Guitar Sounds From Lenny Breau
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Guitar Sounds From Lenny Breau
''Guitar Sounds from Lenny Breau'' is an album by Canadian jazz guitarist Lenny Breau that was released in 1968. History Breau befriended Chet Atkins, which resulted in Breau's first two albums for RCA Records, RCA. Atkins and Breau also collaborated on ''Standard Brands (Atkins/Breau album), Standard Brands'' in 1981. Breau spent much time around Atkins's office in Nashville during and after these two RCA albums. They played clubs regularly.McClelland, John & Bratic, Deyan. (2004) "Chet Atkins in Three Dimensions". Pacific, Missouri, Mel Bay Publications. Atkins helped Breau get his first recording contract after hearing one of his studio tapes. Atkins stated in an interview for ''Frets'' magazine, "Paul Yandell first brought Lenny to my attention around 1966. I immediately knew that here was one of the great players of this world. He had taken some of my fragmentary ideas, and gone on and on into musical areas I had never dreamed of."Atkins, Chet. "The Genius of Lenny Breau". ' ...
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Lenny Breau
Leonard Harold Breau (August 5, 1941 – August 12, 1984) was an American-Canadian guitarist. He blended many styles of music, including jazz, country, classical, and flamenco. Inspired by country guitarists like Chet Atkins, Breau used fingerstyle techniques not often used in jazz guitar. By using a seven-string guitar and approaching the guitar like a piano, he opened up possibilities for the instrument. Biography Early life Breau was born August 5, 1941, in Auburn, Maine, USA and moved with his family to Moncton, New Brunswick, Canada in 1948. His parents, Harold Breau and Betty Cody, were professional country musicians who performed and recorded from the mid-1930s until the mid-1970s. From the mid to late 1940s they played summer engagements in southern New Brunswick, advertising their performances by playing free programs on radio station CKCW Moncton. Lenny began playing guitar at the age of eight. When he was twelve, he started a small band with friends, and by th ...
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Lennon–McCartney
Lennon–McCartney is the songwriting partnership between the English musicians John Lennon (1940–1980) and Paul McCartney (born 1942) of the Beatles. It is widely considered one of the greatest, best known and most successful musical collaborations ever by records sold, with the Beatles selling over 600 million records worldwide . Between 5 October 1962 and 8 May 1970, the partnership published approximately 180 jointly credited songs, of which the vast majority were recorded by the Beatles, forming the bulk of their catalogue. Unlike many songwriting partnerships that comprise a separate lyricist and composer, such as George and Ira Gershwin, Richard Rodgers and Oscar Hammerstein II, John Kander and Fred Ebb, or Elton John and Bernie Taupin, both Lennon and McCartney wrote lyrics and music. Sometimes, especially early on, they would collaborate extensively when writing songs, working "eyeball to eyeball" as Lennon phrased it. During the latter half of their partners ...
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Music To Watch Girls By
"Music to Watch Girls By" was the first Top 40 hit by Bob Crewe using his own name, recorded by his group The Bob Crewe Generation. The music was composed by Sidney "Sid" Ramin. Background Crewe first heard the song performed in a jingle demo for a Diet Pepsi commercial, and according to Greg Adams, writing for ''All Music Guide'', the song "exemplified the groovy state of instrumental music at that time." In Bob Crewe's version, a trumpet plays the whole verse, the first time around, sounding like Herb Alpert's Tijuana brass style. The second time the verse is played, a half step up in tone from G minor to A-flat minor, a tenor saxophone plays a jazzier version, accompanied by strings, surf-style guitar (reminiscent of 1960s spy films) and a harpsichord, that play a counter-melody. The trumpets finish up the refrain, and all of the parts are played, repeating the first part in the coda, before the fade. Chart performance The "big-band, horn driven" recording peaked at #15 on ...
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Hank Williams
Hiram "Hank" Williams (September 17, 1923 – January 1, 1953) was an American singer, songwriter, and musician. An early pioneer of country music, he is regarded as one of the most significant and influential musicians of the 20th century. Williams recorded 55 singles that reached the top 10 of the Hot Country Songs, ''Billboard'' Country & Western Best Sellers chart, five of which were released posthumously, and 12 of which reached No.1. Born and raised in Alabama, Williams learned guitar from African-American blues musician Rufus Payne. Both Payne and Roy Acuff significantly influenced his musical style. After winning an amateur talent contest, Williams began his professional career in Montgomery in the late 1930s playing on local radio stations and at area venues such as school houses, movie theaters, and bars. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career. Because his alcoholism made ...
