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Houses At L'Estaque
''Houses at l'Estaque'' (French: ''Maisons à l'Estaque'', or ''Maisons et arbre'') is an oil-on-canvas painting by Georges Braque executed in 1908. It is considered either an important Proto-Cubism, Proto-Cubist landscapeGanteführer-Trier, Anne; Grosenick, Uta (2004). ''Cubism'' Taschen 9783822829585 or the first Cubist landscape.Kuiper, Kathleen (2009). ''The Britannica Guide to Theories and Ideas That Changed the Modern World.'' The Rosen Publishing Group, The painting prompted art critic Louis Vauxcelles to mock it as being composed of cubes which led to the name of the movement.Chilvers, Ian; Glaves-Smith, John (2009). ''A Dictionary of Modern and Contemporary Art.'' Oxford University Press, It is a response to works by Paul Cézanne who also lived in L'Estaque at times.Green, Christopher (2003). ''Art in France, 1900-1940.'' ''Yale University Press'', History This painting by Braque was refused at the Salon d'Automne in 1908. Louis Vauxcelles recounted how Henri Matisse ...
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Georges Braque
Georges Braque ( , ; 13 May 1882 – 31 August 1963) was a major 20th-century List of French artists, French painter, Collage, collagist, Drawing, draughtsman, printmaker and sculpture, sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Early life Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and interior decorator, decorator like his father and grandfather. However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 189 ...
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Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a drawing, draughtsman, printmaking, printmaker, and sculpture, sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauvism, Fauves (French language, French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of ...
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1908 Paintings
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipkno ...
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The Viaduct At L'Estaque
''The Viaduct at L'Estaque'' (French: ''Viaduc à l'Estaque'') is an oil-on-canvas painting by Georges Braque, executed in 1907. The painting has the dimensions of 63.5 by 78.74 cm. It is housed at the Minneapolis Institute of Art. History and description Braque made several trips to the south of France, from 1906 to 1910. He took particular interest in the port of L'Estaque, west of Marseille, where he made several paintings. Braque shows the influence of the Fauves and Paul Cézanne in the landscapes he created there in 1907. The nonnaturalistic colours of the Fauves are combined with the reduction to simple geometric forms of the landscape, in a similar way to Cézanne. The artist's own style is also characteristic of this work. By this time, Braque got to know his friend Pablo Picasso's new style of cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and ar ...
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La Madeleine, Paris
, other name = , native_name = , native_name_lang = French , image = Madeleine Paris.jpg , landscape = , imagesize = , caption = , imagelink = , imagealt = , pushpin map = , pushpin label position = , pushpin map alt = , relief = , coordinates = , pushpin mapsize = , map caption = , country = France , osgridref = , osgraw = , location = 8th arrondissement of Paris , previous denomination = , churchmanship = , membership = , attendance = , website = , former name = , bull date = , founder = Napoleon (1807) , dedication = Mary Magdalene , dedicated date = , consecrated date = 24 Jul ...
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One-person Show
A solo performance, sometimes referred to as a one-man show or one-woman show, features a single person telling a story for an audience, typically for the purpose of entertainment. This type of performance comes in many varieties, including autobiographical creations, comedy acts, novel adaptations, vaudeville, poetry, music and dance. In 1996, Rob Becker's '' Defending the Caveman'' became the longest running solo (one man) play in the history of Broadway. Traits of solo performance Solo performance is used to encompass the broad term of a single person performing for an audience. Some key traits of solo performance can include the lack of the fourth wall and audience participation or involvement. Solo performance does not need to be written, performed and produced by a single person—a solo performance production may use directors, writers, designers and composers to bring the piece to life on a stage. An example of this collaboration is Eric Bogosian in the published version ...
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Georges Braque, 1908, Maisons à L'Estaque (Houses At L'Estaque), Oil On Canvas, 73 X 59
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Salon D'Automne
The Salon d'Automne (; en, Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.Salon d'automne; Société du Salon d'automne
Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif. Exposés au Petit Palais des Champs-Élysées, 1903
Perceived as a reaction against the conservative policies of the official

Lille Métropole Museum Of Modern, Contemporary And Outsider Art
The Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM), formerly known as Villeneuve d'Ascq Museum of Modern Art, is an art museum in Villeneuve d'Ascq, France. With more than 4,500 artworks on a exhibition area, the LaM is the only museum in Europe to present simultaneously the main components of the 20th and 21st centuries art : modern art, contemporary art and outsider art. LaM's holdings include some masterpieces of Pablo Picasso, Amedeo Modigliani, Joan Miró, Georges Braque, Fernand Léger, Alexander Calder and the biggest outsider art collection in France. LaM possesses also a library and a rich park of sculptures. The museum's collection offers an overview in modern and contemporary art, including drawings, painting, sculpture, photography, prints, illustrated books and artist's books, and electronic media. History The ''Villeneuve d'Ascq Museum of Modern Art'' is opened in 1983 to house the collection of modern art donated by Geneviève and Jean ...
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L'Estaque
L'Estaque is a village in southern France, just west of Marseille. Administratively, it belongs to the commune of Marseille. Overview Many artists of the Impressionist and Post-Impressionist periods visited or resided there or in the surrounding area. Many of them painted village scenes, the road leading to the village, and the view of the Bay from the village. Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically d ... painted many views of the water from his room in L'Estaque, showing the changing seasons, the shifting light of day, and the changes in the village itself over time. In February 2010 a ''Fondation Monticelli'' was set up at L'Estaque. It exhibits some of pre-impressionist painter Adolphe Monticelli's most representative artwork, together with paintings from o ...
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Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clea ...
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