Gaston Serpette
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Gaston Serpette
Henri Charles Antoine Gaston Serpette (4 November 1846 – 3 November 1904) was a French composer, best known for his operettas. After winning the prestigious Prix de Rome as a student at the Paris Conservatoire, he was expected to pursue a career in serious music. Instead, he turned to operetta, writing more than twenty full-length pieces between 1874 and 1900. He accepted some conducting work and also served as a critic and journalist for a number of French newspapers and magazines. Early life and work Serpette, the son of a rich industrialist, was born in Nantes, in western France. Lamb, Andrew"Serpette, (Henri Charles Antoine) Gaston" ''Grove Music Online'', accessed 16 June 2101 (requires subscription) He qualified as a lawyer before deciding to devote himself to music.Boulay, Dominique ''Musica'', November 1904. (Original French text reproduced at Musica et Memoria site, accessed 16 June 2010.) In 1868 he entered the composition class of Ambroise Thomas at the Paris ...
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Gaston Serpette
Henri Charles Antoine Gaston Serpette (4 November 1846 – 3 November 1904) was a French composer, best known for his operettas. After winning the prestigious Prix de Rome as a student at the Paris Conservatoire, he was expected to pursue a career in serious music. Instead, he turned to operetta, writing more than twenty full-length pieces between 1874 and 1900. He accepted some conducting work and also served as a critic and journalist for a number of French newspapers and magazines. Early life and work Serpette, the son of a rich industrialist, was born in Nantes, in western France. Lamb, Andrew"Serpette, (Henri Charles Antoine) Gaston" ''Grove Music Online'', accessed 16 June 2101 (requires subscription) He qualified as a lawyer before deciding to devote himself to music.Boulay, Dominique ''Musica'', November 1904. (Original French text reproduced at Musica et Memoria site, accessed 16 June 2010.) In 1868 he entered the composition class of Ambroise Thomas at the Paris ...
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Adolphe Jaime
Adolphe Jaime, called Jaime fils, (1825 in Paris – 1901 in Asnières-sur-Seine) was a 19th-century French vaudevillist and librettist. He was the son of Ernest Jaime (1804–1884), also a playwright. Works *1845: ''Le Diable à quatre'', vaudeville in 3 acts by Adolphe Jaime and Michel Delaporte *1856: ''Les Vivandières de la grande-armée'', opérette bouffe in one act, music by Jacques Offenbach *1856: ''Lucie Didier'', by Léon Battu, Théâtre du Vaudeville, 12 January *1857: '' Croquefer, ou Le dernier des paladins'', opéra bouffe in one act, music by Jacques Offenbach, libretto by Étienne Tréfeu and Jaime fils *1857: ''Maître Griffard'', opéra comique by Léo Delibes, 3 October *1857: ''Dragonette'', opéra bouffe in one act with Eugène Mestépès, music by Jacques Offenbach *1857: '' Une demoiselle en loterie'', one-act opérette, music by Jacques Offenbach, *1859: ''Geneviève de Brabant'', opéra-bouffon in 2 acts, music by Jacques Offenbach, libretto by ...
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Paul Lacome
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice, Byzan ...
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Victor Roger
Victor Roger (22 July 1853 – 2 December 1903) was a French composer. He is best known for his operettas, particularly the lighter kind known as the "vaudeville-opérette". His thirty theatre works, composed between 1880 and 1902, also include pantomimes and ballets. His best-known piece, ''Les vingt-huit jours de Clairette'', has remained in the repertory of French companies. Biography Roger was born in Montpellier, in the south of France, the son of a musician.Lamb, Andrew"Roger, Victor" ''Grove Music Online'', Oxford University Press, accessed 22 June 2010 (requires subscription) After studying at the École Niedermeyer he began his career composing songs and operettas for the Eldorado music hall. In 1886, he had a success with ''Joséphine vendue par ses soeurs'', a parody of Méhul's biblical opera, ''Joseph et ses frères''. He followed this with ''Les vingt-huit jours de Clairette'' (1892), an operetta on a military theme, in the tradition of the earlier operetta composer ...
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Léon Vasseur
Félix Augustin Joseph Vasseur, known as Léon Vasseur (28 May 1844 – 25 May 1917), was a French composer, organist and conductor. While working as a cathedral organist, he turned to composing operettas and soon had a hit with ''La timbale d'argent'' (1872). He wrote another thirty operettas but never repeated that early success. He also composed church music including two settings of the mass. Biography Vasseur was born in Bapaume in north-east France, the son of Augustin Vasseur, the local church organist and choirmaster.Havard de La Montagne, Denis."Léon Vasseur, Musicien Atypique" ''Musica et Memoria'' (French text), accessed 23 June 2010. After studying music with his father, Vasseur enrolled at the age of 12 as a student at the École Niedermeyer, the school of church music in Paris,Lamb, Andrew."Vasseur, Léon ''Grove Music Online'', Oxford University Press, accessed 23 June 2010 (requires subscription) He studied under Pierre-Louis Dietsch (harmony), Georges Schmitt (or ...
