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I Want Candy
"I Want Candy" is a song written and originally recorded by the Strangeloves in 1965 that reached No. 11 on the US ''Billboard'' Hot 100 chart. It is a famous example of a song that uses the Bo Diddley beat. Original version "I Want Candy" was written by Bert Berns, Bob Feldman, Jerry Goldstein and Richard Gottehrer in 1965. Some reports suggest that the song was written after the producers saw dancer Candy Johnson performing at the 1964 World's Fair. As writers/producers, Feldman, Goldstein and Gottehrer had already scored big hits for other artists, including " My Boyfriend's Back" by the Angels. For this song, the trio took on the moniker of the Strangeloves, and recorded the tune themselves, augmented by studio musicians (co-writer Berns was not involved in the studio recording). The female vocalist heard half-screaming, half-singing "Baby!" in the middle of the track was an unknown session singer. Although Feldman, Goldstein and Gottehrer used their real name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Strangeloves
The Strangeloves were a band created in 1964 by the New York City, New York-based United States, American songwriter, songwriting and record producer, production team of Bob Feldman, Jerry Goldstein (producer), Jerry Goldstein, and Richard Gottehrer. They initially pretended to be from Australia. The Strangeloves' most successful singles were "I Want Candy," "Cara-Lin", and "Night Time (song), Night Time". History Before the invention of the Strangeloves, Feldman and Goldstein had been working together as songwriters since 1959,Bill Kopp, "Strange Daze", ''Record Collector'', #502, February 2020, pp.74-78 and recorded a couple of non-charting singles as the duo Bob & Jerry in 1961–62. From 1959 to 1961 they were members of various non-charting studio-based recording groups such as Bobbi and the Beaus, Ezra and the Iveys, and the Kittens. They linked up with Gottehrer in 1962, formed FGG Productions, and scored hits for other artists including 1963's "My Boyfriend's Back (s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1964 World's Fair
The 1964 New York World's Fair (also known as the 1964–1965 New York World's Fair) was an international exposition at Flushing Meadows–Corona Park in Queens, New York City, United States. The fair included exhibitions, activities, performances, films, art, and food presented by 80 nations, 24 U.S. states, and nearly 350 American companies. The five sections of the fairground were the Federal and State, International, Transportation, Lake Amusement, and Industrial areas. The fair's theme was "Peace through Understanding", and its symbol was the Unisphere, a stainless-steel model of Earth. Initially, the fair had 139 pavilions, and 34 concessions and shows. The site had previously hosted the 1939 New York World's Fair. In the 1950s, several businessmen devised plans for a similar event in 1964, and the New York World's Fair 1964 Corporation (WFC) was formed in 1959. Although U.S. president Dwight D. Eisenhower approved the fair, the Bureau International des Expositions re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Of The Pops
''Top of the Pops'' (''TOTP'') is a British record chart television programme, made by the BBC and broadcast weekly between 1January 1964 and 30 July 2006. The programme was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One. Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30 was used from 1969 and the Top 40 from 1984. Dusty Springfield's "I Only Want to Be with You" was the first song featured on ''TOTP'', while the Rolling Stones were the first band to perform with "I Wanna Be Your Man". Snow Patrol were the last act to play live on the weekly show when they performed their single "Chasing Cars". Status Quo (band), Status Quo made more appearances than any other artist, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiswick Records
Chiswick Records was a British independent record label. Established in 1975, Chiswick was the "first true ' indie' label to be established in Britain for nearly a decade". The label has been described as "significant" in the "punk era". It released some of the earliest records recorded by The Hammersmith Gorillas, The Count Bishops, Motörhead, Joe Strummer’s The 101ers, The Damned, Skrewdriver, Billy Bragg, Kirsty MacColl, and Shane MacGowan. History The label was started by Ted Carroll and Roger Armstrong in 1975 as a subsidiary of Rock On Records. Shortly after Trevor Churchill joined, it was incorporated into Swift Records Ltd. Two years later it entered into a licensing deal with EMI. Subsidiary Ace Records was started in 1978, and Chiswick Records closed in 1983; its back catalogue is still owned by Ace Records Ltd. The label released a number of sampler compilation albums showcasing their bands. These included '' Submarine Tracks & Fool's Gold (Chiswick Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pub Rock (United Kingdom)
Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label. With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and Rhythm and blues, R&B, punk was ic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto Punk
