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Jim Hall Discography
Jim Hall was an American jazz guitarist, composer, and arranger. His discography consists of 39 studio albums, 10 live albums, 1 EP, 1 single, 10 videos, and 22 compilations, all released between 1957 and 2016. In addition, he was a sideman on numerous albums by other artists. Studio albums (as leader/co-leader) * 1957: ''Jazz Guitar'' (Pacific Jazz, 1957) – reissued in 1964 with overdubbed drums as ''The Winner!'' (Fontana). Also reissued in 2014 as disc 2 of the 10-disc collection ''Jazz Guitar: Ultimate Collection, Vol. 1'' (Documents) * 1957: ''The Street Swingers'' with Bob Brookmeyer and Jimmy Raney (World Pacific, 1958) * 1958?: ''A Girl & a Guitar'' with Lee Schaefer (United Artists, 1958) * 1960: ''Jazz Abstractions'' with Gunther Schuller (Atlantic, 1961) * 1963: ''Undercurrent'' with Bill Evans (United Artists, 1962) * 1964 '' Two Jims and Zoot'' with Jimmy Raney and Zoot Sims (Mainstream) – reissued as ''Otra Vez'' (Mainstream, 1972) * 1966: ''Intermodulation ...
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Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Clev ...
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Atlantic Records
Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over its first 20 years of operation, Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Its position was greatly improved by its distribution deal with Stax. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes. In 2004, Atlantic and its sister label Elektra were merged into the Atlantic Records Group. Craig Kallman is the chairman of Atlantic. Ahmet Ertegun served as founding chairman until his death on December 14, 2006, at age 83. History Founding and early history In 1944, brothers Nesuhi and Ahm ...
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CTI Records
CTI Records (Creed Taylor Incorporated) is a jazz record label founded in 1967 by Creed Taylor. CTI was a subsidiary of A&M before becoming independent in 1970. Its first album was '' A Day in the Life'' by guitarist Wes Montgomery in 1967. The final release, by the CTI Jazz All-Star Band, was recorded live at the Montreux Jazz Festival in 2009, and released in November 2010 on multiple formats: CD, DVD and Blu-ray. Its roster included George Benson, Ron Carter, Eumir Deodato, Astrud Gilberto, Freddie Hubbard, Bob James, Antonio Carlos Jobim, Hubert Laws, Stanley Turrentine, and Walter Wanderley. History Don Sebesky created many of the arrangements for CTI and its subsidiary labels. He was later joined by Bob James and then David Matthews in the mid-1970s. Taylor used Van Gelder Studio in Englewood Cliffs, New Jersey, with Rudy Van Gelder engineering nearly all sessions until the later years of the label. Sessions included Ron Carter, Eric Gale, Herbie Hancock, Bob James, ...
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Concierto
''Concierto'' is an album by the Jim Hall sextet, featuring Paul Desmond, Chet Baker, Ron Carter, Steve Gadd and Roland Hanna. It was produced by Creed Taylor for his CTI Records label and recorded at Van Gelder Studio in New Jersey on April 16 and 23, 1975. ''Concierto'' is named after the featured 19-minute jazz version of the classical piece for guitar, '' Concierto de Aranjuez'' by Joaquín Rodrigo. Track listing #" You'd Be So Nice to Come Home To" (Cole Porter) – 7:08 #"Two's Blues" (Jim Hall) – 3:51 #"The Answer Is Yes" (Jane Hall) – 7:41 #" Concierto de Aranjuez" ( Joaquín Rodrigo) – 19:22 Bonus tracks on CD reissue: #"Rock Skippin'" (Ellington, Strayhorn) – 6:14 #"Unfinished Business" (Andrews, Carter, Chavez, Hall, Von Roth) – 2:37 #"You'd Be So Nice to Come Home To" lternate Take- 7:28 #"The Answer Is Yes" lternate Take- 5:36 #"Rock Skippin'" lternate Take- 6:05 ''Tracks 3, 4 recorded on April 16, 1975; tracks 1, 2, 6, 8 on April 23, 1975.'' ...
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Milestone Records
Milestone Records is an American jazz record company and label founded in 1966 by Orrin Keepnews and Dick Katz in New York City. The company was bought by Fantasy Records in 1972. Since then, it has produced LP reissues (including items from Keepnew's earlier Riverside label) as well as new recordings. Sonny Rollins and McCoy Tyner are among the musicians who recorded for the label. Milestone has reissued many historic jazz recording sessions, including the Jelly Roll Morton, King Oliver, and the New Orleans Rhythm Kings sides made for Gennett Records in the 1920s. The label also issued blues albums, most of them produced by Pete Welding. They include Driftin' Slim & His Blues Band's ''Somebody Hoo-Doo'd The Hoo-Doo Man,'' in addition to LPs by Mississippi Fred McDowell and Big Joe Williams. Another company called Milestone Records was active in the late 1950s, releasing music by acts such as The Jodimars and The Blue Jays. This label was owned by rockabilly ...
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Where Would I Be?
''...Where Would I Be?'' is an album by guitarist Jim Hall which was recorded in 1971 and first released on the Milestone label.Concord Artists: Jim Hall
accessed November 17, 2016


Reception

awarded the album 3 stars and its review by Scott Yanow states "Although the rhythm section was more "modern" than he usually used (keyboardist Benny Aronov, bassist Malcolm Cecil, and Airto Moreira on drums and percussion), guitarist Jim Hall (who always had a harmonically advanced style anyway) has little difficulty adapting to the fresh setting".


