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Islamic Interlace Patterns
Islamic ornament is the use of decorative patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque, using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy, consisting of religious texts with stylized appearance, used both decoratively and to convey meaning. All three often involve elaborate interlacing in various mediums. Islamic ornament has had a significant influence on European decorative art forms, especially as seen in the Western arabesque. Overview Islamic art mostly avoids figurative images to avoid becoming objects of worship. This aniconism in Islamic culture encouraged artists to explore non-figural art, creating a general aesthetic shift toward mathematically-based decoration. Even before the preaching of Islam, the regions associated with the Islamic world today showed a preference for geometric and stylized vegetal decoration. As early as the fourth century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mihrab At Jama Masjid, Fatehpur Sikri
Mihrab ( ar, محراب, ', pl. ') is a niche in the wall of a mosque that indicates the ''qibla'', the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a ''mihrab'' appears is thus the "qibla wall". The ''minbar'', which is the raised platform from which an imam (leader of prayer) addresses the congregation, is located to the right of the mihrab. Etymology The origin of the word ''miḥrāb'' is complicated and multiple explanations have been proposed by different sources and scholars. It may come from Old South Arabian (possibly Sabaic) ''mḥrb'' meaning a certain part of a palace, as well as "part of a temple where ''tḥrb'' (a certain type of visions) is obtained," from the root word ''ḥrb'' "to perform a certain religious ritual (which is compared to combat or fighting and described as an overnight retreat) in the ''mḥrb'' of the temple." It may also possibly be related to Ethiopic ''məkʷrab'' "temple, sanctua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith Critchlow
Keith Barry Critchlow (16 March 1933 – 8 April 2020) was a British artist, lecturer, author, Sacred Geometer, professor of architecture, and a co-founder of the Temenos Academy in the UK. Biography Critchlow was educated at the Summerhill School, St Martins School of Art, and the Royal College of Art. He performed national service in the Royal Air Force from 1951 to 1953.Cf. ''Debrett's People of Today'' entry for Prof. Critchlow In the Air Force he met artist Frank Bowling. Having been originally trained as a classical painter, Critchlow went on to study sacred geometry and authored many books on geometry, including ''Order in Space''; ''Islamic Patterns: An Analytical and Cosmological Approach;'' ''Time Stands Still'' and ''the Hidden Geometry of Flowers.'' He also contributed forewords to English editions of works by Titus Burckhardt, Frithjof Schuon, and others. Critchlow was a lecturer at the Architectural Association (AA) School of Architecture in London for twelv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Art
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts. The ''nakkashane'', as the palace workshops are now generally known, were evidently very important and productive, but though there is a fair amount of surviving documentation, much rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saz Style
Saz style ( Turk. ''saz yolu'') is a style of vegetal ornament and associated with it art style in the 16th-century Ottoman Empire. Saz was a style of vegetal ornament popular in Ottoman decorative arts of the 16th century, characterized by the use of long, feathery sawtoothed leaves and composite blossoms. At the same time, saz is also used as a name for the art style, in which saz ornament was basic element of the compositions. Contrary to the better known historical style of Ottoman painting saz style served no direct illustrative purpose, therefore might be described as lyrical. Its works are fantastic and virtuosic displays of technique using the ''saz qalami'', or reed pen, that gave this group of works its name. Saz style is represented by two distinct groups of artistic products. The first "consists of album drawings, book illumination, and other works on paper; the second, derived from these paper images, includes virtually all the Ottoman decorative art forms, from book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christians
Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words ''Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χριστός), a translation of the Biblical Hebrew term ''mashiach'' (מָשִׁיחַ) (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." It does not have a meaning of 'of Christ' or 'related or pertaining to Christ'. According to a 2011 Pew Research Center survey, there were 2.2 billion Christians around the world in 2010, up from about 600 million in 1910. Today, about 37% of all Christians live in the Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Period
In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year. The Ancient Greek word ''Hellas'' (, ''Hellás'') was gradually recognized as the name for Greece, from which the word ''Hellenistic'' was derived. "Hellenistic" is distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all ancient territories under Greek influence, in particular the East after the conquests of Alexander the Great. After the Macedonian invasion of the Achaemenid Empire in 330 BC and its disintegration shortly after, the Hellenistic kingdoms were established throughout south-west Asia ( Seleucid Empire, Kingdom of Pergamon), north-east Africa ( Ptolemaic Kingdom) and South Asia ( Greco-Bactrian Kingdom, Indo-Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Empire
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasanian Art
Sasanian art, or Sassanid art, was produced under the Sasanian Empire which ruled from the 3rd to 7th centuries AD, before the Muslim conquest of Persia was completed around 651. In 224 AD, the last Parthian king was defeated by Ardashir I. The resulting Sasanian dynasty would last for four hundred years, ruling modern Iran, Iraq, and much territory to the east and north of modern Iran. At times the Levant, much of Anatolia and parts of Egypt and Arabia were under its control. It began a new era in Iran and Mesopotamia, which in many ways was built on Achaemenid traditions, including the art of the period. Nevertheless, there were also other influences on art of the period that came from as far as China and the Mediterranean. The surviving art of the Sassanids is best seen in its architecture, reliefs and metalwork, and there are some surviving paintings from what was evidently a widespread production. Stone reliefs were probably greatly outnumbered by interior ones in plaster, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palmette
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion (from the Greek ανθέμιον, a flower). It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his ''Stilfragen'' of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament. Description The essence of the palmette is a symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acanthus (plant)
''Acanthus'' is a genus of about 30 species of flowering plants in the family Acanthaceae, native to tropical and warm temperate regions, with the highest species diversity in the Mediterranean Basin and Asia. This flowering plant is nectar producing and is susceptible to predation by butterflies, such as ''Anartia fatima'', and other nectar feeding organisms. Common names include Acanthus and Bear's breeches. The generic name derives from the Greek term (''akanthos'') for ''Acanthus mollis'', a plant that was commonly imitated in Corinthian capitals. The genus comprises herbaceous perennial plants, rarely subshrubs, with spiny leaves and flower spikes bearing white or purplish flowers. Size varies from in height. Selected species *'' Acanthus arboreus'' Forssk. (1775) *'' Acanthus austromontanus'' Vollesen *''Acanthus balcanicus'' Heywood & I.Richardson ( Syn. ''Acanthus hungaricus'' ( Borbás) Baenitz, ''Acanthus longifolius'' Host) — native to the Balkans south of Dalma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Antique
Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English has generally been credited to historian Peter Brown, after the publication of his seminal work '' The World of Late Antiquity'' (1971). Precise boundaries for the period are a continuing matter of debate, but Brown proposes a period between the 3rd and 8th centuries AD. Generally, it can be thought of as from the end of the Roman Empire's Crisis of the Third Century (235–284) to the early Muslim conquests (622–750), or as roughly contemporary with the Sasanian Empire (224–651). In the West its end was earlier, with the start of the Early Middle Ages typically placed in the 6th century, or earlier on the edges of the Western Roman Empire. The Roman Empire underwent considerable social, cultural and organizational changes starting with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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