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Heart's Horizon
''Heart's Horizon'' is a studio album by American singer and musician Al Jarreau. It was released in 1988 through Reprise Records. It reached No. 75 on the ''Billboard'' 200. The song "Killer Love" was intended to be used in the film '' Skin Deep''; it was omitted at the last minute. Track listing Personnel * Al Jarreau – lead vocals, backing vocals (8), Akai MPC60 sampling (8), E-mu Emulator III sampling (8) * Bobby Caldwell – synthesizers (1) * George Duke – synthesizer overdubs (1, 2), acoustic piano (2, 7), Yamaha TX816 (3, 10, 11), Roland D-550 (3, 11), Synclavier (3, 4, 6, 7, 9–12), Rhodes (10), electronic drum pads (10), harmonica (10), keyboards (11), Roland S-50 (11), guitars (11), voice (11) * Jay Graydon – synthesizers (1, 4, 6, 12) * Dennis Matkosky – synthesizers (1), Hammond organ (1), Yamaha TX816 (9), Roland D-550 (9), E-mu Emulator III (9), Moog bass (9), drum programming (9) * John Van Tongeren – synthesizers (1) * Russell Ferran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Pescetto
Jeffrey Pescetto (born November 21, 1954) is an American musical artist who is most notable for collaborating with David Foster on the 1990 recreation of John Farnham's Australian single, "You're the Voice". Pescetto lent the vocals to Foster's pianism on the latter's '' River of Love'' album. He has also written and sung songs for various movie soundtracks. His credits include ''Licence to Kill'', ''Honey, I Shrunk the Kids'', and '' Breakdown''. He has also sung ''Tekken 5s opening song "Sparking" alongside Tom Leonard. He is also well known for being the singer of the theme songs to the 1980s Disney cartoon series '' Chip 'n Dale: Rescue Rangers'' and ''DuckTales'', both composed by Mark Mueller (Rescue Rangers theme was also produced by Alf Clausen). In 1990, he co-wrote the album track "Rescue Me" along with Charles Olins and Steve Dubin for American singer Alisha, included on the album '' Bounce Back''. Albums * Jeffrey – ''Ready or Not'' (1984) * ''Soul Reason'' (200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland D-50
The Roland D-50 is a synthesizer produced by Roland and released in April of 1987. Its features include digital sample-based subtractive synthesis, on-board effects, a joystick for data manipulation, and an analog synthesis-styled layout design. The external Roland PG-1000 (1987) programmer could also be attached to the D-50 for more complex manipulation of its sounds. It was also produced in a rack-mount variant design, the D-550, with almost 450 user-adjustable parameters. The D-50 has been used by musicians including Prince, Sting, Tony Banks, Phil Collins, Rick Wakeman, Michael Jackson and Enya. The D-50 has also been used by Jean-Michel Jarre, Tangerine Dream and the Pet Shop Boys in various years, since the synthesizer came out in 1987. History The D-50 was the first affordable synthesizer to combine sample playback with subtractive synthesis. The engineers at Roland determined that the most difficult component of an instrument's sound to simulate realistically is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, a means of generating sounds via frequency modulation (FM), was developed by John Chowning at Stanford University, California. FM synthesis created brighter, glassier sounds, and could better imitate acoustic sounds such as brass and bells. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music; in 1986, it was used in 40% of the number-one singles on the US Billboard Hot 100, ''Billboard'' Hot 100. Its electric pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Emulator III
The Emulator is a series of digital sampling synthesizers using floppy-disk storage that was manufactured by E-mu Systems from 1981 until 2002. Although it was not the first commercial sampler, the Emulator was innovative in its integration of computer technology and was among the first samplers to find widespread usage among musicians. While costly, its price was considerably lower than those of its early competitors, and its smaller size increased its portability and, resultantly, practicality for live performance. The line was discontinued in 2002. Impetus E-mu Systems was founded in 1971 as a manufacturer of microprocessor chips, digital scanning keyboards and components for electronic instruments. Licensing revenue for this technology afforded E-mu the ability to invest in research and development, and it began to develop boutique synthesizers for niche markets, including a series of modular synthesizers and the high-end Audity system, of which only one prototype was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai MPC60
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by the American engineer Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be created using samples of any sound. The MPC had a major influence on the development of electronic and hip-hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad interface was adopt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Mancini