Track listing

All compositions by Jim Hall except where noted. # "Simple Samba" - 4:18 # "Where Would I B ...
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MPS Records
MPS Records was a German jazz record company and label founded in 1968 by Hans Georg Brunner-Schwer. MPS stands for "Musik Produktion Schwarzwald" (Music Production Black Forest). History Originally based in Villingen, MPS was founded as the successor to the SABA record label by Hans Georg Brunner-Schwer, Joachim-Ernst Berendt, Willy Fruth, and Achim Hebgen (who also worked as producers). Founded in 1968, MPS was the first German label to exclusively release jazz recordings. MPS produced and released albums by American, Canadian, European and Japanese jazz artists. Recordings of the JazzFest Berlin, the Donaueschingen Festival and the New Jazz Meeting Baden-Baden were also issued. Besides its own productions, MPS also licensed and distributed recordings from other companies. Performers under contract to MPS included Oscar Peterson, Hans Koller, Horst Jankowski, George Duke, Erwin Lehn, Volker Kriegel, Albert Mangelsdorff, the Singers Unlimited, Wolfgang Dauner, the Kenny ...
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It's Nice To Be With You (Jim Hall Album)
''It's Nice to Be With You'' (subtitled ''Jim Hall in Berlin'') is an album by guitarist Jim Hall which was recorded in 1969 during a European tour and released on the MPS label. Reception AllMusic awarded the album 3 stars and its review by Ken Dryden states "this collectible release is well worth acquiring". Track listing All compositions by Jim Hall except where noted. # " Up, Up and Away" ( Jimmy Webb) - 4:57 # "My Funny Valentine" (Richard Rodgers, Lorenz Hart) - 3:28 # "Young One for Debra" - 4:26 # "Blue Joe" - 4:45 # "It's Nice to Be with You" (Jane Herbert) - 4:43 # "In a Sentimental Mood" (Duke Ellington) - 5:50 # " Body and Soul" (Johnny Green, Edward Heyman, Robert Sour, Frank Eyton) - 6:21 # "Romaine" - 2:58 Personnel * Jim Hall - guitar * Jimmy Woode - bass *Daniel Humair - drums Trivia The album cover shows Jim Hall having his daughter Devra eat a bite of a bockwurst Bockwurst is a German cuisine, German sausage traditionally made from ground veal and p ...
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Verve Records
Verve Records is an American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz, Bill Evans, Billie Holiday, and Oscar Peterson, among others. It absorbed the catalogues of Granz's earlier label, Clef Records, founded in 1946; Norgran Records, founded in 1953; and material which was previously licensed to Mercury Records. Verve also served as the original home of rock acts such as The Velvet Underground, Frank Zappa and the Mothers of Invention. The restructured Verve Records is now part of the Verve Label Group (VLG), a subsidiary of Universal Music Group. This company is also home to historic imprints including Verve Forecast, Impulse! and Decca Records. History Norman Granz created Verve to produce new recordings by Ella Fitzgerald, whom he managed; the first album the label released was ' ...
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Intermodulation (album)
''Intermodulation'' is a 1966 jazz album by pianist Bill Evans and jazz guitarist Jim Hall. It is a follow-up to their 1962 collaboration ''Undercurrent''. Reception Writing for Allmusic, music critic Michael G. Nastos wrote of the album: "A duet recording between pianist Bill Evans and guitarist Jim Hall is one that should retain high expectations to match melodic and harmonic intimacies with brilliant spontaneous musicianship. Where this recording delivers that supposition is in the details and intricacy with which Evans and Hall work, guided by simple framings of standard songs made into personal statements that include no small amounts of innovation... At only 32 and a half minutes, it's disappointing there are no bonus tracks and/or additional material for a CD-length reissue, but Intermodulation still remains a precious set of music from these two great modern jazz musicians." Track listing #"I've Got You Under My Skin" (Cole Porter) – 3:24 #"My Man's Gone Now" (Geo ...
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Mainstream Records
Mainstream Records is an American record company and independent record label founded by producer Bob Shad in 1964. Mainstream's early releases were reissues from Commodore Records. Its catalogue grew to include Bob Brookmeyer, Maynard Ferguson, Jim Hall, Helen Merrill, Carmen McRae, Jimmy Raney, Zoot Sims, Clark Terry, and Sarah Vaughan. Janis Joplin, with Big Brother and the Holding Company, first appeared on Mainstream. In 1978, Mainstream ceased activities. Bob Shad died in 1985. In 1990, the label was restarted by his daughter, Tamara, and Humphrey Walwyn, the former head of BBC Records. It was bought by Legacy Recordings in 1993 and purchased back by the Shad family in the early 2000s. The label is now run by Shad's granddaughter Mia Apatow, with the help of her brother Judd Apatow. Discography 56000/S6000 series (12" LPs) The Mainstream 56000/S6000 Series commenced in 1964 when the label was established by Bob Shad and ran until 1971 and initially reissued material from ...
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Zoot Sims
John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn. Biography Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims. Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and B ...
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