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Hò Kéo Gỗ Bạch Đằng Giang
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes. History Traditional Vietnamese music has been mainly used for religious activities, in daily life, and in traditional festivals. The music is considerably diverse due to Vietnam's ethnic population. Moreover, each of Vietnam's ethnic groups owns many unique types of musical instruments. The influence of Asian musical cultures on Vietnamese music can be seen in particular instruments such as the flutes, zithers, harps, and erhu. However, the recovery of an almost complete stringed instrument from a deer antler dated to 2,000 years old and shows clear similarities with traditional Vietnamese musical instruments indicate that these traditional instruments have ancient origins. Influences on Vietnam music The traditional music of Vietnam has been heavily influenced by Chinese mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ca Trù
''Ca trù'' (, , "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated with a pansori-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court.Ca trù singing , ''UNESCO.org''. Ca trù is inscribed on the list of Intangible Cultural Heritage in need of Urgent Safeguarding in 2009. History There are different myths and theories related to ca trù's conception. There is a theory points to a woman named Đào Thị, a talented musician who was beloved by the Lý dynasty, Lý Dynasty imperial court. This theory also claims that ever since the ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ca Trù
''Ca trù'' (, , "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated with a pansori-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court.Ca trù singing , ''UNESCO.org''. Ca trù is inscribed on the list of Intangible Cultural Heritage in need of Urgent Safeguarding in 2009. History There are different myths and theories related to ca trù's conception. There is a theory points to a woman named Đào Thị, a talented musician who was beloved by the Lý dynasty, Lý Dynasty imperial court. This theory also claims that ever since the ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quan Họ
''Quan họ'' () singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses. Quan họ is common in rituals and festivals, and a common theme in many songs is love and sentimentality as experienced by young adults. Quan họ river as a UNESCO Intangible Cultural Heritage practice in 2009. The quan họ style originated in what is now Bắc Ninh Province and was first recorded in the 13th century, and has traditionally been associated with the spring festivals that follow the celebration of Tết Nguyên Đán Tết (, ), short for (; ), is the most important celebration in Vietnamese culture. Tết celebrates the arrival of spring based on the Vietnamese calendar and usually falls on January or February in the Gregorian calendar. is not to be con ... (the Vietnamese New Year). Historically, the singing began on the evening before the festival, but today ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dân Ca
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes. History Traditional Vietnamese music has been mainly used for religious activities, in daily life, and in traditional festivals. The music is considerably diverse due to Vietnam's ethnic population. Moreover, each of Vietnam's ethnic groups owns many unique types of musical instruments. The influence of Asian musical cultures on Vietnamese music can be seen in particular instruments such as the flutes, zithers, harps, and erhu. However, the recovery of an almost complete stringed instrument from a deer antler dated to 2,000 years old and shows clear similarities with traditional Vietnamese musical instruments indicate that these traditional instruments have ancient origins. Influences on Vietnam music The traditional music of Vietnam has been heavily influenced by Chinese mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garland Encyclopedia Of World Music
''The Garland Encyclopedia of World Music'' is an academic reference work. It was initiated by editors at Garland Publishing in 1988 as a 10-volume series of encyclopedias of world music. The final volumes appeared in 2001, but editions have since been updated. It is widely regarded as an authoritative academic source for ethnomusicology. It is published by Routledge, which, like Garland Science, is now part of Taylor & Francis Group. * Volume 1: Africa - ed. Ruth M. Stone (Professor of Folklore and Ethnomusicology, Indiana), 1997 * Volume 2: South America, Mexico, Central America, and the Caribbean - ed. Daniel E. Sheehy and Dale A. Olsen, 1998 * Volume 3: The United States and Canada - ed. Ellen Koskoff (Professor of Ethnomusicology. Eastman School of Music), 2000 * Volume 4: Southeast Asia - ed. Terry E. Miller (Professor Emeritus of Ethnomusicology, Kent State University) and Sean Williams (Evergreen State College), 1998 * Volume 5: South Asia: The Indian Subcontinent - ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bạc Liêu Province
Bạc Liêu was a former province of Vietnam. It is a coastal province, and is situated in the Mekong Delta region of the southern part of the country. On June 12th, 2025, Bạc Liêu was incorporated into Cà Mau province. Administrative divisions Bạc Liêu is subdivided into seven district-level sub-divisions: * 5 districts: :* Đông Hải :* Hòa Binh :* Hồng Dân :* Phước Long :* Vĩnh Lợi * 1 district-level town: :* Giá Rai * 1 provincial city: ** Bạc Liêu (capital) They are further subdivided into seven commune-level towns (or townlets), 50 communes, and seven wards. Geography Bạc Liêu is located on Mekong Delta, although it is actually located slightly to the south of the Mekong's main outflows. Bạc Liêu is around south of Cần Thơ, the largest city in the Mekong Delta. Economy The most important parts of Bạc Liêu's economy are rice farming, fishing, food processing, and clothing manufacturing. History Bạc Liêu Province was esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vọng Cổ
Vọng cổ (, chữ Hán: , "nostalgia") is a Vietnamese song and musical structure used primarily in the ''cải lương'' theater music and ''nhạc tài tử'' chamber music of southern Vietnam. It was composed sometime between 1917 and 1919 by Cao Văn Lầu (performing name Sáu Lầu "sixth Lầu"), of Bạc Liêu Province in southern Vietnam. The song achieved great popularity and eventually its structure became the basis for numerous other songs. The tune is essentially melancholy in character and is sung using Vietnamese modal inflections. History The term vọng cổ is used to mean:Peter Manuel ''Popular Musics of the Non-Western World: An Introductory Survey'' Page 202 - 1990 "Thus, the term vọng cổ denotes: (1) a particular mode, equivalent to the óan nuance of the nam mode; (2) a particular song, dating from around 1919; and (3) any piece in the vọng cổ mode which employs the pitches of the original vọng cổ song as structural cadential points. The last a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
