of his natural talents. Bochard cultivated Lesage's taste for literature. At age 25, Lesage went to Paris in 1693 "to pursue his philosophical studies". In August 1694, he married the daughter of a joiner, Marie Elizabeth Huyard. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Fuzelier
Louis Fuzelier (also ''Fuselier'', ''Fusellier'', ''Fusillier'', ''Fuzellier''; 1672 or 1674 ''Dictionnaire des journalistes (1600–1789)''] – 19 September 1752) was a French playwright. Fuzelier was born and died in Paris. He wrote more than 200 plays for the (theatres of the fair), alone or in collaboration with Alain-René Lesage, or |
Alexis Piron
Alexis Piron (9 July 1689 – 21 January 1773) was a French epigrammatist and dramatist. Life He was born at Dijon, where his father, Aimé Piron, was an apothecary. Piron senior wrote verse in the Burgundian language. Alexis began life as clerk and secretary to a banker, and then studied law. In 1719, when nearly thirty years old, he went to Paris, where an accident brought him money and notoriety. The jealousy of the regular actors produced an edict restricting the Théâtre de la Foire, or licensed booths at fair times, to a single character on the stage. None of the ordinary writers for this theatre would attempt a monologue-drama for the purpose, and Piron made a great success with a piece called ''Arlequin Deucalion'', representing Deucalion immediately after the Deluge, amusing himself with recreating in succession the different types of man. In 1728 he produced ''Les Fils ingrats'' (known later as ''L'Ecole des pères'') at the Comédie-Française. He attempted trage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph De La Font
Joseph de La Font (sometimes spelled Lafont; born 1686, died 20 March 1725) was an 18th-century French playwright. The son of a prosecutor at the parlement de Paris, La Font composed some twenty theatre plays, alone or in collaboration with Lesage and d'Orneval. He is best known for his 1714 opera-ballet ''Le triomphe ou les fêtes de Thalie'', with music by Jean-Joseph Mouret Jean-Joseph Mouret (11 April 1682 in Avignon – 22 December 1738 in Charenton-le-Pont) was a French composer whose dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are rarely per .... He died at the early age of 39 as a result of his passion for wine. References External links His plays and their presentationsoCÉSARJoseph de La Fonton {{DEFAULTSORT:Lafont, Joseph 18th-century French dramatists and playwrights 1686 births 1725 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Autreau
Jacques Autreau, a French portrait painter and dramatic poet, was born in Paris in 1657. He died in 1745. His portrait of himself is in the Palace of Versailles, Musée of Versailles. Theatre * ''Le Naufrage au Port-à-l'Anglois'', Théâtre-Italien; * ''L’Amante Romanesque, ou la Capricieuse'', Théâtre-Italien; * ''Les Amants ignorans'', Théâtre-Italien; * ''Panurge à marier'', Théâtre-Italien; * ''La Fille inquiète, ou Le Besoin d’aimer'', Théâtre-Italien; * ''Démocrite prétendu fou'', Théâtre-Italien; * ''Le Chevalier Bayard'', 1731, Théâtre-Français; * ''La Magie de l’Amour'', 1734 Théâtre-Français; * ''L’Opéra de Rhodope (non présented)''; * ''Platée'', music by Rameau; * ''Les Faux amis'', Théâtre-Italien; * ''Panurge marié dans les espaces imaginaires'', Théâtre-Italien; * ''Les Fêtes de Corinthe'', Théâtre-Italien; * ''Le Galant Corsaire'', Théâtre-Italien; * ''Mercure & Dryope'', Théâtre-Italien. References * External li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosopher's Stone
The philosopher's stone or more properly philosophers' stone (Arabic: حجر الفلاسفة, , la, lapis philosophorum), is a mythic alchemical substance capable of turning base metals such as mercury into gold (, from the Greek , "gold", and , "to make") or silver. It is also called the elixir of life, useful for rejuvenation and for achieving immortality; for many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, enlightenment, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). History Antiquity The earliest known written mention of the philosopher's stone is in the ''Cheirokmeta'' by Zosimos of Panopolis (c. 300 AD). Alchemical writers assign a longer history. Elias Ashmole and the anonymous author of ''Gloria Mundi'' (1620) claim that its history goes back to Adam, who acqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Play
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atys (Lully)
''Atys'' ('' Attis'') is a 1675 ''tragédie en musique'' — described in a 1708 revival as a ''tragédie mise en musique'' and today considered a ''tragédie lyrique'', a French form of opera — in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's '' Fasti''. It was premiered for the royal court on 10 January the following year by Lully's Académie Royale de Musique (Paris Opera) at the Château de Saint-Germain-en-Laye. The first public performance took place in April 1676 at the Théâtre du Palais-Royal. Although ''Atys'' was met with indifference by Paris audiences, it became known as "the king's opera" because of Louis XIV's fondness for it; it was repeated for him in 1678, 1682 and 1708. Roles Plot and music outline The French style of opera, established in the 1670s by Lully, was in five acts with a prologue. Prologue Lully's prologues normally served to comment on current events at the court of Louis XIV in a way tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Quinault
Philippe Quinault (; 3 June 1635 – 26 November 1688), French dramatist and librettist, was born in Paris. Biography Quinault was educated by the liberality of François Tristan l'Hermite, the author of ''Marianne''. Quinault's first play was produced at the Hôtel de Bourgogne in 1653, when he was only eighteen. The piece succeeded, and Quinault followed it up, but he also read for the bar; and in 1660, when he married a widow with money, he bought himself a place in the ''Cour des Comptes''. Then he tried tragedies (''Agrippa'', etc.) with more success. He received one of the literary pensions then recently established, and was elected to the Académie française in 1670. Up to this time he had written some sixteen or seventeen comedies, tragedies, and tragi-comedies, which began at the ''Hôtel de Bourgogne'' in 1653, and of which the tragedies were mostly of very small value and the tragi-comedies of little more. But his comedies—especially his first piece ''Les Riv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous '' comédie-ballets'', including '' L'Amour médecin'', '' George Dandin ou le Mari confondu'', '' Monsieur de Pourceaugnac'', '' Psyché'' and his best known work, '' Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
