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Italian Painters
Following is a list of Italian painters (in alphabetical order) who are notable for their art. A *Niccolò dell'Abbate (1509/1512–1571) *Giuseppe Abbati (1836–1868) * Angiolo Achini (1850–1930) * Pietro Adami (fl. c. 1730) *Eugenio Agneni (1816–1879) *Livio Agresti (1508–1580) * Giorgio Matteo Aicardi (1891–1985) *Francesco Albani (1578–1660) * Giacomo Albé (1829–1893) * Giacomo Alberelli (1600–1650) *Mariotto Albertinelli (1474–1515) * Pietro Antoniani (c. 1740–1805) * Ambrogio Antonio Alciati (1878–1929) * Domenico Alfani (1479/1480–c. 1553) * Girolamo Alibrandi (1470–1524) * Silvio Allason (1845–1912) *Giuseppe Alloia (active c. 1750) *Alessandro Allori (1535–1607) *Cristofano Allori (1577–1621) * Marco Almaviva (born 1934) *Altichiero (1330–1390) * Jaber Alwan (born 1948) *Jacopo Amigoni (1682–1752) *Giuseppe Amisani (1881–1941) *Andrea da Murano (active 1463–1502) *Andrea di Bartolo (1360/70–1428) *Fra Angelico (1387–1455) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARTIST
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating the work of art. The most common usage (in both everyday speech and academic discourse) refers to a practitioner in the visual arts only. However, the term is also often used in the show business, entertainment business to refer to Actor, actors, Musician, musicians, Singing, singers, Dance, dancers and other Performing arts#Performers, performers, in which they are known as ''Artiste'' instead. ''Artiste'' (French) is a variant used in English in this context, but this use has become rare. The use of the term "artist" to describe Writer, writers is valid, but less common, and mostly restricted to contexts such as critics' reviews; "author" is generally used instead. Dictionary definitions The ''Oxford English Dictionary'' defines the older, broader meanings of the word "artist": * A learned person or Master of Arts * One who pursues a practical science, traditionally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Alloia
Giuseppe Alloia (active c. 1750), also known as Giuseppe Alloja, Aloia, Aloya, or Aleja, was an Italian copper plate engraver and painter, working in Naples. He engraved ''Statica de'Vegetabili'' in Neapolitan edition of 1775, and also engraved many frescoes unearthed in Herculaneum Herculaneum is an ancient Rome, ancient Roman town located in the modern-day ''comune'' of Ercolano, Campania, Italy. Herculaneum was buried under a massive pyroclastic flow in the eruption of Mount Vesuvius in 79 AD. Like the nearby city of ... in three volumes of folios, published in 1757,1760, and 1762. NotesEngraving of peculiar carriage able to trave on sea and land. Sources * 18th-century Italian engravers {{Italy-engraver-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innocenzio Ansaldi
Innocenzio Ansaldi (Pescia, Tuscany, February 12, 1734 - 1816) was an Italian painter and writer on art. Biography It is not clear that he is related to either Casto Innocenzio Ansaldi (1710 — 1780), a prolific contemporary writer and theologian from Piacenza or Giovanni Andrea Ansaldi (1584 – 1638), a prolific Genoese painter. Innocenzio enrolled to obtain a classical education at the College of Florence. However, he inclined towards painting and the arts. In Florence, he briefly worked with Father Alberigo de Vellano, a priest who had trained with Ottaviano Dandini and Sebastiano Conca. Patronage with various ecclesiastical and diplomatic figures allowed him to trave through Italy. In 1772, he traveled to Rome, where he became a follower of Anton Raphael Mengs Anton Raphael Mengs (12 March 1728 – 29 June 1779) was a German Neoclassicism, Neoclassical painter. Early life Mengs was born on 12 March 1728, at Ústí nad Labem in the Kingdom of Bohemia, the son of Ism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Annigoni
Pietro Annigoni, OMRI (7 June 1910 – 28 October 1988) was an Italian artist, portrait painter, fresco painter and medallist, best known for his painted portraits of Queen Elizabeth II. His work was in the Renaissance tradition, contrasting with the modernist style that prevailed in his time. Life Born in Milan in 1910, Annigoni was influenced by the Italian Renaissance. From the end of the 1920s on, he lived mainly in Florence where he studied at the College of the Piarist Fathers. In 1927, he was admitted to the Academy of Fine Arts in Florence, where he attended the courses given by Felice Carena in painting, Giuseppe Graziosi in sculpture, and Celestino Celestini in etching. Annigoni enrolled in the nude class run by the Florentine Circolo degli Artisti, while attending the open class in the same subject at the Academy. Annigoni exhibited his work for the first time in Florence in 1930 with a group of painters. He had his first individual exhibition two years late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sofonisba Anguissola
Sofonisba Anguissola ( – 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted Fernando Álvarez de Toledo, 3rd Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II of Spain, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the Queen's death, Philip helped arrange an aristocratic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Angelico
Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Penguin Classics, 1965. He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence, then worked in Rome and other cities. All his known work is of religious subjects. He was known to contemporaries as Fra Giovanni da Fiesole ( English: Friar John of Fiesole) and Fra Giovanni Angelico (Angelic Brother John). In modern Italian he is called ''Beato Angelico'' (Blessed Angelic One); the common English name Fra Angelico means the "Angelic friar". In 1982, Pope John Paul II beatified him in recognition of the holiness of his life, thereby making the title of "Blessed" official. Fiesole is sometimes misinterpreted as being part of his formal name, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Di Bartolo
Andrea di Bartolo or Andrea di Bartolo Cini (1360/70 – 1428) was an Italian painter, stained glass designer and illuminator of the Sienese School mainly known for his religious subjects. He was active between 1389–1428 in the area in and around Siena.Federico Zeri, with the assistance of Elizabeth E. Gardner, ''Italian Paintings: Sienese and Central Italian Schools'' A Catalogue of the Collection of The Metropolitan Museum of Art, The Metropolitan Museum of Art, 1980, p. 1-2Colum Hourihane, ''The Grove Encyclopedia of Medieval Art and Architecture, Volume 2'', Oxford University Press USA, 6 Dec 2012, p. 96-98 Biography Andrea di Bartolo was th ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Da Murano
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is part of the Italian male names ending in ''a'', some others being Elia ( Elias), Enea (Aeneas), Luca ( Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Amisani
Giuseppe Amisani (7 December 1881 – 8 September 1941) was an Italian portrait painter of the Belle Époque. Life Amisani was born on 7 December 1881 in Piazza Mercato (now Piazza Giuseppe Amisani) in the comune of Mede di Lomellina, near Pavia in Lombardy, northern Italy. He studied at the technical institute of Pavia, where he failed the technical drawing course; he then studied at the Accademia di Brera in Milan under Cesare Tallone and Vespasiano Bignami. He won the Mylius prize of the Academy for his painting ''l'Eroe'' ("the hero") in 1908, and in 1911 or 1912 won the Fumagalli prize for figure-painting with his portrait of Lyda Borelli. From then on he concentrated almost exclusively on portrait-painting; his landscapes of the Italian Alps, of Rhodes and of Tunisia also attracted interest. Amisani was internationally famous in his time. He spent several years in Argentina and Brazil, and travelled also to England, France, North Africa and to the United States. He died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Amigoni
Jacopo Amigoni (c. 1685 – September 1752), also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand. Biography He was born in Naples. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725–1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His ''Arraignment of Paris'' hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaber Alwan
Jaber Alwan (born 1948 in Babylon, Iraq) is an Italian artist and painter of Iraqi descent. Biography Born in Babylon, Iraq, in 1948, Alwan graduated from the Institute of Fine Art in Baghdad in 1970. In 1972 he arrived in Rome and started painting in the famous Piazza Navona. In 1975 he gained a diploma degree in Sculpture from the Rome Academy of Fine Art. Ten years later the Municipality of Rome awarded him the prize of Best Artist, the first foreigner to receive this prize. He has works on permanent display in the Museums of Modern Art of Baghdad, Damascus, Qatar and Kuwait, the Opera House of Culture in Cairo, also at the Gulbenkian Museum, Lisbon, the Dei Diameni Palace, Ferrara, and the Academy Museum, Ravenna; and has private collections in many cities in Europe, Russia, Japan and Chile. Alwan lives in Rome, Italy Italy, officially the Italian Republic, is a country in Southern Europe, Southern and Western Europe, Western Europe. It consists of Italian Peninsul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altichiero
Altichiero da Zevio (), also called Aldighieri da Zevio, was an Italian painter much influenced by Giotto, certainly through knowledge of the frescoes in the Cappella degli Scrovegni in Padua and quite possibly through having been trained in Florence by one of Giotto's pupils. Altichiero worked in Verona and Padua. Works by him survive in the church of Sant'Anastasia in Verona and in the Cappella di S Felice (originally Cappella di S Giacomo) in the basilica of Sant'Antonio (Il Santo) and the Oratorio di San Giorgio in Padua. His stature was compromised for a long time through his supposed collaboration with a certain Jacopo Avanzo or Avanzi, but study of the documents and historiography demonstrated Atichiero's authorship of the frescoes in both the Santo and the Oratorio di San Giorgio. It has been argued that the hand of an assistant (conceivably Jacopo Avanzo or Jacopo Avanzi, both Bolognese painters) can be seen in some early scenes in the Santo (Cappella di S Felice, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
