Galleria Nazionale D'Arte Antica
The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini. The gallery's collection includes works by Bernini, Caravaggio, van Dyck, Holbein, Beato Angelico, Lippi, Lotto, Preti, Poussin, El Greco, Raphael, Tiepolo, Tintoretto, Rubens, Murillo, Ribera and Titian. Design The Palazzo Barberini was designed for Pope Urban VIII, a member of the Barberini family, by the sixteenth-century architect Carlo Maderno on the old location of Villa Sforza. Its central salon ceiling was decorated by Pietro da Cortona with the visual panegyric of the '' Allegory of Divine Providence and Barberini Power''. The Museum expanded through purchases and donations, such as the acquisition of the Torlonia and Monte di Pietà collections in 1892, the donati ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tiepolo
Giovanni Battista Tiepolo ( , ; 5 March 1696 – 27 March 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Monte Di Pietà
A mount of piety is an institutional pawnbroker run as a charitable organization, charity in Europe from Renaissance times until today. Similar institutions were established in the colonies of Catholic countries; the Mexican Nacional Monte de Piedad is still in operation. The institutions called ''monte di Pietà'' originated in 15th-century Italy, where these institutions gave poor people access to loans with reasonable interest rates. It used funds from charitable donors as capital, and made loans to the poor so they could avoid going to exploitative lenders. Borrowers offered valuables as collateral, making the mount of piety more like a pawn shop than a bank. History The concept of Mount of Piety was first developed in 15th-century Italian cities as an early form of organized Charity (practice), charity, intended as a reform against money lending and the related sin of usury associated with Cahorsins and Lombard banking, Lombards. It was primarily promoted by Franciscans su ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Torlonia
200px, Coat of arms of the House of Torlonia, part of the History_of_Auvergne.html" ;"title="Italian nobility of French descent, hailing from the region of History of Auvergne">Auvergne The House of Torlonia, the Princes of Civitella-Cesi, is the name of an Italian nobility, Italian princely family from Rome, which acquired a huge fortune in the 18th and 19th centuries through administering the finances of the Holy See, Vatican. The first influential member of the Torlonia family was Marino Torlonia (Tourlonias; 1725 – 21 March 1785), who rose from humble origins in the Auvergne region of France to become a very rich businessman and banker in Rome. History Marino was born with the French name of Marin Torlonias, the son of Antoine Torlonias, a merchant and laborer. Marin's great-uncle was the parish priest of Augerolles, who procured for him a position as aide to an influential abbot. Marin eventually settled in Rome, where he became a cloth merchant and money lender ne ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Allegory Of Divine Providence And Barberini Power (Cortona)
The ''Allegory of Divine Providence and Barberini Power'' is a fresco by the Italian Baroque painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively reworked to completion in 1639. The Palazzo, since the 1620s, had been the palatial home of the Barberini family headed by Maffeo Barberini, by then Urban VIII, who had launched an extensive program of refurbishment of the city with art and architecture. Composition These commissioned artworks often teem with suns and bees (the Barberini family coat of arms had three bees), as also the Cortona fresco does. At one end of the sky sits the eminent solar Divine Providence, while at the other end are putto and flying maidens holding aloft the papal keys, tiara, with robe belt above a swarm of heraldic giant golden bees. Below Providence, the simulated frame crumbles. Time with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carlo Maderno
Carlo Maderno or Maderna (1556 – 31 January 1629) was an Italian architect, born in today's Ticino, Switzerland, who is remembered as one of the fathers of Baroque architecture. His façades of Santa Susanna, St. Peter's Basilica, and Sant'Andrea della Valle were of key importance in the evolution of the Italian Baroque. He often is referred to as the brother of sculptor Stefano Maderno, but this is not universally agreed upon. Biography Born in Capolago, in today's Ticino, which at the time was a bailiwick of the Swiss Confederacy, Maderno began his career in the marble quarries of the far north, before moving to Rome in 1588 with four of his brothers to assist his uncle Domenico Fontana. He worked initially as a marble cutter. This background in sculptural workmanship would help mould his architecture. His first solo project, in 1596, was an utterly confident and mature façade for the ancient church of Santa Susanna (1597–1603); it was among the first Baroque fa� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barberini Family
The House of Barberini is a family of the Italian nobility that rose to prominence in the 17th century Rome. Their influence peaked with the election of Cardinal Maffeo Barberini to the papal throne in 1623, as Pope Urban VIII. Their urban palace, the Palazzo Barberini, completed in 1633 by Bernini, today houses Italy's '' Galleria Nazionale d'Arte Antica'' (National Gallery of Ancient Art). Early history The Barberini family was originally a family of minor nobility from the Tuscan town of Barberino Val d'Elsa, who settled in Florence during the early part of the 11th century. This cites: * A. von Reumont, ''Geschichte der Stadt Rom'' (Berlin, 1868), iii. b. 611–612, 615, 617, &c. * '' Almanach de Gotha'' (Gotha, 1902). * J. H. Douglas, ''The Principal Noble Families of Rome'' (Rome, 1905). Carlo Barberini (1488–1566) and his brother Antonio Barberini (1494–1559) were successful Florentine grain, wool and textile merchants. In 1530 Antonio participated in the def ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pope Urban VIII
Pope Urban VIII (; ; baptised 5 April 1568 – 29 July 1644), born Maffeo Vincenzo Barberini, was head of the Catholic Church and ruler of the Papal States from 6 August 1623 to his death, in July 1644. As pope, he expanded the papal territory by force of arms and advantageous politicking, and was also a prominent patron of the arts, commissioning works from artists like Gian Lorenzo Bernini and a reformer of Church missions. His papacy also covered 21 years of the Thirty Years' War. The massive debts incurred during his pontificate greatly weakened his successors, who were unable to maintain the papacy's longstanding political and military influence in Europe. He was also an opponent of Copernicanism and was involved in the Galileo affair, which saw the astronomer tried for heresy. He is the last pope to date to take the papal name ''Urban''. Biography Early life Maffeo Vincenzo Barberini was born in April 1568, the son of Antonio Barberini, a Florentine nobleman, and C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jusepe De Ribera
Jusepe de Ribera (; baptised 17 February 1591 – 3 November 1652) was a Spanish painter and Printmaking, printmaker. Ribera, Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was no longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Naples, Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera has also been referred to as José de Ribera (usual in Spanish and French), Josep de Ribera (in Catalan), and was called ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |