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Hôtel D'Assézat
The Hôtel d'Assézat in Toulouse, France, is a French Renaissance architecture, French Renaissance ''hôtel particulier'' (individual mansion) of the 16th century which houses the Bemberg Foundation, a major art gallery of the city. The hôtel was likely built by Toulouse architect Nicolas Bachelier for Pierre d'Assézat, an internationally renowned Toulouse Isatis tinctoria, woad merchant at the time. As one of the first manifestations of French classicism it is an outstanding example of Renaissance palaces architecture of southern France, with a use of brick typical of Toulouse and an elaborate decoration of the ''cour d'honneur'' (''courtyard'') influenced by Italian Mannerism and by classicism. The Hôtel d'Assézat differs from the other not only in size and its exceptional ornamentation, but also in its pristine condition, a fact which earns it a mention in every overview of French Renaissance. The hôtel now belongs to the City of Toulouse and was restored in the 1980s. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bachelier - Hôtel D'Assézat - Toulouse
Louis Jean-Baptiste Alphonse Bachelier (; 11 March 1870 – 28 April 1946) was a French mathematician at the turn of the 20th century. He is credited with being the first person to model the stochastic process now called Brownian motion, as part of his doctoral thesis ''The Theory of Speculation'' (''Théorie de la spéculation'', defended in 1900). Bachelier's doctoral thesis, which introduced the first mathematical model of Brownian motion and its use for valuing stock options, was the first paper to use advanced mathematics in the study of finance. His Bachelier model has been influential in the development of other widely used models, including the Black-Scholes model. Bachelier is considered as the forefather of mathematical finance and a pioneer in the study of stochastic processes. Early years Bachelier was born in Le Havre, in Seine-Maritime. His father was a wine merchant and amateur scientist, and the vice-consul of Venezuela at Le Havre. His mother was the daught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre Palace
The Louvre Palace (, ), often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a defensive castle, it has served several government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793. While this area along the Seine had been inhabited for thousands of years, the Louvre's history starts around 1190 with its first construction as the Louvre Castle defending the western front of the Wall of Philip II Augustus, the then new city-wall of Paris. The Louvre's oldest section still standing above ground, its palatial Lescot Wing, dates from the late 1540s, when Francis I started the replacement of the greatly expanded medieval castle with a new design inspired by cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Guardi
Francesco Lazzaro Guardi (; 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School (art), Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. In the early part of his career he collaborated with his older brother Gian Antonio Guardi, Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on ''Veduta, vedute''. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Biography Francesco Guardi was born in Venice into a family of nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, later inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canaletto
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of cityscapes or '' vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bonnard
Pierre Bonnard (; 3 October 186723 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Early life and education Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauvism
Fauvism ( ) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of (, ''the wild beasts''), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Bela Czobel, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Adolphe Wansart, Georges Rouault, Jean Metzinger, Kees van Dongen, Émilie Charmy and Georges Braque (subsequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Nabis
The Nabis (, ) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism and academic art to abstract art, symbolism and the other early movements of modernism. The members included Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. Most were students at the Académie Julian in Paris in the late 1880s. The artists shared a common admiration for Paul Gauguin and Paul Cézanne and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. In 1900, the artists held their final exhibition and went their separate ways.Bétard, Daphne, ''La révolution Nabie'', in ''Les Nabis et le décor'', Beaux-Arts Éditions, pp. 8-21 Etymology The Nabis took their name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entrée De La Fondation Bemberg
An entrée (, ; ), in modern French table service and that of much of the English-speaking world, is a dish served before the main course of a meal. Outside North America and parts of English-speaking Canada, it is generally synonymous with the terms ''hors d'oeuvre'', ''appetizer'', or ''starter''. It may be the first dish served, or it may follow a soup or other small dish or dishes. In the United States and parts of English-speaking Canada, the term ''entrée'' instead refers to the main course or the only course of a meal. Early use of the term The word ''entrée'' as a culinary term first appears in print around 1536 in the ''Petit traicté auquel verrez la maniere de faire cuisine'', more widely known from a later edition titled ''Livre fort excellent de cuisine'', in a collection of menus at the end of the book. There, the first stage of each meal is called the ''entree de table'' (entrance to the table); the second stage consists of '' potaiges'' (foods boiled or simme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bemberg Fondation Toulouse - Portrait De Charles IX - François Clouet - Inv
Bemberg is a surname. Notable people with the surname include: * Carlos Miguens Bemberg (born 1949), Argentine businessman *Herman Bemberg (1859–1931), French musical composer *María Luisa Bemberg (1922–1995), pioneer feminist, film writer, director and actress born in Buenos Aires, Argentina * Otto Bemberg (1827–1896), German Argentine businessman prominent in the development of early Argentine industry * A trade name for cuprammonium rayon Cuprammonium rayon is a rayon fiber made from cellulose dissolved in a cuprammonium solution, Schweizer's reagent. It is produced by making cellulose a soluble compound by combining it with copper and ammonia with caustic soda. The solution ..., owned by the J. P. Bemberg company. {{surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Bagis
The Hôtel de Bagis in Toulouse, France, is a Renaissance ''hôtel particulier'' (''palace'') of the 16th century. It is a listed historical monument since 1889. Hôtel de Pierre, dit aussi hôtel Jean de Bagis It is also called Hôtel de Clary, after the owner who carried out the second campaign of works at the beginning of the 17th century, or Hôtel de pierre (meaning «stone hotel») because of its spectacular stone façade on the street. History The Hotel de Bagis is a mansion located at 25 rue de la Dalbade, in the historic center of Toulouse. The Toulouse people call it the Hôtel de Pierre (stone mansion), because its façade is entirely made of stone, which was unique in Toulouse in the 17th century. It is an exceptional ensemble of the Renaissance of Toulouse. The construction of a first hotel begins in 1537 under the direction of the famous Toulouse architect Nicolas Bachelier. The hotel was modified in 1611 by the architect Pierre Souffron, who built the new façade o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
