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History Of Hungarian Animation
The history of Hungarian animation begins in 1914 and carries through to the modern day. Starting with short promotional cartoons prior to the two World Wars, Hungarian animation underwent a sporadic and halting development during the turbulent war years which were characterized in large part by the emigration of much of the field's top talent. This exodus slowed dramatically during the 1950s when the Hungarian Communist Party took power and the Iron Curtain took shape. With Communism came nationalization of the Hungarian animation studio—a fact that was to prove a mixed blessing for the nascent industry. While political pressures would strongly dictate the kinds of topics that animation could cover in the early years, state funding meant that even the relatively small postwar nation would be able to prove itself on the international stage.Dizseri, Eszter. ''Kockáról kockára : a magyar animáció krónikája 1948-1998''. Balassi Kiadó. Budapest. 1999. Indeed, subsequent to the ...
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Hungarian Communist Party
The Hungarian Communist Party ( hu, Magyar Kommunista Párt, abbr. MKP), known earlier as the Party of Communists in Hungary ( hu, Kommunisták Magyarországi Pártja, abbr. KMP), was a communist party in Hungary that existed during the interwar period and briefly after World War II. It was founded on November 24, 1918, as Party of Communists in Hungary, and was in power between March and August 1919 when Béla Kun ran the short-lived Hungarian Soviet Republic. The communist government was later overthrown by the Romanian Army, Kun was exiled to Vienna and later he including many other communists moved to Moscow and during those years membership was becoming smaller every year. During World War II the party changed its name to Peace Party but only a year later in 1944, they embraced a new name which they will hold until 1948. After the war, they regained power and their membership rose up quickly which led to Mátyás Rákosi suppressing other parties in the country besides the So ...
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Transparency (projection)
A transparency, also known variously as a viewfoil, foil, or viewgraph, is a thin sheet of transparent flexible material, typically polyester (historically cellulose acetate), onto which figures can be drawn. These are then placed on an overhead projector for display to an audience. Many companies and small organizations use a system of projectors and transparencies in meetings and other groupings of people, though this system is being largely replaced by video projectors and interactive whiteboards. Printing Transparencies can be printed on laser printers or copiers. Specialist transparencies are available for use with laser printers that are better able to handle the high temperatures present in the fuser unit. For inkjet printers, coated transparencies are available that can absorb and hold the liquid ink—although care must be taken to avoid excessive exposure to moisture, which can cause the transparency to become cloudy; they must also be loaded correctly into the printer ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ...
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Charles Mintz
Charles Bear Mintz (November 5, 1889 – December 30, 1939)''Social Security Death Index, 1935–2014''. Social Security Administration. was an American film producer and distributor who assumed control over Margaret J. Winkler's Winkler Pictures after marrying her in 1924. The couple had two children, Katherine and William. Between 1925 and 1939, Mintz produced over 370 cartoon shorts. Career Charles Mintz was unhappy with the production costs on Walt Disney and Ub Iwerks's ''Alice Comedies'', and asked the two to develop a new character. The result was Oswald the Lucky Rabbit, the first animated character for Universal Pictures. In February 1928, when the character proved more successful than expected, Mintz hired away all of Disney's animators except Iwerks, who refused to leave Disney, and moved the production of the Oswald cartoons to his new Winkler Studio, along with Margaret Winkler's brother, George. After losing the Oswald contract to Walter Lantz, Mintz focused ...
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Oswald The Lucky Rabbit
Oswald the Lucky Rabbit (also known as Oswald the Rabbit or Oswald Rabbit) is a cartoon character created in 1927 by Walt Disney and Ub Iwerks for Universal Pictures. He starred in several animated short films released to theaters from 1927 to 1938. Twenty-seven animated Oswald shorts were produced at the Walt Disney Studio. After the control of Oswald's character was taken in 1928, Walt created a new character similar in appearance to Oswald as a replacement; Mickey Mouse, who went on to become one of the most famous cartoon characters in the world. In 2003, Buena Vista Games pitched a concept for an Oswald-themed video game to then-Disney President and future-CEO Bob Iger, who became committed to acquiring the rights to Oswald. In 2006, The Walt Disney Company acquired the trademark of Oswald (with NBCUniversal effectively trading Oswald for the services of Al Michaels as play-by-play announcer on '' NBC Sunday Night Football''). Oswald returned in Disney's 2010 vide ...
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Krazy Kat
''Krazy Kat'' (also known as ''Krazy & Ignatz'' in some reprints and compilations) is an American newspaper comic strip, by cartoonist George Herriman, which ran from 1913 to 1944. It first appeared in the ''New York Evening Journal'', whose owner, William Randolph Hearst, was a major booster for the strip throughout its run. The characters had been introduced previously in a side strip with Herriman's earlier creation, ''The Dingbat Family''. The phrase "Krazy Kat" originated there, said by the mouse by way of describing the cat. Set in a dreamlike portrayal of Herriman's vacation home of Coconino County, Arizona, ''Krazy'' mixture of offbeat surrealism, innocent playfulness and poetic, idiosyncratic language has made it a favorite of comics aficionados and art critics for more than 80 years.Shannon.McDonnell/O'Connell/De Havenon 26. The strip focuses on the curious relationship between a guileless, carefree, simple-minded cat named Krazy and a short-tempered mouse named Ignatz. ...
