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Harmonic Structure
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ...
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US Navy 080615-N-7656R-003 Navy Band Northwest's Barbershop Quartet Win The Hearts Of The Audience With A John Philip Sousa Rendition Of
US or Us most often refers to: * ''Us'' (pronoun), the objective case of the English first-person plural pronoun ''we'' * US, an abbreviation for the United States US, U.S., Us, us, or u.s. may also refer to: Arts and entertainment Albums * ''Us'' (Brother Ali album) or the title song, 2009 * ''Us'' (Empress Of album), 2018 * ''Us'' (Mull Historical Society album), 2003 * ''Us'' (Peter Gabriel album), 1992 * ''Us'' (EP), by Moon Jong-up, 2021 * ''Us'', by Maceo Parker, 1974 * ''Us'', mini-album by Peakboy, 2019 Songs * "Us" (James Bay song), 2018 * "Us" (Jennifer Lopez song), 2018 * "Us" (Regina Spektor song), 2004 * "Us" (Gracie Abrams song), 2024 * "Us", by Azealia Banks from '' Fantasea'', 2012 * "Us", by Celine Dion from ''Let's Talk About Love'', 1997 * "Us", by Gucci Mane from '' Delusions of Grandeur'', 2019 * "Us", by Spoon from '' Hot Thoughts'', 2017 Other media * US Festival, two 1980s California music festivals organized by Steve Wozniak * ''Us'' (199 ...
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Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is oppose ...
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Drone (music)
In music, a drone is a harmony, harmonic or monophony, monophonic effect or accompaniment where a note (music), note or chord (music), chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone [pipe] of a bagpipes, bagpipe", the pedal point in an organ (music), organ, or the lowest course (music), course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it [a drone] is not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition (music), repetition of a note. It most often establishes a tonality upon which the rest of ...
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Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ...
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Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ...
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Europe
Europe is a continent located entirely in the Northern Hemisphere and mostly in the Eastern Hemisphere. It is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, the Mediterranean Sea to the south, and Asia to the east. Europe shares the landmass of Eurasia with Asia, and of Afro-Eurasia with both Africa and Asia. Europe is commonly considered to be Boundaries between the continents#Asia and Europe, separated from Asia by the Drainage divide, watershed of the Ural Mountains, the Ural (river), Ural River, the Caspian Sea, the Greater Caucasus, the Black Sea, and the waterway of the Bosporus, Bosporus Strait. "Europe" (pp. 68–69); "Asia" (pp. 90–91): "A commonly accepted division between Asia and Europe ... is formed by the Ural Mountains, Ural River, Caspian Sea, Caucasus Mountains, and the Black Sea with its outlets, the Bosporus and Dardanelles." Europe covers approx. , or 2% of Earth#Surface, Earth's surface (6.8% of Earth's land area), making it ...
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Carl Dahlhaus
Carl Dahlhaus (10 June 1928 – 13 March 1989) was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. #Selected bibliography, A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, 20th-century classical music, both areas in which he made significant advancements. However, he remains best known in the English-speaking world for his writings on Richard Wagner, Wagner. Dahlhaus wrote on many other composers, including Josquin des Prez, Josquin, Carlo Gesualdo, Gesualdo, Johann Sebastian Bach, Bach and Arnold Schoenberg, Schoenberg. He spent the bulk of his career as head of Technische Universität Berlin's musicology department, which he raised to an international standard. Dahlhaus pioneered the development of numerous musicological fields, particularly the aesthetics of music, which he raised to a central status. Active as a historian, analyst, editor and organizer, he ...
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Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ...
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Contrapuntal
In music theory, counterpoint is the relationship of two or more simultaneous Part (music), musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and Pitch contour, melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the classical music, European classical tradition, strongly developing during the renaissance music, Renaissance and in much of the common practice period, especially in the Baroque music, Baroque period. In Western Music education, pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. ...
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Arnold Whittall
Arnold Whittall (born 1935) is a British musicologist and academic. Whittall's research areas have primarily been centred around the musical analysis of 20th-century music and aspects of the nineteenth-century, such as the music of Richard Wagner. He is Professor Emeritus of Musical Theory and Analysis at King's College London, having worked as Professor there between 1975 and 1996. Life career Prior to his King's College London position, Whittall lectured at Cambridge, Nottingham (1964–1969), and Cardiff (1969–1975), and served as visiting professor at Yale University. His students included Australian composer Norma Tyer. Since the 1960s, he has contributed extensively to musicology through the publication of books, articles and provided chapters to multi-authored books. Whittall's initial publications focussed on Benjamin Britten before shifting to 20th-century music more generally. Other publications have addressed key discussions within musicology such as semiotics and m ...
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Pythagoreans
Pythagoreanism originated in the 6th century BC, based on and around the teachings and beliefs held by Pythagoras and his followers, the Pythagoreans. Pythagoras established the first Pythagorean community in the Ancient Greece, ancient Greek colony of Crotone, Kroton, in modern Calabria (Italy) circa 530 BC. Early Pythagorean communities spread throughout Magna Graecia. Already during Pythagoras' life it is likely that the distinction between the ''akousmatikoi'' ("those who listen"), who is conventionally regarded as more concerned with religious, and ritual elements, and associated with the oral tradition, and the ''mathematikoi'' ("those who learn") existed. The ancient biographers of Pythagoras, Iamblichus () and his master Porphyry (philosopher), Porphyry ( ) seem to make the distinction of the two as that of 'beginner' and 'advanced'. As the Pythagorean cenobites practiced an esoteric path, like the Greco-Roman mysteries, mystery schools of antiquity, the adherents, ''akou ...
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Elementa Harmonica
''Elementa harmonica'' (''Ἁρμονικὰ στοιχεῖα'' in Greek; ''Elements of Harmonics'' in English) is a treatise on the subject of musical scales by Aristoxenus, of which considerable amounts are extant. The work dates to the second half of the 4th century BC. It is the oldest substantially surviving work written on the subject of music theory. Title The work is generally known as ''Aristoxenou Harmonika Stoicheia'' or ''Elements of Harmonics''. ''Oxford Paperback Reference''(anWorld Cat It is also known by the shorter title ''The Elements,'' rendering Greek Στοιχεία. The Work Historical context Aristoxenus's work departs from prior studies in which music was studied only in relation to an understanding of the ''Wikt:kosmos, kosmos''. The study of music in the Pythagorean school c.500 had focused on the mathematical nature of harmonia. Aristotle, whose Peripatetic school Aristoxenus belonged to, addressed the subject in his work ''On the Soul''. Aristoxen ...
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