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Indigenous Music Of North America
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music. Characteristics Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial, unison and multipart singing. Percussion, especially dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indigenous Peoples Of North America
In the Americas, Indigenous peoples comprise the two continents' pre-Columbian inhabitants, as well as the ethnic groups that identify with them in the 15th century, as well as the ethnic groups that identify with the pre-Columbian population of the Americas as such. These populations exhibit significant diversity; some Indigenous peoples were historically hunter-gatherers, while others practiced agriculture and aquaculture. Various Indigenous societies developed complex social structures, including pre-contact monumental architecture, organized cities, city-states, chiefdoms, states, kingdoms, republics, confederacies, and empires. These societies possessed varying levels of knowledge in fields such as engineering, architecture, mathematics, astronomy, writing, physics, medicine, agriculture, irrigation, geology, mining, metallurgy, art, sculpture, and goldsmithing. Indigenous peoples continue to inhabit many regions of the Americas, with significant populations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicken Scratch
Chicken scratch (also known as waila music) is a kind of dance music developed by the Tohono O'odham people. The genre evolved out of acoustic fiddle bands in southern Arizona, in the Sonoran Desert. These bands began playing European and Mexican tunes, in styles that include the polka, schottisch and mazurka. Pulse of the Planet also mentions cumbia as a more recent influence Chicken scratch, however, is at its root an interpretation of norteño music, which is itself a Mexican adaptation of polka. Many chicken scratch bands still play polka songs with a distinctive flourish, and may also play the waltz or conjunto. Chicken scratch dance is based on the "''walking two step'' or the ''walking polka'' and the emphasis is on a very smooth gliding movement";Pulse of the Planet dancers may also perform the mazurka or the chote, though no matter the style, it is always performed counterclockwise. Chicken scratch is usually played with a band including alto saxophone, bass, guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bow
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of African peoples as well as Indigenous peoples of the Americas. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use. Types of bow include mouth-resonated string bow, earth-resonated string bow, and gourd-resonated string bow. History There is speculation that the hunting bow may have been used as a musical instrument from as early as circa 13,000 B.C. Henri Breuil surveyed the Trois Frères in France caves and made an engraving that attempted to reproduce a c. 13,000 B.C. cave painting into a black-and-white lithograph engraving. His engra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tritonic Scale
A tritonic scale is a musical scale or mode with three notes per octave. This is in contrast to a heptatonic (seven-note) scale such as the major scale and minor scale, or a dodecatonic (chromatic 12-note) scale, both common in modern Western music. Tritonic scales are not common in modern art music, and are generally associated with indigenous and prehistoric music.Onkar Prasad,Tribal Music: Its Proper Context, in ''Tribal Thought and Culture: Essays in Honour of Surajit Chandra Sinha'', edited by Baidyanath Saraswati, 131–49 (New Delhi: Concept Publishing Company, 1991): 131 (accessed 18 January 2020) Distribution India Early Indian Rig Vedic hymns were tri-tonic, sung in three pitches with no octave: Udatta, Anudatta, and Swarita. Maori In a 1969 study, Mervyn McLean noted that tritonic scales were the most common among the Maori tribes he surveyed, comprising 47% of the scales used. South America The pre-Hispanic '' herranza'' ritual music of the Andes is general ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. As Leonard Bernstein put it: "The universality of this scale is so well known that I'm sure you could give me examples of it, from all corners of the earth, as from Scotland, or from China, or from Africa, and from American Indian cultures, from East Indian cultures, from Central and South America, Australia, Finland ...now, that is a true musico-linguistic universal." There are two types of pentatonic scales: Those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Garland Encyclopedia Of World Music
