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Jeux D'eau (Ravel)
''Jeux d'eau'' () is a piece for solo piano by Maurice Ravel, composed in 1901 and given its first public performance the following year. The title is variously translated as "Fountains", "Playing Water" or literally "Water Games". At the time of writing ''Jeux d'eau'', Ravel was a student of Gabriel Fauré, to whom this piece is dedicated. The work is in a single movement, typically lasting between four and a half and six minutes in performance. ''Jeux d'eau'' has a claim to being the first example of impressionism in piano music. The piece is known for its virtuosic, fluid, and highly evocative nature, and is considered one of Ravel's most important works for piano. The piece is characterized by its fast, shimmering, and cascading piano figurations, which are meant to evoke the sound of flowing water. The overall atmosphere of "Jeux d'eau" is one of lightness, playfulness, and sensuousness, and the piece is often described as a musical depiction of the joy and beauty of nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism (music), modernism, baroque music, baroque, Neoclassicism (music), neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estampes
''Estampes'' (Prints), L. 100, is a composition for solo piano by Claude Debussy. It was finished in 1903. The first performance of the work was given by Ricardo Viñes at the Salle Érard of the Société nationale de musique in Paris on 9 January 1904. This suite with 3 movements is one of a number of piano works by Debussy which are often described as impressionistic, a term borrowed from painting. This style of composition had been pioneered by Ravel in ''Jeux d'eau'' written in 1901, and was soon adopted by Debussy (for example in the earlier numbers of ''Images''), but Debussy did not himself identify as an impressionist. Structure ''Estampes'' consists of three movements: I. ''Pagodes'' ''Pagodes'' evokes Indonesian gamelan music, which Debussy first heard in the Paris World Conference Exhibition of 1889. It makes extensive use of pentatonic scales and mimics traditional Indonesian melodies. Four different pentatonic scales are incorporated within the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called monothematic, while music based on several themes is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Seventh
In music from Western culture, a seventh is a interval (music), musical interval encompassing seven staff positions (see Interval (music)#Number, Interval number for more details), and the major seventh is one of two commonly occurring sevenths. It is qualified as ''major'' because it is the larger of the two. The major seventh spans eleven semitones, its smaller counterpart being the minor seventh, spanning ten semitones. For example, the interval from C to B is a major seventh, as the note B lies eleven semitones above C, and there are seven staff positions from C to B. Diminished seventh, Diminished and Augmented seventh, augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve). The easiest way to locate and identify the major seventh is from the octave rather than the unison, and it is suggested that one sings the octave first.Keith Wyatt, Carl Schroeder, Joe Elliott (2005). ''Ear Training for the Contempora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome () is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light. Musicians—and others including dancers, athletes, and health professionals—often practise with a metronome to improve their timing, especially the ability to maintain a steady tempo with a regular beat or pulse. Composers and conductors often use numerical metronome markings to communicate their preferred tempos to musicians preparing for a performance. A type of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented a mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E major are: * Tonic – E major * Supertonic – F-sharp minor * Mediant – G-sharp minor * Subdominant – A major * Dominant – B major * Submediant – C-sharp minor * Leading-tone – D-sharp diminished Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arbie Orenstein
Arbie Orenstein (born 1937) is an American musicologist, author, academic and pianist, known as a scholar of the life and works of the composer Maurice Ravel and, more generally, as an expert on Jewish music. Life and career Orenstein was born in New York and was educated at the High School of Music and Art, Queens College, and Columbia University, receiving a doctorate in musicology."Arbie Orenstein" , retrieved 2 April 2015 He is known as a scholar, and his books include ''The Vocal Works of Maurice Ravel'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España (Chabrier), España'' and ''Joyeuse marche'', Chabrier left a List of operas and operettas by Emmanuel Chabrier, corpus of operas (including ''L'étoile (opera), L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Temps
' (, ) is a Swiss French-language daily newspaper published in Berliner format in Geneva by Le Temps SA. The paper was launched in 1998, formed out of the merger of two other newspapers, and (the former being a merger of two other papers), as those papers were facing financial problems. It is the sole nationwide French-language non-specialised daily newspaper of Switzerland. Since 2021, it has been owned by Fondation Aventinus, a not-for-profit organisation. is considered a newspaper of record in Switzerland. History Predecessor papers The paper's three predecessors were the (founded 1798), the (founded 1826), and (founded 1991). The ' and the ' were merged in 1991 as the , which was partially motivated by those paper's financial issues as well as the impending creation of .' Due to financial issues, it was proposed that the ' and merge in 1996. The editorial staff of both papers met, but this was declined by publisher Edipresse as it would have resulted in lay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Lalo
Pierre Lalo (6 September 1866– 9 June 1943) was a French music critic and translator. He was the son of the composer Edouard Lalo. His reviews for the Parisian paper ''Le Temps'' combined conservatism and wit; among his principal targets was the composer Maurice Ravel, whose music Lalo disparaged throughout his career. In addition to his journalistic work Lalo served on the governing boards of the Paris Conservatoire and the national radio station Radiodiffusion. Life and career Lalo was born in Puteaux, west of central Paris. His father, Edouard Lalo, was a composer; his mother, Julie de Maligny, was a professional singer of Breton origin. He studied at the École polytechnique in Paris. He was a fine scholar, excelling in the study of literature, classics, philosophy and modern languages.Trevitt, John"Lalo, Pierre" Grove Music Online, Oxford University Press, retrieved 4 March 2015 From 1896 Lalo contributed articles to the ''Journal des débats'', and two years later h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavane Pour Une Infante Défunte
''Pavane pour une infante défunte'' (''Pavane for a Dead Princess'') is a work for piano solo, solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in B), two bassoons, two French horn, horns, harp, and string section, strings. The ''Pavane'' lasts between six and seven minutes and is considered a masterpiece. History Ravel described the piece as "an evocation of a pavane that a little princess might, in former times, have danced at the Spanish court". The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries. This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for Spanish customs and sensibilities, which Ravel shared with many of his contemporar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