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Felix The Cat
Felix the Cat is a cartoon character created in 1919 by Pat Sullivan and Otto Messmer during the silent film era. An anthropomorphic black cat with white eyes, a black body, and a giant grin, he was one of the most recognized cartoon characters in film history. Felix was the first animated character to attain a level of popularity sufficient to draw movie audiences. Felix originated from the studio of Australian cartoonist- film entrepreneur Pat Sullivan. Either Sullivan himself or his lead animator, American Otto Messmer, created the character. What is certain is that Felix emerged from Sullivan's studio, and cartoons featuring the character became big in popular culture. Aside from the animated shorts, Felix starred in a comic strip (drawn by Sullivan, Messmer and later Joe Oriolo) beginning in 1923, and his image soon adorned merchandise such as ceramics, toys and postcards. Several manufacturers made stuffed Felix toys. Jazz bands such as Paul Whiteman's played songs ...
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Out Of The Inkwell
''Out of the Inkwell'' is an American major animated series of the silent era produced by Max Fleischer from 1918 to 1929. History The series was the result of three short experimental films that Max Fleischer independently produced from 1914 to 1916 to demonstrate his invention, the rotoscope, a device consisting of a film projector and easel used to achieve realistic movement for animated cartoons. The rotoscope projected motion picture film through an opening in the easel, covered by a glass pane serving as a drawing surface. The image on the projected film was traced onto paper, advancing the film one frame at a time as each drawing was made. Fleischer's younger brother Dave Fleischer, who was working as a clown at Coney Island, served as the model for their first famous character, eventually known as Koko the Clown. ''Out of the Inkwell'' began at the Bray Studio as a monthly entry in ''The Bray Pictograph Screen Magazine'' produced for Paramount from 1918, and later f ...
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Margaret J
Margaret is a female first name, derived via French () and Latin () from grc, μαργαρίτης () meaning "pearl". The Greek is borrowed from Persian. Margaret has been an English name since the 11th century, and remained popular throughout the Middle Ages. It became less popular between the 16th century and 18th century, but became more common again after this period, becoming the second-most popular female name in the United States in 1903. Since this time, it has become less common, but was still the ninth-most common name for women of all ages in the United States as of the 1990 census. Margaret has many diminutive forms in many different languages, including Maggie, Madge, Daisy, Margarete, Marge, Margo, Margie, Marjorie, Meg, Megan, Rita, Greta, Gretchen, and Peggy. Name variants Full name * ( Irish) * ( Irish) * ( Dutch), (German), (Swedish) * ( English) Diminutives * ( English) * ( English) First half * (French) * (Welsh) Second half * ...
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Color Classics
''Color Classics'' are a series of animated short films produced by Fleischer Studios for Paramount Pictures from 1934 to 1941 as a competitor to Walt Disney's '' Silly Symphonies''. As the name implies, all of the shorts were made in color format, with the first entry of the series, '' Poor Cinderella'' (1934), being the first color cartoon produced by the Fleischer studio. There were 36 shorts produced in this series. History The first ''Color Classic'' was photographed with the two-color Cinecolor process. The rest of the 1934 and 1935 cartoons were filmed in two-color Technicolor, because the Disney studio had an exclusive agreement with Technicolor that prevented other studios from using the lucrative three-strip process. That exclusive contract expired during September 1935, and the 1936 ''Color Classic'' cartoon '' Somewhere in Dreamland'' (1936) became the first Fleischer cartoon produced with three-strip Technicolor.Maltin, Leonard. ''Of Mice and Magic'', p. 114 The fi ...
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Paramount Pictures
Paramount Pictures Corporation is an American film and television production company, production and Distribution (marketing), distribution company and the main namesake division of Paramount Global (formerly ViacomCBS). It is the fifth-oldest film studio in the world, the second-oldest film studio in the United States (behind Universal Pictures), and the sole member of the Major film studio, "Big Five" film studios located within the city limits of Los Angeles. In 1916, film producer Adolph Zukor put 24 actors and actresses under contract and honored each with a star on the logo. In 1967, the number of stars was reduced to 22 and their hidden meaning was dropped. In 2014, Paramount Pictures became the first major Hollywood studio to distribute all of its films in digital form only. The company's headquarters and studios are located at 5555 Melrose Avenue, Hollywood, California. Paramount Pictures is a member of the Motion Picture Association of America, Motion Picture Associ ...
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