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Louis Varney
Louis Varney (; 30 May 1844, New Orleans, Louisiana – 20 August 1908, Cauterets, France) was a French composer. Biography Louis Varney was the son of Alphonse Varney, a French conductor at the Bouffes-Parisiens and at the Grand Théâtre de Bordeaux The Grand Théâtre de Bordeaux is an opera house in Bordeaux, France, first inaugurated on 17 April 1780. It was in this theatre that the ballet '' La fille mal gardée'' premiered in 1789, and where a young Marius Petipa staged some of his fir ..., he was also invited to conduct the "French Opera Season" abroad, notably in New Orleans, Louisiana, and this is how Louis came to be born there in 1844. He studied music with his father, and became first a conductor like him. He was conducting in a small theatre L' Athénée-Comique, while he began composing, he succeeded in having one of his work, ''Il signor Pulcinella'' presented there in 1876 with considerable success. He was then proposed by the director of the Bouffes-P ...
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Georges Feydeau
Georges-Léon-Jules-Marie Feydeau (; 8 December 1862 – 5 June 1921) was a French playwright of the era known as the Belle Époque. He is remembered for his farces, written between 1886 and 1914. Feydeau was born in Paris to middle-class parents and raised in an artistic and literary environment. From an early age he was fascinated by the theatre, and as a child he wrote plays and organised his schoolfellows into a drama group. In his teens he wrote comic monologues and moved on to writing longer plays. His first full-length comedy, ''Tailleur pour dames'' (Ladies' tailor), was well received, but was followed by a string of comparative failures. He gave up writing for a time in the early 1890s and studied the methods of earlier masters of French comedy, particularly Eugène Labiche, Alfred Hennequin and Henri Meilhac. With his technique honed, and sometimes in collaboration with a co-author, he wrote seventeen full-length plays between 1892 and 1914, many of which have become sta ...
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Henri Meilhac
Henri Meilhac (23 February 1830 – 6 July 1897) was a French dramatist and opera librettist, best known for his collaborations with Ludovic Halévy on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach, as well as Jules Massenet's ''Manon''. Biography Meilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's ''Carmen''. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are ''La belle Hélène'' (1864), '' Barbe-bleue'' (1866), '' La Vie parisienne'' (1866), ''La Grand ...
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The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ...
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Fifth Avenue Theatre
Fifth Avenue Theatre was a Broadway theatre in New York City in the United States located at 31 West 28th Street and Broadway (1185 Broadway). It was demolished in 1939. Built in 1868, it was managed by Augustin Daly in the mid-1870s. In 1877, it became the first air-conditioned theatre in the world. In 1879, it presented the world premiere of ''The Pirates of Penzance'' by Gilbert and Sullivan and the New York premiere of ''H.M.S. Pinafore'', followed by other Gilbert and Sullivan operas throughout the 1880s. The theatre continued to present both plays and musicals through the end of the century. At the beginning of the 20th century, the theatre presented English classics and then vaudeville, and later films, as well as plays and musicals. History The theatre was built in 1868 and was originally named Gilsey's Apollo Hall, in 1870 renamed the St. James Theatre. Its capacity was approximately 1,530 seats.
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The Morning Post
''The Morning Post'' was a conservative daily newspaper published in London from 1772 to 1937, when it was acquired by ''The Daily Telegraph''. History The paper was founded by John Bell. According to historian Robert Darnton, ''The Morning Post'' scandal sheet consisted of paragraph-long news snippets, much of it false. Its original editor, the Reverend Sir Henry Bate Dudley, earned himself nicknames such as "Reverend Bruiser" or "The Fighting Parson", and was soon replaced by an even more vitriolic editor, Reverend William Jackson, also known as "Dr. Viper". Originally a Whig paper, it was purchased by Daniel Stuart in 1795, who made it into a moderate Tory organ. A number of well-known writers contributed, including Samuel Taylor Coleridge, Charles Lamb, James Mackintosh, Robert Southey, and William Wordsworth. In the seven years of Stuart's proprietorship, the paper's circulation rose from 350 to over 4,000. From 1803 until his death in 1833, the owner and editor of the ...
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Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ...
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