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Greek Tragedy And The British Theatre 1660–1914
''Greek Tragedy and the British Theatre 1660–1914'' is a non-fiction book authored by Edith Hall and Fiona Macintosh. It was published on 15 September 2015 by the Oxford University Press. Chronological coverage is from the British Restoration to the early twentieth century. See also * The Cambridge History of British Theatre * London theatre closure 1642 * King's Men § Aftermath for the history of one company affected by the prohibition * William Robbins an actor who lost his living, and fought and died for the Royalist cause. * Antitheatricality 16th and 17th century * English Renaissance theatre * Theatre of Scotland Theatre in Scotland refers to the history of the performing arts in Scotland, or those written, acted and produced by Scots. Scottish theatre generally falls into the Western theatre tradition, although many performances and plays have investi ... References External links * Cultural history of the United Kingdom Theatre of the United Kingdom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edith Hall
Edith Hall, (born 4 March 1959) is a British scholar of classics, specialising in ancient Greek literature and cultural history, and professor in the Department of Classics and Ancient History at Durham University. She is a Fellow of the British Academy. From 2006 until 2011 she held a chair at Royal Holloway, University of London, where she founded and directed the Centre for the Reception of Greece and Rome until November 2011. She resigned over a dispute regarding funding for classics after leading a public campaign, which was successful, to prevent cuts to or the closure of the Royal Holloway Classics department. Until 2022, she was a professor at the Department of Classics at King's College London. She also co-founded and is Consultant Director of the Archive of Performances of Greek and Roman Drama at Oxford University, Chair of the Gilbert Murray Trust, and Judge on the '' Stephen Spender Prize'' for poetry translation. Her prizewinning doctoral thesis was awarded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiona Macintosh
Fiona Macintosh is professor of classical reception at the University of Oxford, director of the Archive of Performances of Greek and Roman Drama, curator of the Ioannou Centre, and a Fellow of St Hilda's College, Oxford. Career Macintosh gained her BA in English and Greek civilisation at the University of Leeds in 1980. She remained at Leeds for her MA in English literature, awarded in 1981. Macintosh moved to King's College, London for her PhD in classics and comparative literature, which was awarded in 1990. Macintosh was a lecturer in English at Goldsmiths’ College, University of London until 2000, when she moved to Oxford as senior research fellow at the APGRD. She was reader in Greek and Roman drama from 2008 to 2014, when she became professor of classical reception. Macintosh became the director of the APGRD in January 2010. Macintosh's research focuses on the adaptation of Greek plays for the modern theatre and the reception of Greek tragedy from the Enlightenm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuart Restoration
The Stuart Restoration was the reinstatement in May 1660 of the Stuart monarchy in Kingdom of England, England, Kingdom of Scotland, Scotland, and Kingdom of Ireland, Ireland. It replaced the Commonwealth of England, established in January 1649 after the execution of Charles I, with his son Charles II of England, Charles II. The Commonwealth of England had been governed by Lord Protector Oliver Cromwell and then his son Richard Cromwell. The term is also used to describe the reign of Charles II (1660–1685), and sometimes that of his younger brother King James II, James II (1685–1688). The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and John Lambert (general), John Lambert then dominated government for a year. On 20 October 1659, George Monck, the governor of Scotland under the Cromwells, marched south with his army from Scotland to oppose Fleetwood and Lambert. Lambert's a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cambridge History Of British Theatre
The Cambridge History of British Theatre is a non-fiction work consisting of three volumes in book form. It was originally published in 2004 by Cambridge University Press. It was later published online in 2008, also by Cambridge University Press. It is not an encyclopedia. Essay articles are in rough chronological order and have been compiled in the three volumes by various editors.Tollini, Frederick, et al. Renaissance Quarterly, vol. 58, no. 4, 2005, pp. 1430–1431. .Hornback, Robert B. The Sixteenth Century Journal, vol. 37, no. 2, 2006, pp. 488–489. . Retrieved December 27, 2019. About the books Volume 1 covers the British theater from its |
London Theatre Closure 1642