Henry Mancini ( ; born Enrico Nicola Mancini; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flutist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995. His works include the theme and soundtrack for the ''Peter Gunn'' television series as well as the music for ''The Pink Panther'' film series (" The Pink Panther Theme") and " Moon River" from '' Breakfast at Tiffany's''. '' The Music from Peter Gunn'' won the inaugural Grammy Award for Album of the Year. Mancini enjoyed a long collaboration in composing film scores for the film director Blake Edwards. Mancini also scored a No. 1 hit single during the rock era on the Hot 100: his arrangement and recording of the " Love Theme from ''Romeo and Juliet''" spent two weeks at the top, starting with the week ending June 28, 1969. Early lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Segal
Jack Segal (October 19, 1918 – February 10, 2005) was an American pianist and composer of popular American songs, known for writing the lyrics to '' Scarlet Ribbons''. His composition '' May I Come In?'' was the title track for a Blossom Dearie album. Other songs he authored or co-authored are '' When Sunny Gets Blue'', ''That's the Kind of Girl I Dream Of'', ''I Keep Going Back to Joe's'' (with Marvin Fisher), ''A Boy from Texas, a Girl from Tennessee'' (with John Benson Brooks & Joseph Allan McCarthy), ''After Me'' (with Blossom Dearie) and '' When Joanna Loved Me'' (with Robert Wells). It has been estimated that his songs have helped sell 65 million records. Lyrics for the ballad that was perhaps Segal's greatest hit, Scarlet Ribbons (with music composed by Evelyn Danzig Levine), were written in just 15 minutes in 1949, and the song was recorded that year by Jo Stafford. Recordings by Juanita Hall and Dinah Shore soon followed, but the song was largely ignored by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Champlin
William Bradford Champlin (born May 21, 1947) is an American singer, keyboardist, guitarist and songwriter. He formed the band Sons of Champlin in 1965, which still performs today, and was a member of the rock band Chicago (band), Chicago from 1981 to 2009. He performed lead vocals on three of Chicago's biggest hits of the 1980s, 1984's "Hard Habit to Break" and 1988's "Look Away" and "I Don't Wanna Live Without Your Love". During live shows, he sang the lower, baritone, vocal parts originally performed by founding guitarist Terry Kath, who had died in 1978. He has won multiple Grammy Awards for songwriting. Early career As a child, Champlin demonstrated a talent for piano and eventually picked up the guitar after being inspired by Elvis Presley. He started a band called The Opposite Six while at Tamalpais High School in Mill Valley, California. He then studied music in college, but was encouraged by a professor to drop out and pursue music professionally. The Sons of Champlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcy Levy
Marcella Levy (born June 21, 1952), known professionally as Marcy Levy and (later in her career) Marcella Detroit, is an American singer, songwriter, and guitarist. She co-wrote the 1977 Eric Clapton hit " Lay Down Sally" and released her debut studio album '' Marcella'' in 1982. She joined Shakespears Sister in 1988 with ex-Bananarama member Siobhan Fahey. Their first two studio albums, ''Sacred Heart'' (1989), and '' Hormonally Yours'' (1992), both reached the top 10 of the UK Albums Chart. Detroit sang the lead vocals on their biggest hit, "Stay", which spent eight consecutive weeks at number one on the UK Singles Chart in 1992. Detroit left the band in 1993 and had a UK top 20 hit with " I Believe" in 1994. She formed the Marcy Levy Band in 2002, and finished third in the 2010 ITV series '' Popstar to Operastar''. Career 1970–1987: Early career and ''Marcella'' Detroit-born Marcy Levy began playing for different bands in her home city during the early 1970s. The first ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Hughes
Billie Keith Hughes (April 4, 1948 – July 3, 1998) was an American singer, recording artist, songwriter, musician, and record producer. He is best known for his successful artist career in Japan, lead vocalist of his band Lazarus and his collaboration with Roxanne Seeman writing songs for Philip Bailey, Phil Collins, Bette Midler, The Jacksons, The Sisters Of Mercy, Wink, and for his songs in film and television. He has two Emmy nominations. Hughes song "Welcome To The Edge", with the Japanese title ”Todokanu Omoi"とどかぬ想い (One-Sided Love)” was the theme of the Japanese television drama ''I'll Never Love Anyone Anymore'' (''Mou Daremo Aisanai'') (''もう誰も愛さない''). It became the top-selling international single in Japan in 1991 after selling over 500,000 copies. Hughes was awarded the Japan Gold Disc Award for International Single of the Year in 1992 at the NHK Grand Prix Japan Gold Disc Awards. ''I'll Never Love Anyone Anymore (Mou Daremo Aisana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
