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Jean-Baptiste Vuillaume
Jean-Baptiste Vuillaume (; 7 October 1798 – 19 March 1875) was a French luthier, businessman, inventor and winner of many awards. He was one of the finest French luthiers of the 19th century and a key figure in the world of violin making. His workshop made more than 3,000 instruments. His vision was the ethics and beauty of the Cremona school. Early life Vuillaume was born in Mirecourt, where his father and grandfather were luthiers. His father taught him the basics of violin making. Career Vuillaume moved to Paris in 1818 to work for François Chanot. In 1821, he joined the workshop of Simon Lété, François-Louis Pique's son-in-law, at Rue Pavée St. Sauveur. His first labels are dated 1823. Lété and Vuillaume became partners and in 1825 settled in the Rue Croix-des-Petits-Champs under the name of "Lété et Vuillaume". In 1827, at the height of the Neo-Gothic period, he started to make imitations of old instruments, some of which were identical to the origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirecourt
Mirecourt () is a Communes of France, commune in the Vosges (French department), Vosges Departments of France, department in Grand Est in northeastern France. Mirecourt is known for lace-making and the manufacture of musical instruments, particularly those of the violin family. Geography Mirecourt is the administrative capital of a Canton of Mirecourt, canton positioned in the Xantois district at the heart of the Vosges plain, at the confluence of the Madon, River Madon with the Arol Valley. Most of the town is laid out on the west side of the Madon on a succession of levels. Visitors are attracted by the richness of the town's architecture and by the natural advantages of the site. Mirecourt is also at the heart of a road crossing, from Vittel, from Épinal to the east by southeast, from Neufchâteau, Vosges, Neufchâteau and from Nancy, France, Nancy. For much of the twentieth century Mirecourt was a staging post on the :fr:Route nationale 66, RN66, a major road towards Pari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cremona Society
The Cremona Society of London was founded in 1886 for the study of the violin and other stringed instruments. The name The Society was named after the Cremona region of Italy which had a long Traditional violin craftsmanship in Cremona, tradition of violin making, and from which some the greatest stringed instrument makers such as Antonio Stradivari and Giuseppe Guarneri had come. The name is not unique. There was a Berlin Cremona Society, a Boston Cremona Society, and the Bard College Conservatory of Music, Bard Conservatory has a Cremona Society, open to those who loan or donate a violin to the Conservatory. Monthly meetings and transactions The society held monthly meetings from October to June. Membership was ten shillings and sixpence a year, half a guinea. Who's Who in Music and stated that the Society published the transactions annually. However, the British Library holds one volume (Volume One) of the Transactions, published in 1906, when the Society was twenty years old, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Peccatte
Dominique Peccatte (15 July 1810 – 13 January 1874) was a French luthier and above all a renowned bow maker. He was apprenticed in Mirecourt and later worked with Jean-Baptiste Vuillaume. He is notable for adapting the "hatchet-shaped" type head — a model arrived at by François Tourte, Tourte — and is considered one of the most influential bow makers. His brother François Peccatte and nephew Charles Peccatte were also remarkable bow-makers. Peccatte’s two best-known pupils were Joseph Henry (bow maker), Joseph Henry and Pierre Simon. He also purportedly taught François Xavier Bazin. Biography Apprenticed to a violin maker in Mirecourt, Peccatte soon worked in the workshop of Vuillaume, from 1826 to 1837. Here he studied with Jean Pierre Marie Persois, and also met François Tourte. Like François Nicolas Voirin, his early bows were sometimes stamped "VUILLAUME A PARIS". By 1838 he had taken over the workshop of François Lupot, after assisting him from 1836 (the y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Adam (bow Maker)
Jean Adam (1823–1869) was a (third generation) Master French bow maker known as "Grand Adam" (not to be confused with his grandfather also named Jean Adam). His bows are highly sought after. Jean was born in Mirecourt on 26 February 1823. Grand Adam served his apprenticeship and continued to work under his father, Jean Dominique Adam Jean Dominique Adam (29 December 17956 October 1842) was an illustrious French Archetier / Bowmaker. Early life and education Jean Dominique was born in Mirecourt Mirecourt () is a Communes of France, commune in the Vosges (French department) ... (1795–1864) until 1842 when he went to Paris to work for Jean Baptiste Vuillaume. For the most part, "he was inspired by his father and also perhaps by Joseph Fonclause." Paris played an integral part in his development as a master craftsman. At the height of his promising career, he decided to return to Mirecourt in 1853 where he set up his own shop and produced a great number of bows. His bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Pierre Marie Persois
