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Groovin'
"Groovin" is a song written by the American singer songwriters Felix Cavaliere and Eddie Brigati, initially recorded by their group the Young Rascals in 1967. Cavaliere was inspired to compose the song by his girlfriend Adrienne Buccheri, whom he only got to meet on Sundays amidst heavy touring and recording. Musically, the song differs from most of band's previous output, leaving the garage rock genre for Latin American influences, such as Baião (music), baião. Lyrically, "Groovin tells the tale of a narrator spending time with his partner on a Sunday afternoon. The song was arranged and recorded at the Talentmasters Studios, New York City in March of 1967. Initially, Atlantic Records were skeptical of releasing "Groovin as a single, given that it deviated from their previous output. After hearing it, the disc jockey Murray the K convinced Jerry Wexler to release it. "Groovin was released as a single on April 10, 1967, A-side and B-side, backed by "Sueño". It became a comme ...
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The Rascals
The Rascals (originally known as the Young Rascals) are an American rock band, formed in Garfield, New Jersey, southeast of Paterson in 1965. The original lineup featured lead vocalist and keyboardist Felix Cavaliere, vocalist and percussionist Eddie Brigati, drummer Dino Danelli, and guitarist and vocalist Gene Cornish. Cavaliere and Brigati wrote the majority of the Rascals' original material. Between 1966 and 1968 the band gained popularity with a blend of rock, pop and soul music. Nine of their singles charted in the top 20 of the ''Billboard'' Hot 100, including the #1s " Good Lovin'" (1966), "Groovin'" (1967), and " People Got to Be Free" (1968); as well as big radio hits like the much-covered " How Can I Be Sure?" (#4 1967) and " A Beautiful Morning" (#3 1968). Another critical favorite "A Girl Like You" (#10 1967), became an early example of the blue-eyed soul genre. Additionally, four of the band's LPs received gold certifications in the US, including the top 10 ...
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Groovin' (The Young Rascals Album)
''Groovin'' is the third album by the rock band the Young Rascals. The album was released on July 31, 1967 and rose to #5 on the Billboard Top LPs chart, number 7 on the R&B chart, and number 2 in Canada. Eight of the songs were released on singles with the title track reaching number 1 on the Pop chart in the U.S. History This was the last album on which the band was billed as The Young Rascals; their next album, '' Once Upon a Dream'', would be credited to simply The Rascals. The album began the Rascals' first forays into the psychedelic genre that they would explore further on ''Once Upon a Dream''. Eight of ''Groovin''s eleven songs were issued by Atlantic Records as single A- or B-sides. The three songs specific to the album are "Find Somebody", "I Don't Love You Anymore", and the Rascals' cover of " A Place in the Sun". "If You Knew", upon its initial release as the B-side of the single " I've Been Lonely Too Long", was jointly credited to all the Rascals' members; th ...
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Pato Banton
Pato Banton (born Patrick Murray; 28 January 1961) is a reggae singer and toaster from Birmingham, England. He received the nickname Pato Banton from his stepfather: its first name derives from the sound of a Jamaican owl calling "patoo, patoo", while its second comes from the disc jockey slang word "banton", meaning heavyweight lyricist or storyteller. In 1994, he achieved a number 1 on the UK Singles Chart with a cover of The Equals' " Baby, Come Back", featuring Robin and Ali Campbell of UB40. Biography Banton first came to public attention in the early 1980s when he worked with The Beat.Barrow, Steve & Dalton, Peter (2004) ''The Rough Guide to Reggae, 3rd edn.'', Rough Guides, , p.403 He recorded "Pato and Roger a Go Talk" with Ranking Roger, included on the 1982 album ''Special Beat Service''.Larkin, Colin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p.19-20 He went on to record a series of singles for Fashion Records and Don Christie Records. He was ...
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Felix Cavaliere
Felix Cavaliere (born November 29, 1942) is an American musician. He is best known for being the co-lead vocalist and keyboard player for The Young Rascals. Although he was a member of Joey Dee and the Starliters, known for their hit " Peppermint Twist", he is best known for his association with the Young Rascals during the 1960s. The other members of the Rascals were Eddie Brigati, Dino Danelli and Gene Cornish. Cavaliere sang vocals on six of their successful singles and played the Hammond B-3 organ. Early life and education Cavaliere was born to an Italian-American family in Pelham, New York on November 29, 1942. At an early age, he studied piano at the Allaire School of Music at his mother's behest from age 6 until her death when he was 14. He enrolled at Syracuse University in the early 1960s as a pre-med major and performed at fraternity and sorority parties with his band ''The Escorts''. At the beginning of his junior year, he left Syracuse to pursue an opportunit ...
