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It's All About
''It's All About'' is the 1968 debut album by British band Spooky Tooth, released in the United Kingdom by Island Records on 26 July 1968. In West Germany the record was released by Fontana. The American version of the album, entitled ''Spooky Tooth'', was originally released on Bell in 1968. It was reissued in 1971 by A&M Records as ''Tobacco Road''. Critical reception Robert Christgau reviewed the album's 1971 American reissue in '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981), preferring it to the band's other records, "before anybody had figured out how to really exploit all these iron zeppelins and lead butterflies". He concluded that it "offers Beatles harmonies, a roundabout song that preceded Yes's, and a straight remake of 'The Weight' in addition to the hilariously melosoulful John D. Loudermilk cover that provides its U.S. title. Ahh, the good old days." Track listing Original album 1971 ''Tobacco Road'' release Personnel ;Spooky T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spooky Tooth
Spooky Tooth were an English rock band originally formed in Carlisle in 1967. Principally active between 1967 and 1974, the band re-formed several times in later years. History Prior to Spooky Tooth, four of the band's five founding members had performed in the band Art (formerly known as the V.I.P.'s). Following the dissolution of Art, the members of that band's final line-up (guitarist Luther Grosvenor, vocalist Mike Harrison, drummer Mike Kellie and bassist Greg Ridley) joined forces with American keyboardist/vocalist Gary Wright in October 1967 and formed Spooky Tooth. Wright was introduced to the members of Art by Chris Blackwell, founder of Island Records. Their debut, ''It's All About'', was released in June 1968 on Island Records and was produced by Jimmy Miller, who was also behind the boards for Spencer Davis Group, Traffic, the Rolling Stones and Blind Faith. The second album, ''Spooky Two'' (March 1969), also produced by Miller, gained some attention in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', '' Creem'', '' Newsday'', ''Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Harrison (musician)
Mike Harrison (30 September 1942 in Carlisle, Cumberland, England – 25 March 2018, Carlisle) was an English musician, most notable as a principal lead singer of Spooky Tooth and as a solo artist. He was also the lead singer in The V.I.P.'s, Art and the Hamburg Blues Band, among others. History Mike Harrison began his musical career with the Ramrods a band originating from Carlisle that was then Cumberland, the northern part of the now English county of Cumbria. This was to develop the foundations of a career that led to him being notable as the lead singer of Spooky Tooth, a band that he initially co-founded, with Mike Kellie, Luther Grosvenor and Greg Ridley and which Gary Wright then joined. Harrison, Grosvenor, Ridley and Kellie had previously been in a Carlisle-based band called The V.I.P.'s, which also included Keith Emerson. When Emerson left in early 1967 to co-found The Nice, the remaining band members changed the band's name to Art and released one album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robbie Robertson
Jaime Royal "Robbie" Robertson, OC (born July 5, 1943), is a Canadian musician. He is best known for his work as lead guitarist and songwriter for the Band, and for his career as a solo recording artist. With the deaths of Richard Manuel in 1986, Rick Danko in 1999, and Levon Helm in 2012, Robertson is one of only two living original members of the Band, with the other being Garth Hudson. Robertson's work with the Band was instrumental in creating the Americana music genre. Robertson has been inducted into the Rock and Roll Hall of Fame and the Canadian Music Hall of Fame as a member of the Band, and has been inducted to Canada's Walk of Fame, both with the Band and on his own. He is ranked 59th in ''Rolling Stone'' magazine's list of the 100 greatest guitarists. As a songwriter, Robertson is credited for writing " The Weight", "The Night They Drove Old Dixie Down", " Up on Cripple Creek" with the Band, and had solo hits with " Broken Arrow" and " Somewhere Down the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobacco Road (song)
"Tobacco Road" is a blues song written and first recorded by John D. Loudermilk in December 1959 and released in 1960. This song became a hit for The Nashville Teens in 1964 and has since become a standard across several musical genres. Loudermilk original Originally framed as a folk song, "Tobacco Road" was a semi-autobiographical tale of growing up in Durham, North Carolina. Released on Columbia Records, it was not a hit for Loudermilk, achieving only minor chart success in Australia. Other artists, however, immediately began recording and performing the song. Nashville Teens hit The English group The Nashville Teens' garage rock/blues rock rendering was a bold effort featuring prominent piano, electric guitar, and bass drum parts and a dual lead vocal. Mickie Most produced it with the same tough-edged-pop feel that he brought to The Animals' hits. "Tobacco Road" was a trans-Atlantic pop hit in 1964, reaching number 6 on the UK singles chart and number 14 on the U. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Much Of Nothing
