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Giant-Size X-Men
''Giant-Size X-Men'' #1 is a special issue of the ''X-Men'' comic book series, published by Marvel Comics in 1975. It was written by Len Wein and illustrated by Dave Cockrum. Chris Claremont contributed to the plot, having conceived the idea of Polaris using her powers to propel Krakoa into space, but went uncredited. Though not a regular issue, it contained the first new X-Men story in five years, titled "Second Genesis." The issue serves as a link between the original X-Men and a new team. Chronologically it is placed after ''X-Men'' #66 and before ''X-Men'' #94. The 68-page book was published with a May 1975 cover date and distributed to newsstands in February of that year. The issue has been cited as a start point of the bronze age of comics, and is notable for expanding the membership of the X-Men from beyond the white American cast to one of a more international flavor, an attempt to attract more readers from outside the US, even if some characters were portrayed somewhat s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havok (character)
Havok is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. He first appears in '' The X-Men'' #54 (March 1969), and was created by writer Arnold Drake and penciller Don Heck. Havok generates powerful "plasma blasts", an ability he has had difficulty controlling. One of the sons of Corsair, Alexander "Alex" Summers is the younger brother of the X-Men's Cyclops, and the older brother of Vulcan and the older half brother of Adam X. He often resents Cyclops's authoritarian attitude and reputation as a model member of the X-Men. In contrast, Havok and his longtime love interest Polaris have had a love-hate relationship with the team, often finding themselves roped into it. Both were also members of the 1990s-era Pentagon-sponsored mutant team X-Factor. After X-Factor disbanded, Havok starred in '' Mutant X'', a series in which he explored a strange alternate reality. He has since returned to the X-Men, la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Costanza
John Costanza (born August 14, 1943, in Dover, New Jersey) is an American comic book artist and letterer. He has worked for both DC Comics and Marvel Comics. He was the letterer during Alan Moore's acclaimed run on ''Swamp Thing''. The bulk of Costanza's art assignments have been for anthropomorphic animal comics and children-oriented material. Biography Costanza began his career in 1965, working as Joe Kubert's assistant on the syndicated newspaper strip ''Tales of the Green Berets''. Costanza soon started to work for comic books, both as an artist and a letterer. He started out with contributing to DC titles such as ''G.I. Combat'' and ''House of Mystery'' in the period 1968-1971. He began freelancing for Marvel (exclusively as a letterer) in 1972, at first under the alias Jon Costa. He would soon become one of the company's premier letterers, working on flagship titles such as ''Fantastic Four'' and ''The Amazing Spider-Man'', and lettering special projects such as the Stan L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Kane
Gil Kane (; born Eli Katz , ; April 6, 1926 – January 31, 2000) was a Latvian-born American comics artist whose career spanned the 1940s to the 1990s and virtually every major comics company and character. Kane co-created the modern-day versions of the superheroes Hal Jordan, Green Lantern and the Atom (Ray Palmer), Atom for DC Comics, and co-created Iron Fist (character), Iron Fist and Adam Warlock with Roy Thomas for Marvel Comics. He was involved in the anti-drug storyline in ''The Amazing Spider-Man'' #96–98, which, at the behest of the United States Department of Health and Human Services, U.S. Department of Health, Education, and Welfare, bucked the then-prevalent Comics Code Authority to depict drug abuse, and ultimately spurred an update of the Code. Kane additionally pioneered an early graphic novel prototype, ''His Name Is... Savage'', in 1968, and a seminal graphic novel, ''Blackmark'', in 1971. In 1997, he was inducted into both the List of Eisner Award winners ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ret-con
Retroactive continuity, or retcon for short, is a literary device in fictional story telling whereby facts and events established through the narrative itself are adjusted, ignored, supplemented, or contradicted by a subsequently published work that recontextualizes or breaks continuity with the former. There are various motivations for applying retroactive continuity, including: * To accommodate desired aspects of sequels or derivative works which would otherwise be ruled out. * To respond to negative fan reception of previous stories. * To correct and overcome errors or problems identified in the prior work since its publication. * To change or clarify how the prior work should be interpreted. * To match reality, when assumptions or projections of the future are later proven wrong. Retcons are used by authors to increase their creative freedom, on the assumption that the changes are unimportant to the audience compared to the new story which can be told. Retcons can be diege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadly Genesis
''X-Men: Deadly Genesis'' is a comic book limited series published by Marvel Comics from 2006. The series was written by Ed Brubaker with interior art done by Trevor Hairsine and covers by Marc Silvestri. Starring the X-Men, this series celebrates the 30th anniversary of ''Giant-Size X-Men'' #1 (containing the story titled ''Second Genesis''). The plot deals with the X-Men looking for Professor Charles Xavier, who went missing after ''House of M'', as well as their conflict with a new and incredibly powerful mutant. Plot summary ''Deadly Genesis'' is a retcon of the classic ''Giant-Size X-Men'' #1 story, titled "Second Genesis", from 1975. In that story, Len Wein used the abduction of the original X-Men by the living island Krakoa as an instrument to discard the first-generation X-Men of 1963. Wein's story depicts Professor X recruiting international characters into a new team of X-Men, to rescue the missing original team; the new team replaced the old when most of the original X ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thunderbird (John Proudstar)
Thunderbird (John Proudstar) is a character appearing in American comic books published by Marvel Comics. Created by writer Len Wein and artist Dave Cockrum, the character first appears in '' Giant-Size X-Men'' #1 (May 1975). Thunderbird was a short-lived member of the Second Genesis group of X-Men gathered in the issue, as he died on their second mission, where they tried to chase down Count Nefaria. His death is also depicted in '' X-Men: Grand Design – Second Genesis'' #1, where his death is witnessed by Banshee, and felt deeply by the X-Men and Charles Xavier. An Apache Native American and Human Mutant, John Proudstar possesses superhuman athletic ability. Since his death, Thunderbird was temporarily brought back to life during the Necrosha and Chaos War storylines, before being permanently resurrected after the establishment of Krakoa. His brother James Proudstar, known first as Thunderbird, and then as Warpath, is also a mutant and X-Men with similar capabilitie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colossus (character)
Colossus (Piotr "Peter" Nikolayevich Rasputin; ) is a character appearing in American comic books published by Marvel Comics. Created by writer Len Wein and artist Dave Cockrum, he first appeared in ''Giant-Size X-Men'' #1 (May 1975). A Russian mutant (Marvel Comics), mutant, he is a member of the X-Men. Colossus is able to transform himself into metallic form, making him the physically strongest of the team. He is portrayed as quiet, honest, and virtuous. He has had a fairly consistent presence in X-Men-related comic books since his debut. A talented artist, he only reluctantly agrees to use his powers in combat, feeling it is his responsibility to use his abilities for the betterment of human- and mutant-kind. ''Wizard (magazine), Wizard'' ranked Colossus at 184 on the "Top 200 Comic Book Characters of All Time". In 2006, IGN placed Colossus in the 10th spot of their list of "The Top 25 X-Men". In 2013, ComicsAlliance ranked Colossus as No. 22 on their list of the "50 Sexiest Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |