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Introdução Aos Chôros
'' Introdução aos Chôros'': Abertura (Introduction to the Chôros: Overture), is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen ''Chôros''. A performance of just the ''Introdução'' lasts about thirteen minutes. History According to Villa-Lobos, a complete presentation of his series of ''Chôros'' should be preceded by the ''Introdução aos Choros'' and concluded by the duet for violin and cello called ''Chôros bis'', as a sort of encore. According to the official account, the ''Introdução aos Chôros'' was composed in Rio de Janeiro and Paris in 1929. Instrumentation The work is scored for solo guitar (amplified) and an orchestra consisting of 2 piccolos, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 4 trumpets, 4 trombones, tuba, timpani, tam-tam, cymbals, xylophone, celesta, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introductory Diving
Introductory diving, also known as introductory scuba experience, trial diving and resort diving are dives where people without diver training or certification can experience scuba diving under the guidance of a recreational diving instructor. Introductory diving is an opportunity for interested people to find out by practical experience at a relatively low cost if they would be interested in greater involvement in scuba diving. For scuba instructors and diving schools is it an opportunity to acquire new customers. An introductory diving experience is much less time-consuming and costly than the completion of autonomous diver training, but has little lasting value, as it is an experience program only, for which no certification is issued. Introductory scuba diving experiences are intended to introduce people to recreational diving, and increase the potential client base of dive shops to include people who do not have the time or inclination to complete an entry-level certificatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros Bis
''Chôros bis'', or ''Dois Chôros (bis)'' (Two Chôros encores), first published with the title in French, ''Deux Chôros (bis)'', is a two-movement duo for violin and cello by the Brazilian composer Heitor Villa-Lobos, peripherally related to his numbered series of fourteen ''Chôros''. A performance typically lasts between eight and nine minutes. History Villa-Lobos composed the ''Chôros bis'' in Paris in 1928–29, and they were first given a private reading on 29 June 1929 at the residence of Mme Frédéric Moreau in Paris, performed by Tony Close (violin) and André Asselin (cello) under the provisional title ''Duo (Chôros bis)''. The public premiere was given by the same performers on 14 March 1930 at the Salle Chopin, Paris, as part of the Festival de Musique Moderne, in a concert that also included the world premieres of the '' Quinteto (em forma de chôros)'', the ''Cirandas'' for piano, and the ''Chansons typiques brésiliennes''. The manuscript scores of the two mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros No
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turibio Santos
Turibio Soares Santos (born March 7, 1943) is a Brazilian classical guitarist, musicologist, and composer, who established himself as a performer with a wide repertoire of pieces by Heitor Villa-Lobos, Ernesto Nazareth, Francisco Mignone, and by accompanying musicians like Clara Sverner, Paulo Moura and Olivia Byington on many CDs. Life and career Turibio Santos was born in São Luís, Maranhão, and at the age of 10 was attracted to the classical guitar. His first teacher was Antonio Rebello , and later he studied with Oscar Càceres. He also studied composition with Edino Krieger . In 1962, he gave his first recital in Rio de Janeiro, followed by a series of concerts all over Brazil. In the following year, the Villa-Lobos Museum invited him to play the Brazilian composer's ''Twelve Etudes'' for guitar and the ''Mystic Sextet'', given its first public hearing. 1964 marked the formation of a duo with Oscar Càceres and several tours of South America. Turibio Santos decided to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros By Heitor Villa-Lobos
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1929 Compositions
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Concertos
The guitar is a stringed musical instrument that is usually fretted (with some exceptions) and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone, meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood, with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States, but nylon and steel strings became mainstream only following World War II. The guitar's ancestors i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Compositions By Heitor Villa-Lobos
The guitar is a stringed musical instrument that is usually fretted (with Fretless guitar, some exceptions) and typically has six or Twelve-string guitar, twelve strings. It is usually held flat against the player's body and played by strumming or Plucked string instrument, plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either Acoustics, acoustically, by means of a resonant hollow chamber on the guitar, or Amplified music, amplified by an electronic Pickup (music technology), pickup and an guitar amplifier, amplifier. The guitar is classified as a chordophone, meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood, with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
