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I Don't Want To Lose You Baby
''I Don't Want to Lose You Baby'' is the fourth studio album by the English duo Chad & Jeremy. It was released on September 27, 1965. ''I Don't Want to Lose You Baby'' was recorded from February 1, 1965 to June 24, 1965. " I Have Dreamed" was released as a single and backed with "Should I". "I Don't Want to Lose You Baby" was also released as a single, and backed with "Pennies", not included on the album. Track listing #"I Don't Want to Lose You Baby" (Van McCoy) – 2:51 #"Should I" (Chad Stuart, Jeremy Clyde) – 2:51 #"The Girl Who Sang the Blues" (Barry Mann, Cynthia Weil) – 2:16 #"Funny How Love Can Be" (Kenneth Hawker, John Shakespeare) – 1:50 #"The Woman in You" (Jeremy Clyde) – 2:34 #" Mr. Tambourine Man" (Bob Dylan) – 2:25 #" I Have Dreamed" ( Richard Rodgers, Oscar Hammerstein II) – 2:11 #"Don't Think Twice, It's All Right" (Bob Dylan)– 3:09 #"Baby Don't Go" (Sonny Bono) - 3:10 #" There but for Fortune" (Phil Ochs Philip David Ochs (; December 19, 1940 � ...
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Chad & Jeremy
Chad & Jeremy were a British musical duo consisting of Chad Stuart and Jeremy Clyde, who began working in 1962 and had their first hit song in the UK with " Yesterday's Gone" (1963). That song became a hit in the United States in the following year as part of the British Invasion. Unlike the rock-music sounds of their peers, Chad & Jeremy performed in a soft, folk-inflected style characterized by hushed and whispered vocals. The duo had a string of hits in the United States, including " Willow Weep for Me", " Before and After", and their biggest hit, " A Summer Song". After some commercial failures and divergent personal ambitions, Chad & Jeremy disbanded in 1968. Chad Stuart continued to work in the music industry, while Jeremy Clyde became a film and stage actor. In the early 1980s, the duo reunited to record a new album and perform concerts, including a multi-band British Invasion nostalgia tour. After another long period of separation, in the early 2000s, Chad & Jeremy bega ...
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Bob Dylan
Bob Dylan (legally Robert Dylan; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Described as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture over his nearly 70-year career. With an estimated more than 125 million records sold worldwide, he is one of the List of best-selling music artists, best-selling musicians of all time. Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning Counterculture of the 1960s, counterculture. Dylan was born in St. Louis County, Minnesota. He moved to New York City in 1961 to pursue a career in music. Following his 1962 debut album, ''Bob Dylan (album), Bob Dylan'', featuring traditional folk and blues material, he released his ...
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Phil Ochs
Philip David Ochs (; December 19, 1940 – April 9, 1976) was an American songwriter, protest song, protest singer (or, as he preferred, "topical singer"), and Political Activist, political activist. Ochs was known for his sharp wit, sardonic humor, and political commentary. He wrote approximately 200 songs throughout the 1960s and 1970s, and released eight albums. Ochs performed at many political events throughout the course of his career—including the 1968 Democratic National Convention, multiple mass demonstrations sponsored by the National Mobilization Committee to End the War in Vietnam, civil rights movement, civil rights rallies, student events, and Labour movement, organized labor events—and was known to perform at benefits for free. Politically, early in his career, Ochs described himself as a "left social democrat," but became an early revolutionary after the 1968 Democratic National Convention protests, police riots at the 1968 Democratic National Convention, whic ...
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There But For Fortune (song)
"There but for Fortune" is a song by American folk musician Phil Ochs. Ochs wrote the song in 1963 and recorded it twice, for ''New Folks Volume 2'' (Vanguard, 1964) and '' Phil Ochs in Concert'' ( Elektra, 1966). Joan Baez also recorded "There but for Fortune" in 1964, and her version of the song became a chart hit. The song "There but for Fortune" consists of four verses, each one of which ends with the line "there but for fortune may go you or I". The first verse is about a prisoner. The second verse describes a hobo. The third verse is about a drunk who stumbles out of a bar. The final verse describes a country that has been bombed. One of Ochs' biographers wrote that, "of all the songs that Phil would ever write, none would show his humanity as brilliantly as the four brief verses of 'There but for Fortune'". The song's title was used as the name of the 1989 compilation album '' There but for Fortune'', which featured material taken from three albums Ochs recorded for Elek ...
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Sonny Bono
Salvatore Phillip "Sonny" Bono ( ; February 16, 1935 – January 5, 1998) was an American singer, songwriter, actor, and politician. In partnership with his second wife, Cher, he formed the singing duo Sonny & Cher. A member of the Republican Party (United States), Republican Party, Bono served as the 16th mayor of Palm Springs, California, from 1988 to 1992, and served as the United States House of Representatives, U.S. representative for California's 44th congressional district, California's 44th district from 1995 until his death in 1998. The United States Copyright Term Extension Act of 1998, which extended the term of copyright by 20 years, was named in honor of Bono when it was passed by Congress nine months after his death. Mary Bono (his widow and successor in Congress) had been one of the original sponsors of the legislation, commonly known as the Sonny Bono Copyright Term Extension Act. Early life Bono was born in Detroit, the son of Zena "Jean" (née DiMercurio) and ...