"Too Much of Nothing" is a song written by Bob Dylan in 1967, first released by him on the album ''The Basement Tapes'' (1975). Themes and history of song One of the most haunting themes of ''The Basement Tapes'' is an apprehension of the void. Biographer Robert Shelton hears in this song an echo of the bald statement that Shakespeare's Lear makes to his daughter Cordelia, "Nothing will come of nothing" (King Lear, Act I, Scene 1). Marcus asserts that this was one of the songs recorded at the end of "the basement summer" in August or September 1967. He writes that these songs "are taken slowly, with crying voices. Dylan’s voice is high and constantly bending, carried forward not by rhythm or by melody but by the discovery of the true terrain of the songs as they’re sung. Richard Manuel’s and Rick Danko’s voices are higher still, more exposed." Cover versions By November 1967, this song was a Top 40 hit for Peter, Paul and Mary. According to ''Billboard'', this version's " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janis Ian
Janis Ian (born Janis Eddy Fink; April 7, 1951) is an American singer-songwriter who was most commercially successful in the 1960s and 1970s. Her signature songs are the 1966/67 hit "Society's Child, Society's Child (Baby I've Been Thinking)" and the 1975 Top Ten single "At Seventeen", from her LP ''Between the Lines (Janis Ian album), Between the Lines'', which in September 1975 reached no. 1 on the ''Billboard (magazine), Billboard'' album chart. Born in Farmingdale, New Jersey, Ian entered the American folk music scene while still a teenager in the mid-1960s. Most active musically in that decade and the 1970s, she has continued recording into the 21st century. She has won two Grammy Awards, the first in 1975 for "At Seventeen" and the second in 2013 for Best Spoken Word Album, for her autobiography, ''Society's Child'', with a total of ten nominations in eight different categories. Ian is also a columnist and science fiction author. Early life Born in Farmingdale, New Jersey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society's Child
"Society's Child" (originally titled "Baby I've Been Thinking") is a song written and recorded by American singer-songwriter Janis Ian in 1965. Background Its lyrics concern an interracial romance – a still-taboo subject in mid-1960s America. Ian was 13 years of age when she was motivated to write and compose the song, and she completed it when she was 14. Released as "Society's Child (Baby I've Been Thinking)", the single charted high in many cities in the autumn of 1966 but did not hit big nationally until the summer of 1967. The lyrics of the song center on the feelings of a young girl who witnesses the humiliation that her African American boyfriend receives from the girl's mother and the taunts that she herself endures from classmates and teachers. It closes with her decision to end her relationship with the boyfriend because of her inability to deal with the social pressure. In 1964, Ian lived in East Orange, New Jersey. Her neighborhood was predominantly populated by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John D
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Weight
"The Weight" is a song by the Canadian-American group the Band that was released as a single in 1968 and on the group's debut album '' Music from Big Pink''. It was their first release under this name, after their previous releases as Canadian Squires and Levon and the Hawks. Written by Band member Robbie Robertson, the song is about a visitor's experiences in a town mentioned in the lyric's first line as Nazareth. "The Weight" has significantly influenced American popular music, having been listed as No. 41 on ''Rolling Stone''s 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the Sixties, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. PBS, which broadcast performances of the song in '' Ramble at the Ryman'' (2011), ''Austin City Limits'' (2012), and ''Quick Hits'' (2012), describes it as "a masterpiece of Biblical allusions, enigmatic lines and iconic characters" and notes its endur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yes (band)
Yes are an English progressive rock band formed in London in 1968 by lead singer and frontman Jon Anderson, bassist Chris Squire, guitarist Peter Banks, keyboardist Tony Kaye and drummer Bill Bruford. The band has undergone numerous line-up changes throughout their history, during which 19 musicians have been full-time members. Since May 2022, the band has consisted of guitarist Steve Howe, keyboardist Geoff Downes, singer Jon Davison, and bassist Billy Sherwood, as well as touring drummer Jay Schellen. Yes have explored several musical styles over the years and are most notably regarded as progressive rock pioneers. Yes began performing original songs and rearranged covers of rock, pop, blues and jazz songs, as evidenced on their self-titled first album from 1969, and it's follow-up ''Time and a Word'' from 1970. A change of direction later in 1970 led to a series of successful progressive rock albums, with four consecutive U.S. platinum or multi-platinum sellers in ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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