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Islamic Architecture
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both Secularity, secular and religious styles from the early history of Islam to the present day. The Muslim world, Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes Islamic schools and branches, different religious affiliations. Early Islamic architecture was influenced by Roman architecture, Roman, Byzantine architecture, Byzantine, Iranian architecture, Iranian, and Architecture of Mesopotamia, Mesopotamian architecture and all other lands which the early Muslim conquests conquered in the seventh and eighth centuries.: "As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosque–Cathedral Of Córdoba
The Mosque–Cathedral of Córdoba ( ), officially known by its ecclesiastical name of Cathedral of Our Lady of the Assumption (), is the cathedral of the Roman Catholic Diocese of Córdoba, Diocese of Córdoba dedicated to the Assumption of Mary and located in the Spanish region of Andalusia. Due to its status as a former mosque, it is also known in Spanish as the and in a historical sense as the Great Mosque of Córdoba. According to traditional accounts a Visigothic Kingdom, Visigothic church, the Catholic Church, Catholic Christian Basilica of Vincent of Saragossa, originally stood on the site of the current Mosque-Cathedral, although this has been a matter of scholarly debate. The Great Mosque was constructed in 785 on the orders of Abd al-Rahman I, founder of the Islamic Emirate of Córdoba. It was expanded multiple times afterwards under Abd al-Rahman's successors up to the late 10th century. Among the most notable additions, Abd al-Rahman III added a minaret (finished i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muslim World
The terms Islamic world and Muslim world commonly refer to the Islamic community, which is also known as the Ummah. This consists of all those who adhere to the religious beliefs, politics, and laws of Islam or to societies in which Islam is practiced. In a modern geopolitical sense, these terms refer to countries in which Islam is widespread, although there are no agreed criteria for inclusion. The term Muslim-majority countries is an alternative often used for the latter sense. The history of the Muslim world spans about 1,400 years and includes a variety of socio-political developments, as well as advances in the arts, science, medicine, philosophy, law, economics and technology during the Islamic Golden Age. Muslims look for guidance to the Quran and believe in the prophetic mission of the Islamic prophet Muhammad, but disagreements on other matters have led to the appearance of different religious schools of thought and sects within Islam. The Islamic conquests, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multifoil Arch
A multifoil arch (or polyfoil arch), also known as a cusped arch, polylobed arch, or scalloped arch, is an arch characterized by multiple circular arcs or leaf shapes (called foils, lobes, or cusps) that are cut into its interior profile or intrados. The term ''foil'' comes from the old French word for "leaf." A specific number of foils is indicated by a prefix: trefoil (three), quatrefoil (four), cinquefoil (five), sexfoil (six), octofoil (eight). The term multifoil or scalloped is specifically used for arches with more than five foils. The multifoil arch is characteristic of Islamic art and architecture; particularly in the Moorish architecture of al-Andalus (Iberian Peninsula) and North Africa and in Mughal architecture of the Indian subcontinent. Variants of the multifoil arch, such as the trefoil arch, are also common in other architectural traditions such as Gothic architecture. Origins The first multifoil arches were developed by the Umayyads and can be found in a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muqarnas
Muqarnas (), also known in Iberian architecture as Mocárabe (from ), is a form of three-dimensional decoration in Islamic architecture in which rows or tiers of niche-like elements are projected over others below. It is an archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings, and typically featured in domes and vaults, as well as iwans, entrance portals, or other niches. It is sometimes referred to as "honeycomb vaulting" or "stalactite vaulting". The muqarnas structure originated from the squinch. Its purpose is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building and serves as a transition from the walls of a square or rectangular room to a round dome or vault above it. Muqarnas could also form entire vaults and domes. From below, these compositions can create an elaborate visual effect based on the interplay of light ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minaret
A minaret is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer (''adhan'') from a muezzin, but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires. Etymology Two Arabic words are used to denote the minaret tower: ''manāra'' and ''manār''. The English word "minaret" originates from the former, via the Turkish language, Turkish version (). The Arabic word ''manāra'' (plural: ''manārāt'') originally meant a "lamp stand", a cognate of Hebrew language, Hebrew ''Temple menorah, menorah''. It is assumed to be a derivation of an older Linguistic reconstruction, reconstructed form, ''manwara''. The other word, ''manār'' (plural: ''manā'ir'' or ''manāyir''), means "a place of light". Both words derive from the Arabic root ''n-w-r'', which has a meaning related to "light". Both words also had other meani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Geometric Patterns
