In These Times (Peter, Paul, And Mary Album)
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In These Times (Peter, Paul, And Mary Album)
''In These Times'' is the fifteenth and final album by Peter, Paul, and Mary released by Rhino Records (Warner Bros. Records) in 2004. The album has 12 new recordings with originals and selections by Pete Seeger, Anne Feeney, Gene Nelson, and other music artists. Several of the songs have a social justice theme. Giving it 4 out of 5 stars, Allmusic called the album "reassuring and refreshing". Track listing #"Union Medley: You Gotta Go Down and Join the Union/Put It on the Ground/ Union Maid/ We Shall Not Be Moved/ Which Side Are You On?" #"Have You Been to Jail for Justice?" #"Jesus Is on the Wire" #" Don't Laugh at Me" #" Wayfaring Stranger" #"How Can I Keep from Singing?/The Great Storm Is Over" #"Invisible People" #"Of This World" #"Some Walls" #"All God's Critters" #"It's Magic" #"Oh, Had I a Golden Thread" Personnel *Peter Yarrow – vocals, guitar * Noel "Paul" Stookey – vocals, guitar * Mary Travers – vocals *Paul Prestopino – guitar, banjo, dobro, mandolin ...
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Peter, Paul And Mary
Peter, Paul and Mary were an American Contemporary folk music, folk group formed in New York City in 1961 during the American folk music revival. The trio consisted of Peter Yarrow (guitar, tenor vocals), Paul Stookey (guitar, baritone vocals), and Mary Travers (contralto vocals). The group's repertoire included songs written by Yarrow, Luis Manuel and Stookey, early songs by Bob Dylan, and covers of other folk musicians. They were very successful in the early- and mid-1960s, with their debut album topping the charts for weeks, and helped popularize the folk music revival. Following Travers's death in 2009, Yarrow and Stookey continued to perform as a duo. Yarrow died in 2025, leaving Stookey the sole surviving member of the group. Travers said she was influenced by Woody Guthrie, Pete Seeger, and the Weavers. In May 1963, Stookey described the formation and dynamics of the group on Folk Music Worldwide, an international short-wave radio show in New York City. In the 2004 doc ...
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I Shall Not Be Moved
"I Shall Not Be Moved" ( Roud 9134), also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. It was likely originally sung at revivalist camp-meetings as a slave jubilee. The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a labor union song and a protest song of the Civil Rights Movement. The text is based on biblical scripture: In 1908 Alfred H. and B. D. Ackley copyrighted a hymn by the name "I Shall Not Be Moved". Civil rights movement As "We Shall Not Be Moved" the song gained popularity as a protest and union song of the Civil rights movement. The song became popular in the Swedish anti-nuclear and peace movements in the late 1970s, in a Swedish translation by Roland von Malmborg, "" ('Never shall we give up'). Recorded versions Among others, the f ...
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2003 Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious and cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9 ...
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Mandolin
A mandolin (, ; literally "small mandola") is a Chordophone, stringed musical instrument in the lute family and is generally Plucked string instrument, plucked with a plectrum, pick. It most commonly has four Course (music), courses of doubled Strings (music), strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a Family (musical instruments), family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued together into a bowl. Th ...
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Dobro
Dobro () is an American brand of resonator guitars owned by Gibson and manufactured by its subsidiary Epiphone. The term "dobro" is also used as a generic term for any wood-bodied, single-cone resonator guitar. The Dobro was originally a guitar manufacturing company founded by the Dopyera brothers as the Dobro Manufacturing Company. Their guitar design, with a single outward-facing resonator cone, was introduced to compete with the patented inward-facing tricone and biscuit designs produced by the National String Instrument Corporation. The Dobro name appeared on other instruments, notably electric lap steel guitars and solid body electric guitars and on other resonator instruments such as Safari resonator mandolins. History The roots of the Dobro story can be traced to the 1920s when Slovak immigrant John Dopyera, instrument repairman and inventor, and musician George Beauchamp were searching for more volume for Beauchamp's guitars. Dopyera built an ampliphonic (or "res ...
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Mary Travers (singer)
Mary Allin Travers (November 9, 1936 – September 16, 2009) was an American singer who found fame as a member of the 1960s folk trio Peter, Paul and Mary, along with Peter Yarrow and Paul Stookey. Travers grew up amid the burgeoning folk scene in New York City's Greenwich Village, and she released five solo albums. She was a contralto. Early life and education Mary Travers was born in 1936 in Louisville, Kentucky, to Robert Travers and Virginia Coigney, journalists and active organizers of The Newspaper Guild, a trade union. In 1938, when Robert's employer, '' The Herald-Post'', closed, the family moved to Greenwich Village in New York City. Mary attended the progressive Little Red School House, where she met musical icons like Pete Seeger and Paul Robeson. Robeson sang her lullabies. Travers left school in the 11th grade to become a member of the Song Swappers folk group. Singing career The Song Swappers sang backup for Pete Seeger on four reissue albums in 1955, when Fo ...