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Eddie Brigati
Edward Brigati Jr. (born October 22, 1945) is an American singer-songwriter. He was the co-lead vocalist, along with Felix Cavaliere, and percussionist in the rock group The Young Rascals from 1964 to 1970. Prior to his stint with The Young Rascals (who later shortened their name to The Rascals), Brigati had been a member of Joey Dee and the Starliters (having replaced his brother, original Starliter David Brigati, in that group). With the help of group founder Billy (Smith) Amato and manager Sid Bernstein, the Rascals became the first all-white group signed to Atlantic Records. They (along with The Righteous Brothers and The Box Tops), were practitioners of a genre of music coined ' blue-eyed soul'. Early life Born and raised in Garfield, New Jersey, Brigati graduated from Garfield High School in 1963.La Gorce, Tammy"Rascal on the Rebound: Eddie Brigati Back On Stage; Bitter memories aside, Eddie Brigati, singer of the hitmaking '60s group the Rascals, is stoked to be bac ...
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I've Been Lonely Too Long
"I've Been Lonely Too Long" is a song written by Felix Cavaliere and Eddie Brigati and performed by the Young Rascals. Released as a single in 1967, it reached #7 in Canada, while in the U.S. it reached #16 on the ''Billboard'' Hot 100 chart, #17 on the '' Cashbox'' Top 100 chart, and #33 on the Hot R&B Singles chart. It was also featured on their 1967 album ''Collections'', where the title is given as "Lonely Too Long". The rhythm track is based on The Temptations hit "Ain't Too Proud to Beg", released the previous year (1966). The song was produced by The Young Rascals and ranked #54 on ''Billboard'' magazine's Top 100 singles of 1967. Other versions * Byrdie Green, on her 1967 album ''I Got It Bad (And That Ain't Good)''. *Mercy, on their original Sundi Records album ''Love (Can Make You Happy).'' * The Brooklyn Bridge, on their 1968 album ''Brooklyn Bridge''. *The Fireballs, on their 1969 album ''Come On, React!'' *David Cassidy, on his 1972 album '' Rock Me Baby''. *R ...
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Blue-eyed Soul
Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly black Motown and Stax record labels. Though many R&B radio stations in the United States in that period would only play music by black musicians, some began to play music by white acts considered to have "soul feeling"; their music was then described as "blue-eyed soul". 1960s Georgie Woods, a Philadelphia radio DJ, is thought to have coined the term "blue-eyed soul" in 1964, initially to describe the Righteous Brothers, then white artists in general who received airplay on rhythm and blues radio stations. The Righteous Brothers in turn named their 1964 LP ''Some Blue-Eyed Soul''. According to Bill Medley of the Righteous Brothers, R&B radio stations who played their songs were surprised to find them to be white when they turned up for interviews, and o ...
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Good Lovin'
"Good Lovin" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. Original version The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The Young Rascals' version The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin rose to the top of the ''Billboard'' Pop Singles chart in the spring of 1966 and represented the Young Rascals' first rea ...
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I Ain't Gonna Eat Out My Heart Anymore
"I Ain't Gonna Eat Out My Heart Anymore" is a song written by Pam Sawyer and Laurie Burton in 1965. Originally envisioned to be recorded by a British Invasion artist, the song was extremely well liked by the American rock group the Young Rascals, and they subsequently recorded the song and released it as their debut single in November 1965 through Atlantic Records. Though only a marginal hit, reaching number 52 on the ''Billboard'' Hot 100, it largely established the band on the American music scene. It has since been included on several albums by the band, including their eponymous debut album, and several compilation albums, including '' Time Peace: The Rascals' Greatest Hits'', on which it was the opening track. The song is heavily characterized by lead vocalist Eddie Brigati's spoken word during the verses, and is one of the only songs by the band to feature their initial lineup with Brigati on lead vocals; subsequent releases primarily feature Felix Cavaliere on lead voca ...
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting i ...
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The Young Rascals
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun '' the ...
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You Better Run
"You Better Run" is a song by the Young Rascals. Written by group members Eddie Brigati and Felix Cavaliere, it was released as the band's third single in 1966 and reached the top 20 in the United States. This song is noted for its repeated roller coaster musical chords in the bass guitar, going from C to B-flat to C to E-flat to B-flat to C. Critical reception A review in a 1966 issue of '' Billboard'' magazine described the song as a "big-beat wailer" and a "strong follow-up to ' Good Lovin'. In the book ''Pioneers of Rock and Roll'', author Harry Sumrall wrote that the song represented the apex of the band's sound and complimented guitarist Gene Cornish's "slashing chords". AllMusic's Matthew Greenwald called it "a classic garage rocker with a punkish energy hatshowcased the band's live chops to a great effect, as well as Felix Cavaliere's awesome soul-inflected vocals." Music journalist Fred Bronson noted that "You Better Run" was a commercial disappointment, having pe ...
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