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Jazz Giants '58
''Jazz Giants '58'' is a 1958 album produced by Norman Granz featuring Stan Getz, Gerry Mulligan and Harry "Sweets" Edison, accompanied by Louis Bellson and the Oscar Peterson trio. Background The album was similar in format to a previous all-star jazz studio session produced by Granz, '' The Jazz Giants '56''. The earlier album featured a cast of seven 1930s swing musicians, including four from the Count Basie orchestras of the late 1930s and early 1940s. ''Jazz Giants '58'' features a slightly younger cast of seven players, including two West Coast jazz saxophone stars, another alumna of the 1930s Basie band, the Oscar Peterson Trio, and a big band drummer. All of the ''Jazz Giants '58'' musicians were recording mainstream swing music in the 1940s, but almost all had also gone on to play the modern jazz that developed after the World War II. The session was reissued in 1966 as ''Gerry's Time'' replacing "Chocolate Sundae" by a track from 1959. ''Jazz Giants '58'' was remaster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Peterson Trio
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. As a virtuoso who is considered to be one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community, "the King of inside swing". Peterson worked in duos with Sam Jones, Niels-Henning Ørsted Pedersen, Joe Pass, Irving Ashby, Count Basie, and Herbie Hancock. He considered the trio with Ray Brown and Herb Ellis "the most stimulating" and productive setting for public performances and studio recordings. In the early 1950s, he began performing with Brown and drummer Charlie Smith as the Oscar Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernice Petkere
Bernice Petkere (August 11, 1901 – January 7, 2000) was an American songwriter. She was dubbed the "Queen of Tin Pan Alley" by Irving Berlin. Biography Born in Chicago, Illinois, United States, she began performing in vaudeville as a child. "Starlight (Help Me Find The One I Love)" (1931), her first published song, was recorded by Bing Crosby. She also wrote radio themes for CBS. Other notable songs include " Lullaby of the Leaves", "The Lady I Love", " Close Your Eyes" (1933), "My River Home", "By a Rippling Stream", "Stay Out of My Dreams", "A Mile a Minute" and "It's All So New to Me", which was featured in the Joan Crawford film '' The Ice Follies of 1939'' (MGM, 1939). Petkere was a member of ASCAP and the Writers Guild of America. Her songs have been recorded by Kurt Elling, Tony Bennett, Doris Day, Peggy Lee, Nancy Wilson, Ella Fitzgerald, Queen Latifah, Vic Damone, Betty Carter, Harry "Sweets" Edison and Eddie "Lockjaw" Davis (together, in an instrumental version), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge (song), Chelsea Bridge", "A Flower Is a Lovesome Thing", and "Lush Life (jazz song), Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family then moved to the Homewood (Pittsburgh), Homewood neighborhood of Pittsburgh, Pennsylvania. His mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken rages. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano and listening to records on her Victrol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Never Entered My Mind
"It Never Entered My Mind" is a show tune from the 1940 Rodgers and Hart musical '' Higher and Higher'', where it was introduced by Shirley Ross. Notable recordings *Frank Sinatra Francis Albert Sinatra (; December 12, 1915 – May 14, 1998) was an American singer and actor. Honorific nicknames in popular music, Nicknamed the "Chairman of the Board" and "Ol' Blue Eyes", he is regarded as one of the Time 100: The Most I ... – '' Frankly Sentimental'' (1949) Originally recorded November 5, 1947, '' In the Wee Small Hours'' (1955), ''She Shot Me Down'' (1981) *The Andrews Sisters, Patty Andrews (with Gordon Jenkins and orchestra) (1951) *Julie London – ''Julie Is Her Name'' (1955) *Miles Davis – ''Miles Davis, Volume 3'' (Blue Note 1954) & ''Workin' with the Miles Davis Quintet'' (Prestige 1956) *Ella Fitzgerald – ''Ella Fitzgerald Sings the Rodgers & Hart Songbook'' (1956) *Bud Powell – ''Bud Powell's Moods'' (1956) *Coleman Hawkins and Ben Webster – ''Coleman H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makin' Whoopee
"Makin' Whoopee" is a song first popularized by Eddie Cantor in the 1928 musical ''Whoopee!''. Gus Kahn wrote the lyrics and Walter Donaldson composed the music for the song as well as for the entire musical. The title refers to celebrating a marriage. Eventually "making whoopee" became a euphemism for intimate sexual relations. The song has been called a "dire warning", largely to men, about the "trap" of marriage. A review of a James Naughton cabaret performance. "Mr. Naughton pounces on the dire warning to men lurking beneath the song's playful surface: that once the honeymoon is over, marriage can become a trap from which there is no escape." "Makin' Whoopee" begins with the celebration of a wedding, honeymoon and marital bliss, but moves on to babies and responsibilities, and ultimately on to affairs and possible divorce, ending with a judge's advice. The original lyrics and music of the song entered the public domain in the United States in 2024. Other versions *1928 Bing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lullaby Of The Leaves