On 2 September 1642, just after the First English Civil War had begun, the Long Parliament ordered the closure of all London theatres. The order cited the current "times of humiliation" and "sad and pious solemnity", a zeitgeist incompatible with "public stage-plays", which were representative of "lascivious Mirth and Levity". The closure was the culmination of the rising anti-theatrical sentiment among Puritans, and along with William Prynne's '' Histriomastix'' (1633), its text was the most notorious attack on theatre in English history. On 24 January 1643, the actors responded to the suppression of the theatre by writing a pamphlet to Parliament titled "The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses", in which they also state, "wee have purged our stages of all obscene and scurrilous jests". It was unclear to contemporary audiences whether the intent of the Act was a permanent ban or a temporary res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men was an acting company in England to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Robbins (actor)
William Robbins (died October 1645), also Robins, Robinson, or Robson, was a prominent comic actor in the Jacobean and Caroline eras. During the English Civil War he was a captain in the Royalist army and was killed during the siege of Basing House. Biography Robbins career began by 1617, when he was with Queen Anne's Men; he remained with that company for the remainder of its existence. In 1625 Robbins joined the newly formed Queen Henrietta's Men, and worked with that company until 1636. His role as Rawbone in their production of James Shirley's '' The Wedding'' shows that he was a thin-man clown, what his own era called a "lean fool," like John Sinklo or John Shank. Robbins also played Carazie the eunuch in Philip Massinger's '' The Renegado'', Clem in Thomas Heywood's '' The Fair Maid of the West'', and the title character, the "changeling" Antonio, in Middleton and Rowley's '' The Changeling''. The Queen Henrietta's company was disrupted by a long theatre closur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antitheatricality
Antitheatricality is any form of opposition or hostility to theater. Such opposition is as old as theater itself, suggesting a deep-seated ambivalence in human nature about the dramatic arts. Jonas Barish's 1981 book, ''The Antitheatrical Prejudice'', was, according to one of his Berkeley colleagues, immediately recognized as having given intellectual and historical definition to a phenomenon which up to that point had been only dimly observed and understood. The book earned the American Theater Association's Barnard Hewitt Award for outstanding research in theater history. Barish and some more recent commentators treat the anti-theatrical, not as an enemy to be overcome, but rather as an inevitable and valuable part of the theatrical dynamic. Antitheatrical views have been based on philosophy, religion, morality, psychology, aesthetics and on simple prejudice. Opinions have focussed variously on the art form, the artistic content, the players, the lifestyle of theater people, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
The English Renaissance theatre or Elizabethan theatre was the theatre of England from 1558 to 1642. Its most prominent playwrights were William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified expression as far as social class was concerned: th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Scotland
Theatre in Scotland refers to the history of the performing arts in Scotland, or those written, acted and produced by Scots. Scottish theatre generally falls into the Western theatre tradition, although many performances and plays have investigated other cultural areas. The main influences are from North America, England, Ireland and from Continental Europe. Scotland's theatrical arts were generally linked to the broader traditions of Scottish and English-language literature and to British and Irish theatre, American literature and theatrical artists. As a result of mass migration, both to and from Scotland, in the modern period, Scottish literature has been introduced to a global audience, and has also created an increasingly multicultural Scottish theatre. Scottish theatre dates back at least as far as the Middle Ages. Because of the linguistic divide between Scots language, Lowland Scots and Scottish Gaelic speakers and puritanism in the wake of the Scottish reformation, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural History Of The United Kingdom
The culture of the United Kingdom has been shaped throughout history by the various groups of the British Isles and influences from continental Europe, with the British Empire and modern globalisation resulting in mixture with other cultures in recent centuries. Ancient era Throughout its history, the culture of Great Britain has primarily consisted of the separate native traditions of England, Scotland and Wales. With regard to cultural influences, prior to the expansion of the British Empire, the island had been most notably influenced by French culture (via the Normans), Scandinavian culture (via the Vikings) and Italian culture (via the Romans). The arrival of Celtic and Germanic tribes influenced Britain's early development. The Celtic peoples introduced unique languages, traditions, and social structures. The ancient Roman occupation of Britain, lasting almost 400 years, also impacted the linguistic and cultural identity of Great Britain. Subsequently, the migrations o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
