First Architect To The King
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First Architect To The King
Under the Ancien Régime, the First Architect to the King (french: Premier Architecte du Roi) was the direct assistant to the general director of the building industries, arts and manufactures of France and, consequently, number 2 of the Bâtiments du Roi, forming part of the Secretary of State of the Maison du Roi. Responsibilities The Premier Architecte du Roi was, in theory, in charge of the works of maîtrise d'œuvre on behalf of the building industries of King. Hence, Ange-Jacques Gabriel was in charge of the design of the Place de la Concorde chosen from the best ideas submitted to the contest by the participants. But this position entailed especially important administrative responsibilities, in this capacity of master builder of the projects ordered by the ''Bâtiments du Roi'': it had the responsibilities of arranging the construction contracts for the contractors and the craftsmen, of supervising the management of supply stores (marbles, leads, etc.), of inspecting the ...
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Ancien Régime
''Ancien'' may refer to * the French word for "ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ** Ancien Régime in France {{disambig ...
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Bâtiments Du Roi
The Bâtiments du Roi (, "King's Buildings") was a division of the Maison du Roi ("King's Household") in France under the Ancien Régime. It was responsible for building works at the King's residences in and around Paris. History The Bâtiments du Roi was created by Henry IV of France to coordinate the building works at his royal palaces. Formerly, each palace had its own superintendent of works. Henry gave the task of supervising all works to Maximilien de Béthune, Duke of Sully. In the 17th century, the responsibilities of the Bâtiments du Roi extended beyond pure building works, to include the manufacture of tapestries and porcelain. In 1664, Jean-Baptiste Colbert was entitled ''surintendant et ordonnateur général des bâtiments, arts, tapisseries et manufactures de France'' ("superintendent and director-general of building, art, tapestries and factories of France"). This title was retained by several of his successors. Other areas that came within under the control o ...
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Secretary Of State Of The Maison Du Roi
The Secretary of State of the Maison du Roi (french: Secrétaire d'État à la Maison du Roi) was the secretary of state in France during the Ancien Régime and Bourbon Restoration in charge of the Département de la Maison du Roi. The exact composition of the ministry and the secretary's duties changed several times over the Early Modern period, but in general, the Département de la Maison du Roi oversaw four main areas: the "Maison du Roi" ("Household of the King"), the "Bâtiments du Roi" ("Buildings of the King"), the General Affairs of the Clergy, (from 1749 on) Affairs of the RPR ("Religion Prétendue Réformée", i.e. the Huguenots), and the administration of the capital city of Paris and the provinces. The post later reappeared as the Minister for the Maison du Roi. History Starting in the 16th century and then from the 17th century on, the "Maison du Roi" was overseen by a ministry, the "Département de la Maison du Roi", directed by a secretary of state, the "Secrà ...
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Ange-Jacques Gabriel
Ange-Jacques Gabriel (23 October 1698 – 4 January 1782) was the principal architect of King Louis XV of France. His major works included the Place de la Concorde, the École Militaire, and the Petit Trianon and opera theater at the Palace of Versailles. His style was a careful balance between French Baroque architecture and French neoclassicism. Biography Early life and career Ange-Jacques Gabriel was born on 23 October 1698 to a famous Parisian family of architects, and was connected by marriage with another celebrated architect of the time, François Mansart. His grandfather was an architect, and his father, Jacques Gabriel (1667-1742) received the title of Controller of the Buildings of the King at the age of twenty-one. His father's major projects included the Hotel de Ville of Rennes and the Place Royale (now Place de la Bourse) in Bordeaux. The young Ange-Jacques became a member of the Académie royale d'architecture in 1728, and assisted his father on the Place de la ...
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Place De La Concorde
The Place de la Concorde () is one of the major public squares in Paris, France. Measuring in area, it is the largest square in the French capital. It is located in the city's eighth arrondissement, at the eastern end of the Champs-Élysées. It was the site of many notable public executions, including the executions of King Louis XVI, Marie Antoinette and Maximilien Robespierre in the course of the French Revolution, during which the square was temporarily renamed Place de la Révolution. History Design and construction The place was originally designed to be the site of an equestrian statue of King Louis XV, commissioned in 1748 by the merchants of Paris, to celebrate the recovery of King Louis XV from a serious illness. The site chosen for the statue was the large esplanade or space between the revolving gate the Tuileries Gardens and the Cour-la-Reine, a popular lane for horseback riding at the edge of the city. At the time the Concorde bridge and the Rue de Rivoli d ...
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Académie Royale D'architecture
The Académie Royale d'Architecture (; en, "Royal Academy of Architecture") was a French learned society founded in 1671. It had a leading role in influencing architectural theory and education, not only in France, but throughout Europe and the Americas from the late 17th century to the mid-20th.Cleary 1996. History The Académie Royale d'Architecture was founded on December 30, 1671, by Louis XIV, king of France under the impulsion of Jean-Baptiste Colbert. Its first director was the mathematician and engineer François Blondel (1618–1686), and the secretary was André Félibien (1619 –1695). The academy was housed in the Louvre for most of its existence, and included a school of architecture. Its members met weekly. Jacques-François Blondel describes the academy quarters in his ''Architecture françoise'' of 1756. The main rooms were on the ground floor and included two lecture halls, one for meetings of the academy members on Mondays and mathematics lectures on Wednesd ...
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Louis Métezeau
Louis Métezeau (1559 – 18 August 1615) was a French architect.Babelon 1996, p. 345. Life and career He was born in Dreux, Eure-et-Loir, and died in Paris. He was the son of Thibault Métezeau, the brother of Clément II Métezeau and the nephew of Jean Métezeau. The register of the city of Dreux refers to him as ''architecte du roi et contrôleur des bâtiments royaux''.Sturgis 1901. He probably undertook the construction of the Grande Galerie of the Louvre (the eastern section is traditionally attributed to him) and may have designed the Petite Galerie. He may also have conceived the Place des Vosges in Paris. An archival discovery of 1984 led some historians to name Louis Métezeau as the architect of the Hôtel d'Angoulême. It is now suggested that Louis' father, Thibault Métezeau, more likely designed it.Gady 2008, p. 180. Métezeau was probably involved in the building of the Palais du Luxembourg for Marie de Medicis: she is believed to have sent him to Floren ...
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Jacques Lemercier
Jacques Lemercier (c. 1585 in Pontoise Р13 January 1654 in Paris) was a French architect and engineer, one of the influential trio that included Louis Le Vau and Fran̤ois Mansart who formed the classicizing French Baroque manner, drawing from French traditions of the previous century and current Roman practice the fresh, essentially French synthesis associated with Cardinal Richelieu and Louis XIII. Life and career Lemercier was born in Pontoise. He was the son of a master mason, probably Nicolas Lemercier, one of a large interrelated tribe of professionals. Profiting by a voyage to Italy with a long stay in Rome, presumably from about 1607 to 1610, Lemercier developed the simplified classicizing manner established by Salomon de Brosse, who died in 1636, and whose ''Palais du Luxembourg'' for Marie de Medici Lemercier would see to completion. On his return to France, after several years working as an engineer building bridges, his first major commission, however, was to ...
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Louis Le Vau
Louis Le Vau (1612 – 11 October 1670) was a French Baroque architect, who worked for Louis XIV of France. He was an architect that helped develop the French Classical style in the 17th Century.''Encyclopedia of World Biography''"Louis Le Vau", vol. 9, pp. 360-361 Early life and career Born Louis Le Veau, he was the son of Louis Le Veau (died February 1661), a stone mason, who was active in Paris.Feldmann 1996, p. 262. His younger brother François Le Vau (born in 1624) also became an architect. The father and his two sons worked together in the 1630s and 1640s. The two brothers later changed the spelling of their surname from "Le Veau" to "Le Vau" to avoid its association with the French word ''veau'' (calf). Le Vau started his career by designing the Hotel de Bautru in 1634. By 1639, he was developing town houses ('' hôtels particuliers'') for rich citizens such as Sainctot, Hesselin, Gillier, Gruyn des Bordes, and Jean Baptiste Lambert in the île Saint-Louis, which was bei ...
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Jules Hardouin-Mansart
Jules Hardouin-Mansart (; 16 April 1646 – 11 May 1708) was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the Palace of Versailles. His monumental work was designed to glorify the reign of Louis XIV of France. Biography Born Jules Hardouin in Paris in 1646, he studied under his renowned great-uncle François Mansart, one of the originators of the classical tradition in French architecture; Hardouin inherited Mansart's collection of plans and drawings and added Mansart's name to his own in 1668. He began his career as an entrepreneur in building construction, in partnership with his brother Michel, but then decided in 1672 to devote himself entirely to architecture. In 1674 he became one of the group of royal architects working for Louis XIV. His first important project was the Château de Clagny, built for the King's consort, Madame ...
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Robert De Cotte
Robert de Cotte (1656 – 15 July 1735) was a French architect-administrator, under whose design control of the royal buildings of France from 1699, the earliest notes presaging the Rococo style were introduced. First a pupil of Jules Hardouin-Mansart, he later became his brother-in-law and his collaborator. After Hardouin-Mansart's death, de Cotte completed his unfinished projects, notably the royal chapel at Versailles and the Grand Trianon. Biography Born in Paris, Robert de Cotte began his career as a contractor for masonry, working on important royal projects between 1682 and 1685, when he was made a member of the ''Académie royale d'architecture'' and architect of the Court, ranking third in importance after Mansart's seldom-credited assistant François Dorbay. On his return to France after a six-month sojourn in Italy (1689–1690), in the company of Jacques Gabriel, he became the director of the Manufacture des Gobelins, where not only the famous tapestries, but ...
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