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Paul Stookey
Noel Paul Stookey (born December 30, 1937) is an American singer-songwriter and activist who is known for being a member of the 1960s folk trio Peter, Paul and Mary along with Peter Yarrow and Mary Travers. He has been known by his first name, Noel, throughout his life. He is the last surviving member of the group, following the deaths of Mary Travers in 2009 and Peter Yarrow in 2025. Stookey continues to work as a solo artist and an activist. Early life Stookey was born in Baltimore, Maryland. His family moved to Birmingham, Michigan, when he was 12 years old, and he graduated from Birmingham High School (now Seaholm High School) in 1955. Stookey attended Michigan State University (MSU) in East Lansing, Michigan, but did not graduate. While attending MSU, he joined Delta Upsilon fraternity. Though he credits a deep spiritual core for his work, Stookey "dispelled reports that he was born a Buddhist, saying his mother was a Roman Catholic and his dad was an ex-Mormon" and reca ...
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How Can I Keep From Singing?
"How Can I Keep from Singing?" is an American folksong originating as a Christian hymn. The author of the lyrics was known only as 'Pauline T', and the original tune was composed by American Baptist minister Robert Lowry. The song is frequently, though erroneously, cited as a traditional Quaker or Shaker hymn. The original composition has now entered into the public domain, and appears in several hymnals and song collections, both in its original form and with a revised text that omits most of the explicitly Christian content and adds a verse about solidarity in the face of oppression. Though it was not originally a Quaker hymn, Quakers adopted it as their own in the twentieth century and use it widely today. Authorship and lyrics The first known publication of the words was on August 27, 1868, in ''The New York Observer''. Titled "Always Rejoicing", and attributed to "Pauline T.",
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The Wayfaring Stranger (song)
"The Wayfaring Stranger" (also known as "Poor Wayfaring Stranger", "I Am a Poor Wayfaring Stranger", or "Wayfaring Pilgrim"), Roud 3339, is a well-known American folk and gospel song likely originating in the early 19th century about a plaintive soul on the journey through life. As with most folk songs, many variations of the lyrics exist, and many singers have linked the song to times of hardship and notable experiences in their lives, such as the case with Burl Ives in his autobiography. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. History The origins of the song are unclear and it may have multiple influences. The likely use of coded language common in negro spirituals points to African American origins. For example, 'crossing the River Jordan' may refer to crossing the Ohio River on the journey north to freedom. In 1905 Black composer Samuel Coleridge-Taylor included “I Am a Poor, Wayfaring Stranger” (under the ti ...
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Don't Laugh At Me
"Don't Laugh at Me" is a song written by Allen Shamblin and Steve Seskin, and recorded by American country music artist Mark Wills. It was released in July 1998 as the second single from album ''Wish You Were Here''. Like "I Do (Cherish You)" before it, "Don't Laugh at Me" was a number 2 hit on the ''Billboard'' country charts. The song received Country Music Association nominations for Country Music Association's Single, Song and Video of the Year in 1998. Background Allen Shamblin was inspired to write the song after his school-aged daughter came home and confided that she was being teased by her peers because of her freckles. Content The song is a ballad in which various characters, from teased children to a homeless man on a street corner, seek acceptance from those around them. Wills has received letters from teachers and students who have said that they can identify with the song's story. According to him, "everyone can relate to he songEveryone at some point in their li ...
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Which Side Are You On?
"Which Side Are You On?" is a song written in 1931 by activist Florence Reece, who was the wife of Sam Reece, a union organizer for the United Mine Workers in Harlan County, Kentucky. Background In 1931, miners and mine owners in southeastern Kentucky were locked in a bitter and violent struggle called the Harlan County War. In an attempt to intimidate the family of union leader Sam Reece, Sheriff J. H. Blair and his men, hired by the mining company, illegally entered their home in search of Reece. Reece had been warned and escaped but his wife, Florence, and their children were terrorized. That night, after the men had gone, Florence wrote the lyrics to "Which Side Are You On?" on a calendar that hung in their kitchen. She took the melody from a traditional Baptist hymn, " Lay the Lily Low", or the traditional ballad " Jack Munro". Reece supported a second wave of miner strikes circa 1973, as recounted in the documentary '' Harlan County USA''. She and others performed "Whi ...
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