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I've Been Good To You
"I've Been Good to You" is a 1961 R&B song by the Miracles on Motown Records' Tamla label. It was released as the B-side of their ''Billboard'' Top 40 hit, " What's So Good About Goodbye", and was included on their album '' I'll Try Something New'' the following year. This sad, melancholy ballad charted #103 on the ''Billboard'' Pop chart. Despite its relatively modest chart placing, this song has been hugely influential, and is noted as Beatle John Lennon's favorite Miracles tune, and was the inspiration for the Beatles' songs "This Boy" and "Sexy Sadie". Written by Miracles lead singer Smokey Robinson, the song begins with the lyric, "Look what you've done...You've made a fool out of someone..." which Lennon later paraphrased in "Sexy Sadie" song as, "What have you done...You've made a fool of everyone." The song was performed live by the group on their album, '' The Miracles Recorded Live on Stage'', and has inspired cover versions by Marshall Crenshaw, Joe Meek, The Tempto ...
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The Miracles
The Miracles (later known as Smokey Robinson and the Miracles from 1965 to 1972) were an American vocal group formed in Detroit, Michigan in 1955. They were the first successful recording act for Motown Records and are considered one of the most important and most influential groups in the history of Pop music, pop, Soul music, soul, rhythm and blues and rock and roll music. The group's international fame in the 1960s, alongside other Motown acts, led to a greater acceptance of R&B and pop music in the U.S., with the group being considered influential and important in the development of modern popular music. The group was formed as The Five Chimes and changed their name to the Miracles in 1958, by which time their lineup consisted of Smokey Robinson, Claudette Rogers Robinson, Claudette Rogers (later Robinson), Bobby Rogers, Warren "Pete" Moore, Marv Tarplin, and Ronnie White. Referred to as Motown's "soul supergroup", the Miracles recorded more than 50 chart hits, including 26 ...
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Tamla
Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played a vital role in the racial integration of popular music as an African American-owned label that achieved crossover success with white audiences. In the 1960s, Motown and its main subsidiary labels (including Gordy, Soul) were the most prominent exponents of what became known as the Motown sound, a style of soul music with a mainstream pop-influenced sound and appeal. Motown was the most successful soul music label, with a net worth of $61 million in 1988. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the ''Billboard'' Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown lab ...
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Brenda Holloway
Brenda Holloway (born June 26, 1946) is an American soul singer who was a recording artist for Motown Records during the 1960s. Her best-known recordings are the hits " Every Little Bit Hurts", " When I'm Gone", and " You've Made Me So Very Happy". The latter, which she co-wrote, was later widely popularized when it became a Top Ten hit for Blood, Sweat & Tears. She left Motown after four years, at the age of 22, and largely retired from the music industry until the 1990s, after her recordings had become popular on the British " Northern soul" scene. Biography Early life and career She was born in Atascadero, California on June 26, 1946, the eldest of three children to Wade and Johnnie Mae (Fossett) Holloway. In 1948, she and her infant brother, Wade, Jr., moved with their parents to the Watts section of Los Angeles where her sister, Patrice, was born in 1951. Brenda took up violin, flute and piano and sang in her church choir, as well as developing a love of class ...
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The Ones
The Ones are an American electronic dance music group. Their 2001 hit single " Flawless" peaked within the top ten of the charts in Belgium and the United Kingdom. The trio consisted of three male vocalists Paul Alexander, JoJo Americo, and Nashom Wooden, who met while working at the Greenwich Village boutique Patricia Field. Each of them has a background in performing, DJing, and being stylists within the underground New York club and fashion scenes. Their debut single, "Flawless", was inspired by the 1999 film, which Nashom appeared in alongside Robert De Niro. It was first released on the New York based A Touch of Class Recordings label in 1999, and was popular among New York DJs even before its official release. In 2004, "Flawless" was sampled and had lyrics added to it by English singer and former Wham! member George Michael for his song " Flawless (Go to the City)". Michael's version peaked at number eight on the UK Singles Chart in July 2004, almost three years afte ...
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Ray, Goodman & Brown
Ray, Goodman & Brown is an American R&B human voice, vocal band (music), group. The group originated as the Moments, who formed in the mid-1960s and whose greatest successes came in the 1970s with chart-topper, hits including "Love on a Two-Way Street", "Sexy Mama", and "Look at Me (I'm in Love)". In 1978, they changed their name to Ray, Goodman & Brown and had further hits, including "Special Lady". The original Moments Early years The original members of the Moments were Eric Olfus Sr., Richard Gross (often incorrectly listed as "Richard Horsley"), and John Morgan. The Moments formed in Washington, D.C. during the mid-1960s. In 1965, at Washington D.C.'s Howard University, the Mizell Brothers and Freddie Perren (along with schoolmate Toby Jackson) founded Hog Records and signed the harmony group as the Moments. The Moments recorded "Baby I Want You" and "Pray for Me" for Hog. The lineup consisted of Olfus, Gross, and Morgan. Mark Greene joined after the single's release. The gr ...