Jean Pierre Marie Persoit ersois'' - (1782/83? in Mirecourt – after 1854) was a great and intriguing French bowmaker or ''Archetier''. One of the first bowmakers to be hired by the young Jean Baptiste Vuillaume. Persoit seems to have worked in this studio for at least 15 years (1823–41 according to Millant; 1828–43 according to Étienne Vatelot). It nevertheless remains difficult to recognize his work under the Vuillaume stamp. His best bows, are remarkably close to the François Tourte style (especially those with octagonal sticks), though there are small but telling differences: the octagonals are not so sharply planed; the heads are rather more squared; the frogs are more solid and with shallower throats; and the distinctive buttons have unequally wide bands which cover most of the ebony. Persoit's round-shafted bows are more personal and generally bulkier than the Tourte ideal. Most are also slightly short. His brand PRS is stamped on the stick under the frog a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanhope (optical Bijou)
A stanhope or stanho-scope is an optical device that enables the viewing of microphotographs without using a microscope.Focal encyclopedia of photography' By Michael R. Peres Focal Press, 2007 The Strad Magazine October 2005 pp. 51-54 They were invented by René Dagron in 1857. Dagron bypassed the need for an expensive microscope to view the microscopic photographs by attaching the microphotograph at the end of a modified Stanhope lens. He called the devices ''bijoux photo-microscopiques'' or ''microscopic photo-jewelry''.The Photographic Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bow Frog
The bow frog is the end part of a stringed musical instrument's bow that encloses the mechanism responsible for tightening and holding the bow hair ribbon. Most of the bow frogs used in today's classical bows are made of ebony; some synthetic bows have frogs made with materials that imitate ebony, while Baroque bows use frogs made with various woods. Etymology and names The origin of the name ''frog'' is unknown, although it may derive from the use of the frock, the small device that bow makers use to shape it. It is also referred to as the "heel" or "nut" of the bow. The German equivalent ''Frosch'' is the literal equivalent of "frog," while in French and Italian the equivalent of "heel" is used (''talon'' and ''tallone''). French also uses ''hausse''. The foreign language terms sometimes appear in musical instructions, such as ''au talon'', indicating to play with the bow near the frog. However, the English term is also used, such as in the Alfred edition of George Gers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles De Bériot
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (James (< Latin ''-us'', see Spanish/ Portuguese ''Carlos''). According to Julius Pokorny, the historical linguist and Indo-European studies, Indo-Europeanist, the root meaning of Charles is "old man", from Proto-Indo-European language, Indo-European *wikt:Appendix:Proto-Indo-Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octobass
The octobass is an extremely large and rare bowed string instrument first built around 1850 in Paris by the French luthier Jean-Baptiste Vuillaume (1798–1875). It has three strings and is essentially a larger version of the double bass – the specimen in the collection of the Musée de la Musique in Paris measures in length, whereas a full-size double bass is generally approximately in length. Usage Because of the extreme fingerboard length and string thickness, the musician plays it using a system of levers and pedals. The levers serve to engage metal clamps that are positioned above the neck at specific positions. These clamps act as fretting devices when the performer presses the levers. It has never been produced on a large scale or used much by composers. Hector Berlioz wrote favorably about the instrument, however, and proposed its widespread adoption. The only known work from the 19th century that specifically calls for the octobass is Charles Gounod's . In this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term '' viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Savart
Félix Savart (; ; 30 June 1791, Mézières – 16 March 1841, Paris) was a French physicist and mathematician who is primarily known for the Biot–Savart law of electromagnetism, which he discovered together with his colleague Jean-Baptiste Biot. His main interest was in acoustics and the study of vibrating bodies. A particular interest in the violin led him to create an experimental trapezoidal model. He gave his name to the savart, a unit of measurement for musical intervals, and to Savart's wheel—a device he used while investigating the range of human hearing. Biography Savart was the son of Gérard Savart, an engineer at the military school of Metz. His brother, Nicolas, who was a student at the École Polytechnique and an officer in the engineering corps, did work on vibration. At the military hospital at Metz, Savart studied medicine and later went on to the University of Strasbourg, where he received his medical degree in 1816. Savart became a professor at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Tarisio
Luigi Tarisio (Fontaneto d'Agogna (Novara) - 21 June 1796 – Milan - 1 November 1854) was an Italian violin dealer and collector. Early life He was of humble parents and is said to have trained as a carpenter, playing violin as a hobby. Career He developed an interest in violins themselves, and as a connoisseur with a natural talent for business he began to acquire and resell some of the many fine instruments that were lying unused in the towns and villages of northern Italy. From 1827 to 1846, he brought a large number of genuine Amati, Stradivari and Guarneri violins from Italy to London and Paris. His first journey to Paris, in 1827, was evidently profitable for him and for the dealers there, who gave him every encouragement. In 1828 he made his greatest coup, acquiring a number of violins from Count Cozio of Salabue, including a 1716 Stradivari in unused condition. This violin was Tarisio's treasure, and as he spoke of it on every visit to Paris but never actually broug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