Proto-punk (or protopunk) is rock music from the 1960s to mid-1970s that foreshadowed the punk rock genre and movement. A retrospective label, the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes. The tendency towards aggressive, simplistic rock songs is a trend critics such as Lester Bangs have traced to as far back as Ritchie Valens' 1958 version of the Mexican folk song " La Bamba", which set in motion a wave of influential garage rock bands including the Kingsmen, the Kinks, the 13th Floor Elevators and the Sonics. By the late 1960s, Detroit bands the Stooges and MC5 had used the influence of these groups to form a distinct prototypical punk sound. In the following years, this sound spread both domestically and internationally, leading to the formation of the New York Dolls and Electric Eels in the United States, Dr. Feelgoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Count Bishops
The Count Bishops were a British rock band, formed in 1975 in London and which broke up in 1980. The Count Bishops had limited commercial success, but forged an important stylistic and chronological link between the root rhythm and blues band Dr. Feelgood and the proto punk sound of Eddie and the Hot Rods; together forming the foundation of the pub-rock scene, which influenced the emergence of punk rock. The group made history in England by releasing the first record from independent label Chiswick Records. They splintered following the death of guitarist Zenon DeFleur on 18 March 1979. History The Count Bishops formed in spring 1975 when members of the group Chrome joined the American vocalist Mike Spenser. In July of that year, Spenser (née Scolnick) called fellow countryman Johnny Guitar from Paris for five days straight and finally convinced him to pack up two Les Pauls and fly to the UK and join up with Spenser and Zenon DeFleur (so named by Johnny after seeing him pas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guinness World Records
''Guinness World Records'', known from its inception in 1955 until 1999 as ''The Guinness Book of Records'' and in previous United States editions as ''The Guinness Book of World Records'', is a British reference book published annually, listing world records both of human achievements and the extremes of the natural world. Sir Hugh Beaver created the concept, and twin brothers Norris and Ross McWhirter co-founded the book in London in August 1955. The first edition topped the bestseller list in the United Kingdom by Christmas 1955. The following year the book was launched internationally, and as of the 2025 edition, it is now in its 70th year of publication, published in 100 countries and 40 languages, and maintains over 53,000 records in its database. The international franchise has extended beyond print to include television series and museums. The popularity of the franchise has resulted in ''Guinness World Records'' becoming the primary international source for cata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Hit Singles & Albums
''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference work, reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HIT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the United Kingdom, UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as ''British Hit Singles'' and ''British Hit Albums''. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to Jim Pattison Group, The Jim Pattison Group, owner of ''Ripley's Believe It or Not!''. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books bran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tremeloes
The Tremeloes (formerly Brian Poole and The Tremeloes) are an English beat group founded in 1958 in Dagenham, England. They initially found success in the British Invasion era with lead singer Brian Poole, scoring a UK chart-topper in 1963 with "Do You Love Me". The band achieved their greatest success after Poole's departure in 1966. The band reformed as a four-piece that year with Chip Hawkes on bass, Rick Westwood on lead guitar, Alan Blakley, Alan Blakely on rhythm guitar, and Dave Munden on drums. All four members sang, with most of the leads being sung by Hawkes and Munden. The quartet had 13 top 40 hits on the UK Singles Chart between 1967 and 1971 including "Here Comes My Baby (Cat Stevens song), Here Comes My Baby", "Even the Bad Times Are Good", "(Call Me) Number One", "Me and My Life" and their most successful single, "Silence Is Golden (song), Silence Is Golden" (1967). Various other musicians came and went after 1974, but all members of the 1966–1973 quartet, alo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music Music genre, genre that developed around Liverpool in the late 1950s and early 1960s. The genre melded influences from British rock and roll, British and Music of the United States, American rock and roll, rhythm and blues, skiffle, traditional pop, and music hall. It rose to mainstream popularity in the United Kingdom and Europe by 1963 before spreading to North America in 1964 with the British Invasion. The beat style shaped popular music and youth culture through 1960s movements such as garage rock, folk rock and psychedelic music. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. "Beat" alludes to the driving rhythms adopted from rock and roll, R&B, and soul music—not the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later shortened to "beat", became a live dance alternative to the ballade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
