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Hagiopolitan Octoechos
Oktōēchos (here transcribed ""; Greek language, Greek: pronounced in Koine Greek, koine: ; from wikt:ὀκτώ, ὀκτώ "eight" and wikt:ἦχος, ἦχος "sound, mode" called ; Church Slavonic, Slavonic: , from wikt:осмь, о́смь "eight" and wikt:гласъ, гласъ "voice, sound") is the name of the eight musical mode, mode system used for the composition of religious chant in most Christian churches during the Middle Ages. In a modified form, the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today (Neobyzantine Octoechos). The octoechos as a liturgical concept which established an organization of the calendar into eight-week cycles, was the invention of monastic hymnographers at Mar Saba in Palestine, at the Patriarchates of Antiochia and of Constantinople. It was officially announced as the modal system of hymnography at the Quinisext Council in 692. A similar eight-mode system was established in Western Europe du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Language
Greek (, ; , ) is an Indo-European languages, Indo-European language, constituting an independent Hellenic languages, Hellenic branch within the Indo-European language family. It is native to Greece, Cyprus, Italy (in Calabria and Salento), southern Albania, and other regions of the Balkans, Caucasus, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the list of languages by first written accounts, longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works of lasting importance in the European canon. Greek is also the language in which many of the foundational texts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit
The incipit ( ) of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of Musical note, notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the Explicit (text), explicit. Before the development of title (publishing), titles, texts were often referred to by their incipits, as with for example ''Agnus Dei (liturgy), Agnus Dei''. During the medieval period in Europe, incipits were often written in a different Typeface, script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with Illuminated manuscript, illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque Nationale De France
The (; BnF) is the national library of France, located in Paris on two main sites, ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, as well as participates in research programs. History The National Library of France traces its origin to the royal library founded at the Louvre Palace by Charles V in 1368. Charles had received a collection o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanos The Melodist
Romanos the Melodist (; late 5th-century – after 555) was a Byzantine hymnographer and composer, who is a central early figure in the history of Byzantine music. Called "the Pindar of rhythmic poetry", he flourished during the sixth century, though the earliest manuscripts of his works are dated centuries after this. He was the foremost Kontakion composer of his time. Life The main biographical source for Romanos is the Menaion for October. Elsewhere, he is only mentioned by Germanus I of Constantinople in the 8th-century, and in the 10th-century Souda (where he is called "Romanos the melodist"). According to the sources, Romanos was born some time in the late 5th-century, in a site in Syria known as Emesa, to a Jewish family. He was baptized as a young boy (though whether or not his parents also converted is uncertain). He moved to Berytus (Beirut) where he was ordained as a deacon in the Church of the Resurrection. Later, he moved to Constantinople, where he died an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmas Of Maiuma
Cosmas of Maiuma, also called Cosmas Hagiopolites ("of the Holy City"), Cosmas of Jerusalem, Cosmas the Melodist, or Cosmas the Poet (d. 773 or 794), was a bishop and an important hymnographer in the East. He is venerated as a saint by the Eastern Orthodox Church and the Catholic Church. Life Cosmas () was born in Damascus, modern-day Syria, but he was orphaned at a young age. He was adopted by Sergius, the father of John of Damascus (ca.676 - 749), and became John's foster-brother. The teacher of the two boys was an elderly Calabrian monk, also named Cosmas (known as "Cosmas the Monk" to distinguish him), who had been freed from slavery to the Saracens by John's father. John and Cosmas went from Damascus to Jerusalem, where both became monks in the lavra-type monastery of Sabbas the Sanctified near that city.''Byzantine Music and Liturgy'', E. Wellesz, ''The Cambridge Medieval History: The Byzantine Empire, Part II'', Vol. IV, ed. J.M. Hussey, D.M. Nicol and G. Cowan, (Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Chant
Byzantine music () originally consisted of the songs and hymns composed for the courtly and religious ceremonial of the Byzantine Empire and continued, after the fall of Constantinople in 1453, in the traditions of the sung Byzantine chant of Eastern Orthodox liturgy. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticheron#History of the notated chant book Sticherarion, Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Ecumenical Patriarchate of Constantinople, Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted Millet (Ottoman Empire), administrative responsibilities over all Eastern Orthodox Church, Eastern Orthodox Christians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chrysanthos Of Madytos
Chrysanthos of Madytos (; 1846) was a Greek poet, chanter, Archimandrite, and Archbishop, born in Madytos. In preparation of the first printed books of Orthodox chant, he was responsible for a reform of the Byzantine notation within the New Music School of the Patriarchate, along with Gregorios the Protopsaltes and Chourmouzios the Archivist who transcribed the traditional repertory into the Chrysanthine notation. Life Chrysanthos and the reform of Orthodox chant Works * * *. Publications made in his name * * Translations * * See also * Neobyzantine Octoechos— Byzantine music *Ottoman classical music Ottoman music () or Turkish classical music (, or more recently ) is the tradition of Art music, classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a sol ... Notes and references Sources * * * External links * Chrysanthos of Madytos Entry at Orthodox Wiki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papadic Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek language, Greek: , pronounced in Byzantine Greek, Constantinopolitan: ; from wikt:ὀκτώ, ὀκτώ "eight" and wikt:ἦχος, ἦχος "sound, mode" called echos; Church Slavonic, Slavonic: Осмогласие, ''Osmoglasie'' from wikt:осмь, о́смь "eight" and wikt:гласъ, гласъ "voice, sound") is the name of the eight musical mode, mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today. Until 1204 neither the Hagia Sophia nor any other cathedral of the Byzantine Empire did abandon its habits, and the Hagiopolitan Octoechos, Hagiopolitan eight mode system came into use not earlier than in the mixed rite of Constantinople, after the patriarchate and the court had returned from their exile in Nikaia in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
