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Jongmyo Jerye
''Jongmyo jerye'' () or ''jongmyo daeje'' () is a traditional rite held for worshipping the deceased Joseon monarchs in Jongmyo Shrine, Seoul, South Korea. It is held every year on the first Sunday of May. The ''jongmyo'' rite is usually accompanied with the court music playing (''Jerye-ak'') and dance called ''Ilmu'' or ''line dance''. ''Jongmyo jerye'' and ''jeryeak'' were designated as Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO in 2001. History The ritual has its origins in the Confucian royal ancestral shrine system practiced in premodern China and Korea. It is meant to pay tribute to ancestors and the gods, and was seen as one of the most important rituals and duties for the monarchy. At the latest, the ritual was well in place during the era of the three kingdoms of Korea, especially during the Goguryeo Dynasty. The ritual was then preserved over Silla era to the last Korean Dynasty of Joseon. The Jongmyo ritual, together with the Soil and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veneration Of The Dead
The veneration of the dead, including one's ancestors, is based on love and respect for the deceased. In some cultures, it is related to beliefs that the dead have a afterlife, continued existence, and may possess the ability to influence the fortune of the living. Some groups Veneration, venerate their direct, familial ancestors. Certain religious groups, in particular the Eastern Orthodox Churches, Anglican Church, and Catholic Church venerate saints as Intercession, intercessors with God; the latter also believes in prayer for Soul, departed souls in Purgatory. Other religious groups, however, consider veneration of the dead to be idolatry and a sin. In Culture of Europe, European, Culture of Asia, Asian, Oceanian, Culture of Africa, African and Afro-American religion, Afro-diasporic cultures (which includes but should be distinguished from multiple cultures and Indigenous populations in the Americas who were never influenced by the African Diaspora), the goal of ancestor vene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yi Won
Yi Won (; born Yi Sang-Hyeob; 23 September 1962) is a great-grandson of Gojong of Korea and one of several who claim to be current head of the House of Yi. Biography Yi Won was born as the eldest son of Yi Gap, the 9th son of Prince Yi Kang by one of his partners at Hyehwa-dong, Jongno District, Seoul. He attended the Sangmun High School during 1979–1981 and completed studies in broadcasting at the New York Institute of Technology, United States. He and his wife have had two children, the eldest son, Yi Kwon (), born in 1998; the other son, Yi Yeong (), born in 1999. He worked as a general manager of Hyundai Home Shopping, a Hyundai Department Store Group company, until Prince Yi Ku died on 16 July 2005. After the death of Yi Ku, the Jeonju Lee Royal Family Association made him the heir of the late prince; Yi Won was later announced to be the director of the association on 27 June 2007. Officially, as noble titles aren't recognized by the Constitution of South Korea, Yi W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yak (instrument)
The ''yak'' () is a small flute used vertically, which has three holes and is used in court music. It is a wind instrument, a small carved instrument, which was imported from China in 1116 (the eleventh year of Goryeo's King Yejoing period). This wind instrument was called a wiyak because it was made of reeds, not bamboo. It is currently made of thick yellow bamboo. It is used for Aak (hanja Hanja (; ), alternatively spelled Hancha, are Chinese characters used to write the Korean language. After characters were introduced to Korea to write Literary Chinese, they were adapted to write Korean as early as the Gojoseon period. () ...: 雅樂), and according to the instrument classification method, it belongs to Jukbu (竹部) or Gongmyeong instrument (共鳴樂器). The yak has only three holes, but can play all 12 different shades. Originally an instrument used in the Chinese "aak", the yak arrived in Korea during the Koryo dynasty and was used during the performance of cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dangak
''Dangak'' () is a genre of traditional Korean court music. The name means " Tang music", and the style was first adapted from Tang Dynasty Chinese music during the Unified Silla period in the late first millennium. It was continued through the Goryeo (918–1392) and Joseon (1392–1910) dynasties, when, along with ''hyangak'' and '' aak'' it was one of the three approved genres of court music. ''Dangak'' performances were accompanied by Tang-style dances known as ''dangak jeongjae''. Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (; 1394–1457) and later of the Jangagwon (), the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''. One of the most famous pieces in the ''dangak'' repertoire is called ''Nakyangchun'' (). The American composer Lou Harrison, who studied traditional music in South Korea in 1941, created an arr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyangak
''Hyangak'', literally "indigenous/native music, folks music" is a traditional form of Korean court music with origins in the Three Kingdoms of Korea, Three Kingdoms period (57 BC – 668 AD). It is often accompanied by traditional folk dances of Korea, known as ''hyangak jeongjae''. These dances are performed in front of audiences—as opposed to the square dance more familiar to Westerners, which is primarily for the participants' enjoyment. One important ''hyangak'' piece is ''Yeomillak'' (hangul: 여민락; hanja: wikt:與, 與wikt:民, 民wikt:樂, 樂). Few ''hyangak'' pieces are performed in Chinese style; these include ''Pollyeong'', ''Haeryeong'' (hangul: 해령; hanja: wikt:解, 解wikt:令, 令), and ''Poheoja'' History During the Unified Silla Period, Hyangak began to be used as a symmetrical concept with dangak. At that time, Hyangak included both native music from the Korean Peninsula and foreign music that had been adopted before the unified Silla Dynasty. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goryeo