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative art, figurative images, as it is forbidden to create a representation of an important Islamic figure according to many Quran, holy scriptures. The geometry, geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and Islamic interlace patterns, interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or Islamic calligraphy, calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of Isla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Calligraphy
Islamic calligraphy is the artistic practice of penmanship and calligraphy, in the languages which use Arabic alphabet or the Arabic script#Additional letters used in other languages, alphabets derived from it. It is a highly stylized and structured form of handwriting that follows artistic conventions and is often used for List of Islamic texts, Islamic religious texts, Islamic architecture, architecture, and Islamic decoration, decoration. It includes Arabic calligraphy, Arabic, Persian calligraphy, Persian, Ottoman Turkish alphabet, Ottoman, and Urdu script, Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic language, Arabic as (), literally meaning "line", "design", or "construction". The development of Islamic calligraphy is strongly tied to the Qur'an, as chapters and verses from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Ornament
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque, using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy, consisting of religious texts with stylized appearance, used both decoratively and to convey meaning. All three often involve elaborate interlacing in various mediums. Islamic ornament has had a significant influence on European decorative art forms, especially as seen in the Western arabesque. Overview Islamic art mostly avoids figurative images to avoid becoming objects of worship. This aniconism in Islamic culture encouraged artists to explore non-figural art, creating a general aesthetic shift toward mathematically-based decoration. Even before the preaching of Islam, the regions associated with the Islamic world today showed a preference for geometric and stylized vegetal decoration. As early as the four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Muslim Conquests
The early Muslim conquests or early Islamic conquests (), also known as the Arab conquests, were initiated in the 7th century by Muhammad, the founder of Islam. He established the first Islamic state in Medina, Arabian Peninsula, Arabia that expanded rapidly under the Rashidun Caliphate and the Umayyad Caliphate, culminating in Muslim rule being established on three continents (Asia, Africa, and Europe) over the next century. According to historian James Buchan: "In speed and extent, the first Arab conquests were matched only by those of Alexander the Great, and they were more lasting." At their height, the territory that was conquered by the Arab Muslims stretched from Iberian Peninsula, Iberia (at the Pyrenees) in the west to Indian subcontinent, India (at Sind (caliphal province), Sind) in the east; Muslim control spanned Sicily, most of the Middle East and North Africa, and the Caucasus and Central Asia. Among other drastic changes, the early Muslim conquests brought about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture Of Mesopotamia
The architecture of Mesopotamia is ancient architecture of the region of the Tigris–Euphrates river system (also known as Mesopotamia), encompassing several distinct cultures and spanning a period from the 10th millennium BC (when the first permanent structures were built) to the 6th century BC. Among the Mesopotamian architectural accomplishments are the development of urban planning, the courtyard house, and ziggurats. Scribes had the role of architects in drafting and managing construction for the government, nobility, or royalty. The study of ancient Mesopotamian architecture is based on available archaeological evidence, pictorial representation of buildings, and texts on building practices. According to Archibald Sayce, the primitive pictographs of the Uruk period era suggest that "Stone was scarce, but was already cut into blocks and seals. Brick was the ordinary building material, and with it cities, forts, temples, and houses were constructed. The city was provided wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Architecture
Iranian architecture or Persian architecture (, ''Me'māri e Irāni'') is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BC with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan. Persian buildings vary greatly in scale and function, from vernacular architecture to monumental complexes. In addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital Tehran has brought about a wave of demolition and new construction. According to American historian and archaeologist Arthur Upham Pope, Arthur Pope, the supreme Iranian art, in the proper meaning of the word, has always been its architecture. The supremacy of architecture applies to both pre- and post-Islamic periods. Iranian architecture displays great variety, both structural and aesthetic, from a variety of traditions and experience. Without sudden innovatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
