Girolamo Mengozzi Colonna
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Girolamo Mengozzi Colonna
Gerolamo Mengozzi Colonna (1688 – Venice, 27 October 1774) was an Italian painter, mostly of frescoed quadratura. Biography Born in Ferrara, Gerolamo was a pupil of the painters of architectural perspective painters Antonio Felice Ferrari and Francesco Scala in Emilia-Romagna. He moved to Venice by 1716, where he began collaborations that spanned over four decades with Giovanni Battista Tiepolo and his son Giandomenico. By 1716, he signs a contract with Mattia Bortoloni to decorate in fresco the Villa Cornaro in Piombino Dese for the patrician Andrea Cornaro. It is presumed that the two latter artists collaborated in decorating the octagonal room of the Villa Morosini Vendramin Calergi in Fiesso Umbertiano. Mengozzi's first collaboration with Tiepolo was the decoration of the hall on the first floor (1719-1720) of the Villa Baglioni in Massanzago, depicting the ''Myth of Phaeton'' on the walls and the ''Triumph of Aurora'' on the ceiling. This was followed by the ''Apo ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Academy Of St
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ...
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Jacopo Guarana
225px, ''Allegory of the virtues Mocenigo'', 1787 Jacopo Guarana (October 28, 1720 – April 18, 1808) was a Venetian painter of the late Baroque period who was born in Verona. He was active mainly in Venice and its mainland territories. In 1750 he completed frescoes for the interior of Ca' Rezzonico and, in 1780, for the church of San Tomà. He also painted for the church of San Teonisto in Treviso and the Villa Contarini in Cinto Euganeo and helped decorate the Villa Pisani at Stra. Other works were completed for the Palazzo Balbi, Palazzo Boldù a San Felice, Palazzo Erizzo a San Martino, Palazzo Michiel del Brusà, and Palazzo Mocenigo a San Stae. Guarana is the last remaining direct heir of the Tiepolesque tradition. He was a founding member of the Venetian Accademia di Belle Arti and is said to have studied under Sebastiano Ricci, then with Giovanni Battista Tiepolo. Among his most popular works are the wall frescoes at the concert hall of the Ospedaletto, Veni ...
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Stra
Stra is a town and ''comune'' in the Metropolitan City of Venice, Veneto, Italy. It is south of SR11. It is the location of the famed Villa Pisani Villa Pisani at Stra refers to the monumental, late-Baroque rural palace located along the Brenta Canal ( Riviera del Brenta) at Via Doge Pisani 7 near the town of Stra, on the mainland of the Veneto, northern Italy. This villa is one of the lar ... located on the Brenta canal. References External links

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Villa Pisani, Stra
Villa Pisani at Stra refers to the monumental, late- Baroque rural palace located along the Brenta Canal (Riviera del Brenta) at Via Doge Pisani 7 near the town of Stra, on the mainland of the Veneto, northern Italy. This villa is one of the largest examples of Villa Veneta located in the Riviera del Brenta, the canal linking Venice to Padua. The patrician Pisani family of Venice commissioned a number of villas, also known as ''Villa Pisani'' across the Venetian mainland. The villa and gardens now operate as a national museum, and the site sponsors art exhibitions. History Construction of this palace was begun in the early 18th century for Alvise Pisani, the most prominent member of the Pisani family, who was appointed doge in 1735. The initial models of the palace by Paduan architect Girolamo Frigimelica still exist, but the design of the main building was ultimately completed by Francesco Maria Preti. When it was completed, the building had 114 rooms, in honour of its ow ...
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Palazzo Rezzonico
Ca' Rezzonico () is a palazzo and art museum on the Grand Canal in the Dorsoduro ''sestiere'' of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice (''Museo del Settecento Veneziano'') and one of the 11 venues managed by the Fondazione Musei Civici di Venezia. History Construction (17th-18th centuries) Ca' Rezzonico stands on the right bank of the canal, at the point where it is joined by the Rio di San Barnaba. The site was previously occupied by two houses, visible in early paintings of Venice in 1500, which a century and a half later were in a sad state of decay. They belonged to the Bon family, one of Venice's patrician clans. In 1649 the head of the family, Filippo Bon, a Procurator of the city and patron of th ...
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Ca' Rezzonico
Ca' Rezzonico () is a palazzo and art museum on the Grand Canal in the Dorsoduro ''sestiere'' of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice (''Museo del Settecento Veneziano'') and one of the 11 venues managed by the Fondazione Musei Civici di Venezia. History Construction (17th-18th centuries) Ca' Rezzonico stands on the right bank of the canal, at the point where it is joined by the Rio di San Barnaba. The site was previously occupied by two houses, visible in early paintings of Venice in 1500, which a century and a half later were in a sad state of decay. They belonged to the Bon family, one of Venice's patrician clans. In 1649 the head of the family, Filippo Bon, a Procurator of the city and patron of the a ...
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Vicenza
Vicenza ( , ; ) is a city in northeastern Italy. It is in the Veneto region at the northern base of the ''Monte Berico'', where it straddles the Bacchiglione River. Vicenza is approximately west of Venice and east of Milan. Vicenza is a thriving and cosmopolitan city, with a rich history and culture, and many museums, art galleries, piazzas, villas, churches and elegant Renaissance '' palazzi''. With the Palladian Villas of the Veneto in the surrounding area, and his renowned ''Teatro Olimpico'' (Olympic Theater), the "city of Palladio" has been listed as a UNESCO World Heritage Site since 1994. In December 2008, Vicenza had an estimated population of 115,927 and a metropolitan area of 270,000. Vicenza is the third-largest Italian industrial centre as measured by the value of its exports, and is one of the country's wealthiest cities, in large part due to its textile and steel industries, which employ tens of thousands. Additionally, about one fifth of the country's gold a ...
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Palazzo Valmarana, Vicenza
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ...
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Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ...
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Santi Faustino E Giovita, Brescia
The church of Santi Faustino e Giovita, known also as the church of San Faustino Maggiore is a Roman Catholic church in Brescia, Italy. It is situated on Via San Faustino. The church was originally attached to a monastery founded in the 9th century, but it has been rebuilt across the centuries. It was initially consecrated in 1142. The saints Faustino and Giovita are the patron saints of Brescia. The interior of the church has extensive frescoes, mostly completed in the Baroque era. They include works by Tommaso Sandrino in the nave, and by Giandomenico Tiepolo in the presbytery, where he painted the ''Apotheosis of Saints Faustino, Giovita, Benedetto e Scolastica''. Other notable works of art are the ark at the main altar (1623) by Antonio Carra, ''Nativity'' by Lattanzio Gambara, a ''Deposition'' by Sante Cattaneo, a ''Stendardo del Santissimo Sacramento'' painted by Girolamo Romanino Girolamo Romani, known as Romanino (c. 1485 - c. 1566), was an Italian High Renaissan ...
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Giandomenico Tiepolo
Giovanni Domenico Tiepolo (August 30, 1727March 3, 1804) was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo. Life history Domenico was born in Venice, studied under his father, and by the age of 13 was the elder Tiepolo's chief assistant. He was one of the many assistants, including his brother Lorenzo, who transferred the designs of his father (often executed in 'oil sketches). By the age of 20, he was producing his own work for commissioners. He assisted his father in Würzburg 1751–3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana Ai Nani in 1757, and in Madrid at the palace of Charles III from 1762 to 1770. Works His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked there as well as in Genoa and Padua. His painting, though keeping the decorative influence of his father, moved from ...
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