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The Temptones
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article In grammar, an article is any member of a class of dedicated words that are used with noun phrases to mark the identifiability of the referents of the noun phrases. The category of articles constitutes a part of speech. In English, both "the" ... in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the ...
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Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer and songwriter considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Meek pioneered space age and experimental pop music, and assisted in the development of recording practices like overdubbing, sampling and reverberation. Charting singles Meek produced for other artists include " Johnny Remember Me" ( John Leyton, 1961), " Just Like Eddie" (Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), " Have I the Right?" ( the Honeycombs, 1964), and " Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five weeks at number one in t ...
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Marshall Crenshaw
Marshall Howard Crenshaw (born November 11, 1953) is an American musician, singer, songwriter, and guitarist best known for hit songs such as " Someday, Someway", a US top 40 hit in 1982, " Cynical Girl", and " Whenever You're on My Mind". He is also the co-author of one of the biggest radio hits of the 1990s, Gin Blossoms's " Til I Hear It from You". His music has roots in classic soul music and Buddy Holly, to whom Crenshaw was often compared in the early days of his career, and whom he portrayed in the 1987 film '' La Bamba''. Born in Michigan, Crenshaw performed in the musical ''Beatlemania'' before releasing his self-titled album in 1982. Crenshaw could not replicate the commercial success of ''Marshall Crenshaw'' and follow-up ''Field Day'' (1983) with later albums. Crenshaw has also contributed songs to other artists, writing singles for Kirsty MacColl and Gin Blossoms. A quote from ''Trouser Press'' summed up Marshall Crenshaw's early career: "Although he was seen as a ...
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The Miracles Recorded Live On Stage
''The Miracles Recorded Live on Stage'' is the first live album by the American R&B group the Miracles. It was released on May31, 1963, on Motown's Tamla label as part of the early 1960s "Live on Stage" series by various artists. The first of three live albums the group released during their career, it features R&B numbers led by Smokey Robinson along with Bobby Rogers, Ronnie White and Claudette Robinson recorded at either the Apollo Theater in New York or The Regal Theatre in Chicago, Illinois during their 1962 and 1963 tour. Miracles member Pete Moore was serving in the US Army at the time of this performance. The opener "Mighty Good Lovin'" was selected for various later compilations, while "I've Been Good To You" later appeared in a stereo mix on the 2002 compilation ''Ooo Baby Baby: The Anthology''. ''The Miracles: Recorded Live On Stage'' was released on CD as part of the 2009 Motown limited edition CD release '' The Miracles – Depend on Me: The Early Albums'
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Sexy Sadie (song)
"Sexy Sadie" is a song by the English rock group the Beatles from their 1968 double album ''The Beatles'' (also known as "the White Album"). The song was written by John Lennon in India and credited to Lennon–McCartney. Lennon wrote the song during the Beatles' stay in India in response to the Maharishi Mahesh Yogi's alleged sexual advance on actress Mia Farrow. The song has been considered an early example of a diss track. Composition Lennon originally wanted to title the song "Maharishi", but changed the title to "Sexy Sadie" at George Harrison's request. Lennon was disillusioned after Maharishi Mahesh Yogi had allegedly made a sexual advance on Mia Farrow, who was attending a course the Maharishi was teaching at his ashram in Rishikesh, India. Harrison, Paul McCartney, and Cynthia Lennon later said that they thought the story, which had come from Alexis Mardas, also known as "Magic Alex", had been fabricated. Mia Farrow confirmed later, during the #MeToo movement, that ...
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This Boy
"This Boy" is a song by the English rock band the Beatles, written by John Lennon (credited to Lennon–McCartney). It was released in November 1963 as the B-side of the band's Parlophone single "I Want to Hold Your Hand". In the United States, it was issued in January 1964 on '' Meet the Beatles!'' which was Capitol Records' reconfigured version of the ''With the Beatles'' album. The Beatles performed the song live on 16 February 1964 for their second appearance on ''The Ed Sullivan Show''. An instrumental easy listening arrangement by George Martin, re-titled "Ringo's Theme (This Boy)", was featured in the film '' A Hard Day's Night'' and the United Artists soundtrack album. This version was also issued as a single, reaching number 53 in the US and number one in Canada. "This Boy" was remastered for compact disc by George Martin and released in 1988 on the '' Past Masters, Volume One'' compilation. On 9 September 2009, it was re-released on the two CD set '' Past Masters'', a ...
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The Beatles
The Beatles were an English Rock music, rock band formed in Liverpool in 1960. The core lineup of the band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are widely regarded as the Cultural impact of the Beatles, most influential band in Western popular music and were integral to the development of Counterculture of the 1960s, 1960s counterculture and the recognition of popular music as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways. The band also explored music styles ranging from Folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the Baby boomers, era's youth and soc ...
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