''The Garland Encyclopedia of World Music'' is an academic reference work. It was initiated by editors at Garland Publishing in 1988 as a 10-volume series of encyclopedias of world music. The final volumes appeared in 2001, but editions have since been updated. It is widely regarded as an authoritative academic source for ethnomusicology. It is published by Routledge, which, like Garland Science, is now part of Taylor & Francis Group. * Volume 1: Africa - ed. Ruth M. Stone (Professor of Folklore and Ethnomusicology, Indiana), 1997 * Volume 2: South America, Mexico, Central America, and the Caribbean - ed. Daniel E. Sheehy and Dale A. Olsen, 1998 * Volume 3: The United States and Canada - ed. Ellen Koskoff (Professor of Ethnomusicology. Eastman School of Music), 2000 * Volume 4: Southeast Asia - ed. Terry E. Miller (Professor Emeritus of Ethnomusicology, Kent State University) and Sean Williams (Evergreen State College), 1998 * Volume 5: South Asia: The Indian Subcontinent - ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are multiple types of tremolo: a rapid repetition of a note, an alternation between two different notes, or a variation in volume. Tremolos may be either ''measured'', in which the exact rate of repetition or oscillation is specified, or ''unmeasured'', in which it is not (the understanding being in that case that it should be performed as rapidly as possible). Types of tremolo Rapid reiteration or oscillation The rapid reiteration of a single Musical note, note is a characteristic effect of String instrument#Bowing, bowed string instruments, obtained by rapidly moving the bow back and forth. However, the technique may be performed on any instrument on which it is practicable. (Indeed, a slow measured tremolo is simply a shorthand notation for an ordinary repetition of notes; thus, tremolo notation may appear in written music for any instrument.) The notation for this effect consists of one or mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocable
In the broadest sense of the word, a vocable (from ) is any identifiable utterance or writing, such as a word or term, that is fixed by their language and culture. The use of the term for words in the broad sense is archaic and the term is instead used for utterances which are not considered words, such as the English interjections of assent and denial, ''uh-huh'' and ''uh-uh'' , or the interjection of error, ''uh-oh'' . Such non-lexical vocables are often Non-lexical vocables in music, used in music, for example ''la la la'' or ''dum dee dum'', or in magical incantations, such as ''abra-cadabra''. Scat singing is essentially all vocables. Many Native American music, Native American songs consist entirely of vocables; this may be due to both phonetic substitution to increase the Sonorant, resonance of the song, and to the trade of songs between nations speaking different languages. Jewish Nigunim also feature wordless melodies composed entirely of vocables such as ''Yai nai nai'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arizona
Arizona is a U.S. state, state in the Southwestern United States, Southwestern region of the United States, sharing the Four Corners region of the western United States with Colorado, New Mexico, and Utah. It also borders Nevada to the northwest and California to the west, and shares Mexico-United States border, an international border with the Mexican states of Sonora and Baja California to the south and southwest. Its Capital city, capital and List of largest cities, largest city is Phoenix, Arizona, Phoenix, which is the most populous state capital and list of United States cities by population, fifth most populous city in the United States. Arizona is divided into 15 List of counties in Arizona, counties. Arizona is the list of U.S. states and territories by area, 6th-largest state by area and the list of U.S. states and territories by population, 14th-most-populous of the 50 states. It is the 48th state and last of the contiguous United States, contiguous states to be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hopi
The Hopi are Native Americans who primarily live in northeastern Arizona. The majority are enrolled in the Hopi Tribe of Arizona and live on the Hopi Reservation in northeastern Arizona; however, some Hopi people are enrolled in the Colorado River Indian Tribes of the Colorado River Indian Reservation at the border of Arizona and California. The 2010 U.S. census states that about 19,338 US citizens self-identify as being Hopi. The Hopi language belongs to the Uto-Aztecan language family. The primary meaning of the word ''Hopi'' is "behaving one, one who is mannered, civilized, peaceable, polite, who adheres to the Hopi Way." Some sources contrast this to other warring tribes that subsist on plunder.Connelly, John C., "Hopi Social Organization." In Alfonso Ortiz, vol. ed., ''Southwest'', vol. 9, in William C. Sturtevant, ed., ''Handbook of North American Indians'', Washington, D.C.: Smithsonian Institution, 1979: 539–53, p. 551 ''Hopi'' is a concept deeply rooted in the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nlaka'pamux
The Nlakaʼpamux or Nlakapamuk ( ; ), also previously known as the ''Thompson'', '' Thompson River Salish'', ''Thompson Salish'', ''Thompson River Indians'' or ''Thompson River people'', and historically as the ''Klackarpun'', ''Haukamaugh'', ''Knife Indians'', and ''Couteau Indians'', are an Indigenous First Nations people of the Interior Salish language group in southern British Columbia. Their traditional territory includes parts of the North Cascades region of Washington. Other names Frontier-era histories and maps transliterate the name Nlakaʼpamux as ''Hakamaugh'' or ''Klackarpun''; they were also known as the ''Kootomin'', or ''Couteau'' (Knife). or ''Knife Indians''. In the dialect of the Thompson language used by the Ashcroft Indian Band, the variant ''Nlʼakapxm'' is used. The Nlakaʼpamux of the Nicola Valley, who are all in the Nicola Tribal Association reserves refer to themselves as Scwʼexmx and speak a different dialect of the Thompson language. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