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Cold, Cold Heart
"Cold, Cold Heart" is a country music and pop song written and first recorded by Hank Williams. This blues ballad is both a classic of honky-tonk and an entry in the '' Great American Songbook''. Hank Williams version Williams adapted the melody for the song from T. Texas Tyler's 1945 recording of "You'll Still Be in My Heart," written by Ted West in 1943. In the Williams episode of '' American Masters'', country music historian Colin Escott states that Williams was moved to write the song after visiting his wife Audrey in the hospital, who was suffering from an infection brought on by an abortion she had carried out at their home unbeknownst to Hank. Escott also speculates that Audrey, who carried on extramarital affairs as Hank did while he was on the road, may have suspected the baby was not her husband's. Florida bandleader Pappy Neil McCormick claims to have witnessed the encounter: The first draft of the song is dated November 23, 1950, and was recorded on December ...
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Elizabeth Cotten
Elizabeth "Libba" Cotten ( Nevills; January 5, 1893 – June 29, 1987) was an influential American folk and blues musician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down. This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". NPR stated "her influence has reverberated through the generations, permeating every genre of music." Her album '' Folksongs and Instrumentals with Guitar'' (1958), was placed into the National Recording Registry by the Library of Congress, and was deemed as "culturally, historically, or aesthetically significant". The album included her signature recording "Freight Train", a song she wrote in her early teens. In 1984, her live album ''Elizabeth Cotten Live!'', won her a Grammy Award for Best Ethnic or Traditional Folk Recording, at the age of 90. That same ye ...
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Freight Train (song)
"Freight Train" is an American folk song written by Elizabeth Cotten in the early 20th century, and popularized during the American folk revival and British skiffle period of the 1950s and 1960s. By Cotten's own account in the 1985 BBC series ''Down Home'', she composed "Freight Train" as a teenager (sometime between 1906 and 1912), inspired by the sound of the trains rolling in on the tracks near her home in North Carolina. Cotten was a one-time nanny for folk singer Peggy Seeger, who took this song with her to England, where it became popular in folk music circles. Pseudonymous British songwriters "Paul James" and "Fred Williams" from a British skiffle band subsequently misappropriated it as their own composition and registered a claim of copyright in the song, adding a murderer-on-the-run storyline. Under that credit, it was recorded by British skiffle singer Chas McDevitt, in December, 1956. Under advice from his manager (Bill Varley), McDevitt then brought in folk-singer ...
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway theatre, Broadway musicals and over 900 songs to his credit, Rodgers was one of the best-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebr ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon"; " The Lady Is a Tramp"; "Manhattan"; " Bewitched, Bothered and Bewildered"; and " My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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My Funny Valentine
"My Funny Valentine" is a show tune from the 1937 Rodgers and Hart coming of age musical ''Babes in Arms'' in which it was introduced by teenaged star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of them was Chet Baker, for whom it became his signature song. In 2015 the Gerry Mulligan quartet's 1953 version of the song (featuring Chet Baker) was inducted into the Library of Congress's National Recording Registry for its "cultural, artistic and/or historical significance to American society and the nation’s audio legacy". Mulligan also recorded the song with his Concert Jazz Band in 1960. History ''Babes in Arms'' opened at the Shubert Theatre on Broadway, in New York City on April 14, 1937 and ran for 289 performances. In the original play, a character named Billie Smith (played by Mitzi Green) sings the song to Valentine "Val" LaMar (played by Ray Heatherton). The character's name was changed to mat ...
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John Phillips (musician)
John Edmund Andrew Phillips (August 30, 1935 – March 18, 2001) was an American musician, singer, and songwriter. He was the leader of the vocal group the Mamas & the Papas and remains frequently referred to as Papa John Phillips. In addition to writing the majority of the group's compositions, he also wrote " San Francisco (Be Sure to Wear Flowers in Your Hair)" in 1967 for former Journeymen bandmate Scott McKenzie, as well as the oft-covered " Me and My Uncle", which was a favorite in the repertoire of the Grateful Dead. Phillips was one of the chief organizers of the 1967 Monterey Pop Festival. Early life Phillips was born August 30, 1935, in Parris Island, South Carolina. His father, Claude Andrew Phillips, was a retired United States Marine Corps officer. On his way home from France following World War I, Claude Phillips managed to win a tavern located in Oklahoma from another Marine during a poker game. His mother, Edna Gertrude (née Gaines), who had English ances ...
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Monday, Monday
"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas, with backing music by members of the Wrecking Crew for their 1966 album ''If You Can Believe Your Eyes and Ears''. Denny Doherty was the lead vocalist. It was the group's only #1 hit on the U.S. ''Billboard'' Hot 100. Background Phillips said that he wrote the song quickly, in about 20 minutes. In the lyrics, the singer dislikes Mondays because the person he loved left him on that day. "Oh Monday mornin', you gave me no warnin' of what was to be." The song includes a pregnant pause before the coda, which modulates up a semitone. Succeeding "Good Lovin'" by the Young Rascals in the number one position, the event marked the first time in the history of the Billboard Hot 100 two songs with pregnant pauses were consecutive number one hits. On March 2, 1967, the Mamas & the Papas won a Grammy Award for this song, in the category Best Contemporary (R&R) Group Performance, Vocal ...
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