Goryeo (; ) was a Korean state founded in 918, during a time of national division called the Later Three Kingdoms period, that unified and ruled the Korea, Korean Peninsula until the establishment of Joseon in 1392. Goryeo achieved what has been called a "true national unification" by Korean historians as it not only unified the Later Three Kingdoms but also incorporated much of the ruling class of the northern kingdom of Balhae, who had origins in Goguryeo of the earlier Three Kingdoms of Korea. According to Korean historians, it was during the Goryeo period that the individual identities of Goguryeo, Baekje and Silla were successfully merged into a single entity that became the basis of the modern-day Koreans, Korean identity. The name "Korea" is derived from the name of Goryeo, also romanized as Koryŏ, which was first used in the early 5th century by Goguryeo; Goryeo was a successor state to Later Goguryeo and Goguryeo. Throughout its existence, Goryeo, alongside Unified S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayue
''Yayue'' () was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of ''yayue'' were established in the Western Zhou. Together with law and rites, it formed the formal representation of aristocratic political power. The word ''ya'' () was used during the Zhou dynasty to refer to a form of song-texts used in court and collected in '' Shijing''. The term ''yayue'' itself appeared in Confucius's ''Analects'', where ''yayue'' was considered by Confucius to be the kind of music that is good and beneficial, in contrast to the popular music originated from the state of Zheng which he judged to be decadent and corrupting. ''Yayue'' is therefore regarded in the Confucian system as the proper form of music that is refined, improving, and essential for self-cultivation, and one that can symbolize good and stable governance. It means the kind of solemn ceremonial music used in court, as well as ritual music in temples inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gugak Center
The National Gugak Center (), located in Seoul, South Korea, is the primary institution of learning for Korean traditional music (), including both court music and folk music. It was founded in 1951 through a merger of Korean musical organizations. It is dedicated to "preserving and promoting traditional Korean music." Through academic courses, private study, ensembles, research, and performances, it preserves Korea's ancient musical traditions, including the ancient court ritual music called '' aak'' as well as the ritual music performed for the Jongmyo (royal ancestral shrine) and the Munmyo (Confucian shrine). Historical musical organizations While Korean court music dates back to the music institute of the Silla kingdom in the 7th century, the present is the direct successor to the Jangakwon music institution of the Joseon Dynasty. Jangakwon went through various name changes until 1945: *Jangakwon 장악원 掌樂院 (1470) *Gyobangsa 교방사 敎坊司 (1897) *J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Intangible Cultural Properties Of Korea
National Intangible Cultural Heritage () is a national-level designation within the Heritage preservation in South Korea, heritage preservation system of South Korea for intangible cultural heritage. This and other national-level designations are maintained by South Korea's Cultural Heritage Administration (CHA). There is a separate local-level designation called "Intangible Cultural Properties". That designation is administered by provinces or cities rather than by the CHA. Practices of particular importance can be designated as Important Intangible Cultural Properties (). History The 1962 Cultural Property Protection Law that governs the system was modelled on the Japanese Cultural Properties of Japan#Present 1950 Law for the Protection of Cultural Properties, 1950 Law for the Protection of Cultural Properties, which provides for the designation of Intangible Cultural Properties as well as the holders of these craft and performance traditions, known informally as Living Nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jongmyo DSC 6892
Jongmyo () is a Confucian royal ancestral shrine in the Jongno District of Seoul, South Korea. It was originally built during the Joseon period (1392–1897) for memorial services for deceased kings and queens. According to UNESCO, the shrine is the oldest royal Confucian shrine preserved and the ritual ceremonies continue a tradition established in the 14th century. Such shrines existed during the Three Kingdoms of Korea period (57–668), but these have not survived. The Jongmyo Shrine was added to the UNESCO World Heritage list in 1995. Changdeokgung and Changgyeonggung lie to the north of Jongmyo. Yulgok-ro separated Jongmyo from the palaces from 1932 to 2019, until Yulgok-ro was turned into a road tunnel and the connection between Jongmyo and the palaces restored. The main buildings of Jongmyo were constructed in October 1394 when Taejo, founder and first king of Joseon, moved the capital to Hanseong (present-day Seoul). The shrine was destroyed by fire in the Japanese inv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