"Lullaby of the Leaves" is a musical composition by composer Bernice Petkere and lyricist Joe Young. A Tin Pan Alley song first performed in 1932, the jazz standard is considered the biggest critical and commercial success of Petkere's composing career. The song was a hit for George Olsen and his Music in 1932. By January 1933, more than 50,000 copies had been sold in the U.S.—ten times more than the usual hit song of the era. It has since been recorded numerous times in its lyrical version and as an instrumental, including hot jazz sextet version by Benny Goodman in 1951, a haunting bop-accented rendition by Anita O'Day in 1952, a cool jazz version by Cal Tjader on vibraphone in 1952, a rousing surf rock version by the Ventures in 1961, a lively piano version by Mary Lou Williams in the 1950s, and a widely heard version by Ella Fitzgerald on her 1964 album '' Hello, Dolly!''. Since 2002, jazz pianist Tamir Hendelman has been performing his unique arrangement of the song, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn between 1933 and 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Jazz critic Ted Gioia says the song "ranks among the most sophisticated jazz balladswhether one considers its intricate harmonic palette, its elaborate structure, or just its world-weary lyrics." Background The verse describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/ with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become one of his signature compositions, along with " Take the 'A' Train". The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Kramer (songwriter)
Alex J. Kramer (May 30, 1903 – February 10, 1998) was a Canadian songwriter. He was born in Montreal, Quebec, Canada. His parents were Adolph and Freda Kramer. At age 17 he was hired as a pianist in a silent movie theater in Montreal. He traveled first to Palm Beach, Florida, joining the Meyer Davis Orchestra, and then to Paris and Cannes, before returning to New York City, where he became a radio bandleader. He also worked as an accompanist in nightclubs and in vaudeville. One of his other musical activities was coaching vocalists in singing techniques, and one of his students was Joan Whitney, who eventually became both his wife and his songwriting partner. Their first hit as a songwriting team was " High on a Windy Hill," which became a No. 1 hit in 1941 for the Jimmy Dorsey orchestra. In 1948, he and his wife started a song publishing firm. However, soon followed the end of the big band era, leading to the collapse of their publishing business. He eventually became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Whitney Kramer
Joan Whitney Kramer (June 26, 1914 – July 12, 1990), also known as Zoe Parenteau and Joan Whitney, was an American singer and songwriter. Early years Born as Zoe Parenteau in Pittsburgh, Pennsylvania on June 26, 1914,"Joan Whitney Kramer; Singer and Songwriter," ''The Los Angeles Times'', August 4, 1990, p. A31. Parenteau received her early music training while singing in the choir of the church she attended."Joan Whitney Kramer, Singer and Songwriter, 76," ''The New York Times'', July 21, 1990, Section 1, p. 27. She subsequently attended Finch College in New York City. Career, name change and marriage Professionally, Parenteau pursued voice studies with Alex Kramer, with whom she later collaborated on multiple songs, including "Candy", " Ain't Nobody Here but Us Chickens" and " Far Away Places." In 1934, while playing a showgirl in '' The Great Waltz'' on Broadway, Parenteau took the stage name Joan Whitney. She appeared in that production for two years. She also beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack David
Mack David (July 5, 1912 – December 30, 1993) was an American lyricist and songwriter, best known for his work in film and television, with a career spanning the period between the early 1940s and the early 1970s. David was credited with writing lyrics or music or both for over one thousand songs. , ''The New York Times'', Saturday, January 1, 1994. He was particularly well known for his work on the films '' Cinderella'' and '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candy (1944 Song)
"Candy" is a popular song. The music was written by Alex Kramer, the lyrics by Mack David and Joan Whitney. It was published in 1944. First recordings A recording by Johnny Mercer and the Pied Pipers, with Jo Stafford, was released by Capitol Records as catalog number 183. It first reached the Billboard magazine Best Seller chart on February 22, 1945, and lasted 15 weeks on the chart, peaking at #2. Mercer recalled that the song was ideal for his limited range for ballad singing. Another recording by Dinah Shore was released by RCA Victor Records as catalog number 20-1632. It reached the Billboard magazine Best Seller chart on April 5, 1945, at No. 10, its only week on the chart. Radio Popular songs, like "Candy", would also be performed in different novelty arrangements live on the radio by the studio orchestras of the time, particularly on network radio shows such as Fibber McGee and Molly's Billy Mills orchestra. Later recordings Big Maybelle's version of the song went t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
