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Idyl I'm Age
An idyll (, ; ; occasionally spelled ''idyl'' in American English) is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the ''Idylls'' (Εἰδύλλια). Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (''Idylls of the King''), and Nietzsche's ''Idylls from Messina''. Goethe called his poem ''Hermann and Dorothea''—which Schiller considered the very climax in Goethe's production—an idyll. Terminology The term is used in music to refer generally to a work evocative of pastoral or rural life such as Edward MacDowell's ''Forest Idylls'', and more specifically to a kind of French courtly entertainment (''divertissement'') of the baroque era where a pastoral poem was set to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American English
American English, sometimes called United States English or U.S. English, is the set of variety (linguistics), varieties of the English language native to the United States. English is the Languages of the United States, most widely spoken language in the United States and, since 2025, the official language of the United States. It is also an official language in 32 of the 50 U.S. states and the ''de facto'' common language used in government, education, and commerce in all 50 states, the District of Columbia, and in all territories except Puerto Rico. Since the late 20th century, American English has become the most influential form of English worldwide. Varieties of American English include many patterns of pronunciation, vocabulary, grammar, and particularly spelling that are unified nationwide but distinct from other forms of English around the world. Any North American English, American or Canadian accent perceived as lacking noticeably local, ethnic, or cultural markedness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertissement
''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance. In the operas produced by the Académie Royale de Musique, both tragédies lyriques and comédies lyriques, these 'divertissements' were sometimes linked to the main plot, or performed at the close of the performance. (Similar examples during the 19th century include Charles Gounod's opera ''Faust'' and Delibes's ballet '' Coppélia''.) Special entertainments of a similar kind given ''between'' the acts of an opera were called 'intermèdes'. The term is also sometimes used for a suite of loosely connected dances. One 20th-century example is Jacques Iber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Greenleaf Whittier
John Greenleaf Whittier (December 17, 1807 – September 7, 1892) was an American Quaker poet and advocate of the abolition of slavery in the United States. Frequently listed as one of the fireside poets, he was influenced by the Scottish poet Robert Burns. Whittier is remembered particularly for his anti-slavery writings, as well as his 1866 book '' Snow-Bound''. Early life and education Whittier was born to John and Abigail ( Hussey) Whittier at their rural homestead in Haverhill, Massachusetts, on December 17, 1807. His middle name is thought to mean ''feuillevert'', after his Huguenot forebears. He grew up on the farm in a household with his parents, a brother and two sisters, a maternal aunt and paternal uncle, and a constant flow of visitors and hired hands for the farm. As a boy, it was discovered that Whittier was color-blind when he was unable to see a difference between ripe and unripe strawberries. The farm was not very profitable, and there was only enough mone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral
The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A ''pastoral'' is a work of this genre. A piece of music in the genre is usually referred to as a pastorale. The genre is also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Et In Arcadia Ego (Poussin)
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Classical painter Nicolas Poussin. It depicts a pastoral scene with idealized Shepherd, shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes the Latin inscription "Et in Arcadia ego", which is translated to "Even in Arcadia (utopia), Arcadia, there am I"; "Also in Arcadia am I"; or "I too was in Arcadia". Poussin also painted another version of the subject in 1627 under the same title. The 1630s version is held in the Musée du Louvre, Paris, while the 1627 version is held at Chatsworth House, England. An earlier treatment of the theme was painted by Guercino –1622, also titled ''Et in Arcadia ego (Guercino), Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia (region), Arcadia is first described in Virgil's ''Eclogues'' Eclog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcadia (utopia)
Arcadia (; ) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word ''Arcadia'' to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires. The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It is also someti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taschen
Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt Taschen and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, publishing Benedikt's comic collection. Taschen focuses on making lesser-seen art and imagery available to mainstream bookstores.The firm has brought potentially controversial art and imagery, including fetishistic imagery, queer art, historical erotica, pornography, and adult magazines (including multiple books with '' Playboy'' magazine) into broader public view, publishing it alongside its more mainstream books of comics reprints, art photography, painting, design, fashion, advertising history, film, and architecture. Degen Pener''Taschen Books Chief Reveals New Projects, Talks 'Fifty Shades' and $12M Books'' published in The Hollywood Reporter, 25 November 2014 Taschen publications are available in a various sizes, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Très Riches Heures Du Duc De Berry
The (; ), or , is an illuminated manuscript that was created between and 1416. It is a book of hours, which is a Christians, Christian devotional book and a collection of prayers said at canonical hours. The manuscript was created for John, Duke of Berry, the brother of Charles V of France, King Charles V of France, by Limbourg brothers Paul, Johan and Herman.Manion 1996, p. 308. The book is now MS 65 in the Musée Condé, Chantilly, Oise, Chantilly, France. Consisting of a total of 206 leaves of very fine quality parchment, in height by in width, the manuscript contains 66 large Miniature (illuminated manuscript), miniatures and 65 small. The design of the book, which is long and complex, has undergone many changes and reversals. Many artists contributed to its miniatures, calligraphy, initials, and marginal decorations, but determining their precise number and identity remains a matter of debate. Painted largely by artists from the Low Countries, often using rare a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoinette Deshoulières
Antoinette is a given name, that is a diminutive feminine form of Antoine and Antonia (from Latin ''Antonius''). People with the name include: Nobles * Antoinette de Maignelais, Baroness of Villequier by marriage (1434–1474), mistress of Charles VII of France and later of Francis II, Duke of Brittany * Antoinette de Bourbon (1493–1583) * Princess Antoinette of Brunswick-Wolfenbüttel (1696–1762) * Princess Antoinette of Saxe-Coburg-Saalfeld (1779–1824) * Antoinette de Mérode (1828–1864), Princess of Monaco * Princess Antoinette of Saxe-Altenburg (1838–1908) * Princess Antoinette, Baroness of Massy (1920–2011) Artists and entertainers * Antoinette de Beaucaire (1840–1865), Occitan language poet * Antoinette Beumer (born 1962), Dutch film director * Antoinette Bower (born 1932), German-born British actress * Antoinette Cellier (1913–1981), English actress * Antoinette du Ligier de la Garde Deshoulières (1638–1694), French poet * Antoinette Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Desmarets
Henri Desmarets (February 1661 – 7 September 1741) was a French composer of the Baroque music, Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works. Biography Early years and first successes Henri Desmarets was born into a modest Paris household in February 1661. His mother, Madeleine ''née'' Frottier, came from a bourgeois Parisian family. His father, Hugues Desmarets was a huissier in the cavalry at the Grand Châtelet. Desmarets' childhood was marked by his father's death when he was eight years old, his mother's subsequent remarriage in 1670, and the death of his two siblings. In 1674, he entered into the service of Louis XIV, King Louis XIV as a Page (occupation), page and choir singer in the Chapelle Royale (Chapel Royal). According to Duron and Ferraton, he may have also previously sung as a choir boy in Saint-Germain l'Auxerrois which was the parish church of the k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'' ''H.146, Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network and the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, where he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