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Baby Don't Go
"Baby Don't Go" is a song written by Sonny Bono and recorded by Sonny & Cher. It was first released on Reprise Records in 1964 and was a minor regional hit. Subsequently, following the duo's big success with "I Got You Babe" in the summer of 1965, "Baby Don't Go" was re-released by Reprise later that year and became another huge hit for Sonny & Cher, reaching the top ten in the U.S. and doing well in the UK and elsewhere, going as far as reaching number one in Canada. Background Sonny Bono, Salvatore "Sonny" Bono and Cher, Cherilyn "Cher" Sarkisian-Lapiere were an aspiring duo, with Bono writing and producing songs for the couple under the name Caesar and Cleo, but with little success. In 1964 they decided to change their act's name to Sonny & Cher, and signed with Frank Sinatra's Reprise Records. Reprise executives were apparently unaware that they already had Sonny & Cher signed as Caesar and Cleo. Composition and recording Bono composed "Baby Don't Go" on an $85 upright piano ...
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Don't Think Twice, It's All Right
"Don't Think Twice, It's All Right" is a song written by Bob Dylan in 1962 and released the following year on his album '' The Freewheelin' Bob Dylan'' and as the B-side of the single " Blowin' in the Wind". The song has been covered by several other artists, including Waylon Jennings in 1964, Susan Tedeschi, Melanie Safka, Gerard Quintana and Jordi Batiste in Catalan, Emilie-Claire Barlow in her 2010 album '' The Beat Goes On'' and Peter, Paul and Mary, who released it as a single, which reached the Top 10 of the ''Billboard'' Hot 100. Composition In the liner notes to the original release, Nat Hentoff calls the song "a statement that maybe you can say to make yourself feel better ... as if you were talking to yourself". It was written around the time that Suze Rotolo indefinitely prolonged her stay in Italy. The beginning of the melody is based on the public domain traditional song "Who's Gonna Buy Your Chickens When I'm Gone", which was taught to Dylan by folksinger ...
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Rodgers And Hammerstein
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Gordon, John Steele''Oklahoma!''. Retrieved June 13, 2010 Five of their Broadway shows, ''Oklahoma!'', '' Carousel'', '' South Pacific'', '' The King and I'' and ''The Sound of Music'', were outstanding successes, as was the television broadcast of ''Cinderella'' (1957). Of the other four shows the pair produced on Broadway during their lifetimes, '' Flower Drum Song'' was well-received, and none was a critical or commercial flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the ...
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Van McCoy
Van Allen Clinton McCoy (January 6, 1940 – July 6, 1979) was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit " The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations, David Ruffin, The Stylistics, The Presidents, Faith, Hope & Charity, New Censation, Gladys Knight & the Pips, Aretha Franklin, Peaches & Herb, Lesley Gore, and Stacy Lattisaw. Background and early years Early life Van McCoy was born on January 6, 1940, in Washington, D.C., the second child of Norman S. McCoy, Sr. and Lillian Ray. He learned to play piano at a young age and sang with the Metropolitan Baptist Church choir as a youngster. By the age of 12, he had begun writing his own songs, in addition to performing in local amateur shows alongside his older brother, Norman Jr. The two brothers formed a doo-wop combo named the Starlighters with two friends w ...
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Folk Rock
Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's " Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums '' Bringing It All Back Home'' (1965), '' Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk ...
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Should I (song)
"Should I" is a song written by Chad Stuart and Jeremy Clyde, first recorded by their duo Chad & Jeremy as the B-side to " I Have Dreamed", which became a top-100 hit in the US. The song was arranged by Stuart and was included a week later on their fourth studio album '' I Don't Want to Lose You Baby.'' The best known rendition of the track was by Swedish rock band the Hep Stars, who recorded "Should I" as their ninth single in late 1965. This rendition reached the top-5 on the Swedish sales chart Kvällstoppen and radio show ''Tio i Topp''. Chad & Jeremy version "Should I" was initially recorded as the B-Side to " I Have Dreamed", a song written by songwriting duo Rodgers and Hammerstein for ''The King and I''. Columbia Records decided that they had to write an original composition on the B-Side, a song which later became "Should I." "I Have Dreamed" initially released on Columbia on 22 September 1965. The song, along with most of '' I Don't Want to Lose You Baby'' was reco ...
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I Have Dreamed (song)
"I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, ''The King and I''. In the original Broadway production it was sung by Doretta Morrow and Larry Douglas. It has since become a standard, with many artists recording the song. Background In the show, the characters of Lun Tha and Tuptim sing of how they have dreamt of their true love blossoming in freedom, as they prepare to escape from the King's palace. This is in contrast to the subdued mood of the song " We Kiss in a Shadow", when they fear that the King will learn of their love. "I Have Dreamed" was added to the score of ''The King and I'' during its out-of-town tryout run. The song was recorded for the soundtrack of the 1956 film version of ''The King and I'', but, ultimately, no footage was shot to feature it. Only the melody is heard in the film, as incidental music prior to the "We Kiss in a Shadow" sequence. However, "I Have Dreamed" was retained on the soundtrack album where it was sung ...
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