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I'm A Man (The Spencer Davis Group Song)
"I'm a Man" is a song written by Steve Winwood and record producer Jimmy Miller. It was first recorded in 1967 by the Spencer Davis Group; Winwood sang lead vocals and played keyboards. The song was a hit in the United Kingdom and the United States, reaching No. 9 and No. 10, respectively. It has been recorded by many other performers over the years, most successfully by Chicago (band), Chicago, whose version charted at No. 8 in the UK in 1970 and No. 49 in the US in 1971. Original song The original recording was a Hammond organ-driven blues rock track released as a single by the Spencer Davis Group in early 1967, reaching No. 9 in the UK Singles Chart. In the US, it peaked at No. 10 in the US Billboard Hot 100, ''Billboard'' Hot 100, as well as No. 48 in the magazine's Hot R&B/Hip-Hop Songs, Top Selling R&B Singles. It was the last hit record, hit single by the band before the brothers Steve and Muff Winwood left to pursue their own separate careers. The song is included on the ...
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The Spencer Davis Group
The Spencer Davis Group were a British blues and R&B influenced rock band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (vocals, keyboards, and guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK No. 1 hits " Keep On Running" and " Somebody Help Me" and the UK and US Top 10 hits " Gimme Some Lovin'" and " I'm a Man". The Winwood brothers both left in 1967, with Steve going on to form the rock band Traffic, and Muff moving into music A&R and production. After releasing a few more singles and two more albums, the band split in 1969. Davis and York revived the group in 1973–1974, resulting in a further two albums. In 2006, the group was revived again, with Davis as the only original member, this time primarily as a touring act. Davis died on 19 October 2020, effectively ending the band. History Formation The Spencer Davis Group was formed in 1963 in Birmingham after Spencer Davis, a guitari ...
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Blues Rock
Blues rock is a fusion music genre, genre and form of rock music, rock and blues music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, drums, and sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues ...
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Beginnings (Chicago Song)
"Beginnings" is a song written by Robert Lamm for the rock band Chicago Transit Authority and recorded for its debut album ''Chicago Transit Authority'', released in 1969. The song is the band's second single (after " Questions 67 and 68"), had peaked at position #8 by means of the WNHC hit parade, but did NOT reach either the Billboard or the Cash Box hit parade on its initial release. After the band's success with subsequent singles, "Beginnings" was re-released in June 1971, backed with " Colour My World". Both sides became U.S. radio hits, and the combined single climbed to number seven on the U.S. ''Billboard'' Hot 100 singles chart. "Beginnings" reached number one on the U.S. Easy Listening chart. Writing for ''Ultimate Classic Rock'', Dave Swanson rates "Beginnings" as number two in his list of top ten Chicago songs. It has been covered by many bands. Composition Robert Lamm said "Beginnings" was inspired by a performance by Richie Havens that he attended at the Ash Grove ...
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James William Guercio
James William Guercio (born July 18, 1945) is an American music producer, musician, songwriter and director. He is best known for his work as the producer of Chicago's first eleven studio albums. He also produced the early recordings of The Buckinghams and Blood, Sweat & Tears. In the mid-1970s, he managed the Beach Boys and was a member of their backing band. Guercio has also worked in the motion picture industry as a producer and director. He is married to the former model Lucy Angle. Early life and career Guercio was born on July 18, 1945, in Chicago, Illinois, to James Guercio, Sr (1922-1998) and Grace Guercio (née Williams, 1923 – 2010). He is of Italian, German, Irish, Scottish, and English descent. He has four brothers and two sisters. As a child, he was friends with future Styx keyboardist and vocalist Dennis DeYoung. In the 1960s, Guercio moved to Los Angeles and began working as a session musician and songwriter. He played on several recordings, wrote Chad & Jeremy' ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Music Group, an American division of multinational conglomerate Sony. Founded in 1889, Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. It is one of Sony Music's four flagship record labels, along with Epic Records, RCA Records and Arista Records. History Beginnings (1888–1929) The Columbia Phonograph Company was founded on January 15, 1889, by stenographer, lawyer, and New Jersey native Edward D. Easton (1856–1915) and a group of investors. It derived its name from the District of Columbia, where it was headquartered. At first it had a local monopoly on sales and service of Edison ...
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Hard Rock
Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and Distortion (music), distorted electric guitars. Hard rock began in the mid-1960s with the Garage rock, garage, Psychedelic rock, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream (band), Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Creedence Clearwater Revival, Golden Earring, Steppenwolf (band), Steppenwolf, Grand Funk, Free (band), Free, and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath, Alice Cooper, Aerosmith, Kiss (band), Kiss, Queen (band), Queen, AC/DC, Thin Lizzy and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and m ...
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Questions 67 And 68
"Questions 67 and 68" is a 1969 song written by Robert Lamm for the rock band Chicago (then known as Chicago Transit Authority) and recorded for their debut album ''Chicago Transit Authority''. It was their first single release. Peter Cetera is the primary lead singer with Lamm also on vocals. In 2015, Dave Swanson, writing for ''Ultimate Classic Rock'', listed the song as ninth in a list of top ten Chicago songs. Writing for ''Rock Cellar'' magazine, Frank Mastropolo rated the song as number 11 in a list of "Top 11 Question Songs". Lyrics and music The questions in "Questions 67 and 68" relate to the nature of a romantic relationship Lamm had during 1967 and 1968. In 2008, Lamm said, "It’s about a girl I knew during those years with a hint of acid imagery and very Beatles influenced." The lyrics include the title phrase only as the last words. With respect to the horn arrangement, James Pankow said in a 2000 ''Goldmine'' article, "In the old days, however, I used to write horns ...
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The Chicago Transit Authority (album)
''Chicago Transit Authority'' is the debut studio album by the American rock band Chicago, known at the time of release as Chicago Transit Authority. The double album was released on April 28, 1969 and became a sleeper hit, reaching number 17 on the ''Billboard'' 200 by 1971. ''Chicago Transit Authority'' spawned several successful singles, including " Does Anybody Really Know What Time It Is?", " Questions 67 and 68" and "Beginnings". The album stayed on the ''Billboard'' chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort, the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014. In 2025, the album was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in t ...
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Muff Winwood
Mervyn "Muff" Winwood (born 15 June 1943, Erdington, Birmingham, England) is an English songwriter and record producer. The elder brother of Steve Winwood, both were members of The Spencer Davis Group in the 1960s, in which Muff played bass guitar. Following his departure from the group he became an A&R executive and record producer. Early life Winwood's father, Lawrence, was a foundryman by trade, who also played tenor saxophone in dance bands and had a collection of jazz and blues records. Winwood attended Cranbourne Road Primary School and the new Great Barr School (one of the first comprehensive schools) and was a choir boy at St John's Church in the Perry Barr neighborhood of Birmingham. He first became interested in the guitar, then the bass. He was nicknamed "Muff" after the popular 1950s children's TV character Muffin the Mule. His younger brother is Steve Winwood. The Spencer Davis Group The Spencer Davis Group was formed after Davis saw the Winwood brothers (Mu ...
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Hit Record
A hit song, also known as a hit record, hit single, or simply hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions or significant streaming data and commercial sales. Prior to the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released '' The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to what later became music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the U ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ...
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ...
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