Isabella (commedia Dell'arte)
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Isabella (commedia Dell'arte)
Isabella is a stock character used in ''commedia dell'arte'', in the class of innamorata (female lover). In the ''commedia dell'arte'', the relationship of the ''innamorati'', or lovers, is often threatened by the '' vecchi'' (old men) characters, but they are reunited in the end. In his 1929 book ''The Italian Comedy'', Pierre Louis Duchartre writes that Isabella changed from being mainly tender and loving in the 16th century to a more flirtatious and strong-willed woman with a "lively, picturesque wit" by the end of the 17th century. Although actress Vittoria degli Amorevoli also played an inamorata named Isabella in the 16th century, the character Isabella is named in honor of the actress and writer Isabella Andreini of the commedia troupe I Gelosi I Gelosi (; "the Zealous Ones") was an Italian acting troupe that performed commedia dell'arte from 1569 to 1604. Their name stems form their motto: , long thought to mean "Virtue, fame and honour made us jealous", or "We are jea ...
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SAND Maurice Masques Et Bouffons 10
Sand is a granular material composed of finely divided mineral particles. Sand has various compositions but is defined by its grain size. Sand grains are smaller than gravel and coarser than silt. Sand can also refer to a soil texture, textural class of soil or soil type; i.e., a soil containing more than 85 percent sand-sized particles by mass. The composition of sand varies, depending on the local rock sources and conditions, but the most common constituent of sand in inland continental settings and non-tropical coastal settings is silica (silicon dioxide, or SiO2), usually in the form of quartz. Calcium carbonate is the second most common type of sand, for example, aragonite, which has mostly been created, over the past 500million years, by various forms of life, like coral and shellfish. For example, it is the primary form of sand apparent in areas where reefs have dominated the ecosystem for millions of years like the Caribbean. Somewhat more rarely, sand may be compose ...
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Stock Character
A stock character, also known as a character archetype, is a fictional character in a work of art such as a novel, play, or a film whom audiences recognize from frequent recurrences in a particular literary tradition. There is a wide range of stock characters, covering men and women of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to mo ...
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Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ...
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Innamorati
''Gli Innamorati'' (, meaning "The Lovers") were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th century Italy. In the plays, everything revolved around the Lovers in some regard. These dramatic and posh characters were present within ''commedia'' plays for the sole purpose of being in love with one another, and moreover, with themselves. These characters move elegantly and smoothly, and their young faces are unmasked unlike other commedia dell'arte characters. Despite facing many obstacles, the Lovers were always united by the end.Eick, JustiCommedia dell'Arte Origins The name ''Innamorati'' is the Italian word for "Lovers".Rudlin, John. ''Commedia dell'Arte, An Actor's Handbook''. Routledge, London, 1994, pp.106 The dramatists of the Italian Renaissance borrowed ideas from early Roman playwrights, such as Plautus and Terence, whom the theater style known as ''commedia erudita'' was inspired by. The "lovers" are the first actor, firs ...
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Vecchio
''Vecchio'' (; plural ''vecchi'', meaning "old one" or simply "old"), is a category of aged, male characters from the Italian ''commedia dell'arte''. The primary members of this group are Pantalone, Il DottoreRobert Henke ''Performance and literature in the commedia dell'arte'', Improvvisation and characters, Individual roles, pp.19-24 and Il Capitano. Pantalone and Il Dottore are the alter ego of each other, Pantalone being the decadent wealthy merchant, and Il Dottore being the decadent erudite. They are overwhelmingly the antagonists, opposing the love of the ''innamorati''; the comic ending is produced when the ''zanni'' manage to overcome them and unite the lovers. "Vecchio" is the Italian word for "old" (as used in Ponte Vecchio The Ponte Vecchio ("Old Bridge", ) is a medieval stone closed-spandrel segmental arch bridge over the Arno River, in Florence, Italy. The only bridge in Florence spared from destruction during the Second World War, it is noted for the shops bui ...
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The Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern a ...
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Isabella Andreini
Isabella Andreini (born Isabella Canali, 156210 June 1604), also known as Isabella Da Padova, was an Italian actress and writer. Andreini was a member of the Compagnia dei Comici Gelosi, a touring theatre company that performed in Italy and France. The role of Isabella of the ''commedia dell'arte'' was named after her. Life Isabella Canali was born in Padua to Venetian parents.Kerr, Rosalind. "Andreini, Isabella. Mirtilla, a Pastoral: A Bilingual Edition." ''Editor's Introduction: Pastoral Drama and Women's Authorial Voice'', Edited by Valeria Finucci. Translated by Julia Kisacky, vol. 41, no. 4, 2018, pp. 1–13., https://www.itergateway.org/sites/default/files/OV62extract.pdfAccessed 20 Nov. 2021. Although her family was poor, Andreini received a complete classical education. She was very interested in literary culture and became fluent in several languages which she put to use in her ''La Pazzia d'Isabella'' ( The Divine Madness of Isabella). In 1576, at age fourteen, And ...
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I Gelosi
I Gelosi (; "the Zealous Ones") was an Italian acting troupe that performed commedia dell'arte from 1569 to 1604. Their name stems form their motto: , long thought to mean "Virtue, fame and honour made us jealous", or "We are jealous of attaining virtue, fame, and honour", signifying that such rewards could only be attained by those who sought for them jealously. Modern reevaluations have considered "''zealous''" (present-day Italian ) as a more accurate translation over "''jealous''", redefining their motto to signify that, as actors, they were zealous to please. I Gelosi was formed in Milan, Italy by Flaminio Scala. Their first notable performer was Vittoria Piisimi. I Gelosi was the first troupe to be patronized by nobility: in 1574 and 1577 they performed for the king of France. Audiences in France were enthused by the raunchiness and comedy of their performances and were willing to pay a decent sum to watch them.Barasch, Frances K. “Italian Actresses in Shakespeare’s W ...
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