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Francis Baron D'Allarde
Marie-François-Denis-Thérésa Le Roy Allarde better known as Francis baron d'Allarde (12 March 1778 – 4 October 1841) was a 19th-century French chansonnier and playwright. Biography The son of the politician , he was a journalist in the United-States (1794-1796) where he was responsible for a column devoted to good manners in a newspaper of Massachusetts. He graduated from University of Cambridge and returned to France in 1797 with the French legation. He began a career in theater with ''Arlequin aux Petites Maisons'', a play which was given at Théâtre des Troubadours . His plays, some of which achieved a great success, signed under many pseudonyms (Francis, M. Sapajou, baron d'Allarde...) were presented on the most important Parisian stages of the 19th century including the Théâtre des Variétés, the Théâtre de la Porte-Saint-Martin, and the Théâtre du Vaudeville. He is buried at Père Lachaise Cemetery (6th division). Works * ''Arlequin aux Petites Maisons' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Besançon
Besançon (, , , ; archaic german: Bisanz; la, Vesontio) is the prefecture of the department of Doubs in the region of Bourgogne-Franche-Comté. The city is located in Eastern France, close to the Jura Mountains and the border with Switzerland. Capital of the historic and cultural region of Franche-Comté, Besançon is home to the Bourgogne-Franche-Comté regional council headquarters, and is an important administrative centre in the region. It is also the seat of one of the fifteen French ecclesiastical provinces and one of the two divisions of the French Army. In 2019 the city had a population of 117,912, in a metropolitan area of 280,701, the second in the region in terms of population. Established in a meander of the river Doubs, the city was already important during the Gallo-Roman era under the name of ''Vesontio'', capital of the Sequani. Its geography and specific history turned it into a military stronghold, a garrison city, a political centre, and a religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René De Chazet
René de Chazet, full name René André Polydore Balthazar Alissan de Chazet, (23 October 1774 – 23 August 1844) was a French playwright, poet and novelist. Short biography The son of an annuities controller, parent of Mackau, the ambassador of Naples, he accompanied him to Italy in 1792 and returned to France only in 1797. He collaborated with many newspapers and became known for his numerous plays, many of which written in collaboration with Charles-Augustin Sewrin. These plays were given in the most important Parisian stages of the first half of the XIXe century: Théâtre des Variétés, Comédie-Française, Théâtre du Palais-Royal, Théâtre du Vaudeville etc. He competed in 1808 at the Académie française and won the first runner with his ''Éloge de Pierre Corneille''. In 1814, he was pensioned by Louis XVIII, made a chevalier de la Légion d'honneur and appointed librarian of the king, then Finance receiver, a position he lost in 1830 when the regime fell. Works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Simonnin
Antoine Simonnin, full name Antoine-Jean-Baptiste Simonnin, (Paris, 11 January 1780 – Paris, 14 May 1856) was a 19th-century French writer and dramatist. Simonnin wrote, alone or in collaboration, more than 200 comédies en vaudeville, parodies or fantaisies. He also published a collection of ''Chansons sacrées et profanes'' (1856, in-18). Works (alphabetical order) * ''Arlequin au café du bosquet, ou la Belle limonadière'', vaudeville épisodique, in 1 act; * ''Augusta, ou Comme on corrige une jeune personne'', two-act comédie en vaudeville, Théâtre des jeunes élèves de M. Louis Comte, 5 December 1832; * ''Belz et Buth'', folie-vaudeville in 2 acts, with Hilpert, Théâtre du Panthéon, 21 August 1839; * ''Caroline de Litchfield'', drame-vaudeville in 2 acts and in prose, with Brazier and Carmouche Théâtre de la Porte Saint-Martin, 10 February 1827; * ''Catherine II, ou l'Impératrice et le cosaque'', play in 2 acts, extravaganza, mingled with couplets, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Marion Dumersan
Théophile Marion Dumersan (4 January 1780, Plou, Cher – 13 April 1849, Paris) was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale. Life The family's real surname was Marion but – to distinguish himself from his brothers – Théophile's brother altered his surname to "du Mersan", after the name of one of its lands. The young Théophile had already found a taste for the theatre by 1795 by learning to read Racine and Molière. In that year, aged 16, whilst his family was distressed by the Reign of Terror, Théophile found work under Aubin-Louis Millin de Grandmaison, curator of the Cabinet des médailles et antiques de la Bibliothèque royale. With his colleague Théodore-Edme Mionnet, future member of the Académie des inscriptions et belles-lettres, he perfected a new system for classifying medals into geog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Brazier
Nicolas Brazier (17 February 1783, Paris - 18 February 1838) was a French chansonnier and vaudevillist. Life Son of a boarding school master and author of school manuals, Brazier's education was however strongly neglected due to the French Revolution. At first a jeweller's apprentice, then employed in the "Droits réunis" (the French indirect taxes administration of the time), he showed a talent for verse and was encouraged and guided by Armand Gouffé. Following his first success at the Théâtre des Délassements-Comiques, in 1803, he left his job to devote himself to chansons and to the theatre, following courses at school to fill in the gaps in his education. His witty, spirited and lively chansons often proved popular, though the vulgarity of his style has led to them being forgotten. The Société du Caveau keeps their memory alive. Brazier collaborated on over 200 witty vaudeville pieces, above all on the couplets. His collaborators included Dumersan, Désaugiers, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual arts, visual, literature, literary, and performing arts, usually in the form of fiction and less frequently Nonfiction, non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque (literary), burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel-Joseph Gentil De Chavagnac
Michel-Joseph Gentil de Chavagnac, full name Adolphe Michel Joseph Gentil de Chavagnac, (Paris, 3 July 1770 – Passy, 27 May 1846) was a 19th-century French chansonnier and playwright. Biography After a career in the army, he became known in theater as Marc-Antoine Madeleine Désaugiers's collaborator with whom he published more than thirty plays. Managing director of the Théâtre de l'Odéon in 1821-1822, he also was Private Secretary to the Director of Water and Forests (1822), a founding member of the , and honorary reader of the King (Charles X) from 1823 to 1830. His plays, often circumstantial, were presented on the most important Parisian stages of his time, including the Théâtre des Variétés, the Théâtre de la Porte-Saint-Martin, the Théâtre du Vaudeville, the Théâtre de l'Opéra-Comique etc. Works * ''La Comédie chez l'épicier, ou le Manuscrit retrouvé'', vaudeville-anecdote in 1 act, with Désaugiers, 1808 * ''La Jeunesse de Favart'', comédie anecdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel De Lurieu
Gabriel de Lurieu (real name Gabriel-Zéphirin Gonyn de Lurieu; Paris, 28 October 1799 (7 brumaire year VIII) – Paris, 5 February 1889 ) was a French author and playwright. His brother Jules-Joseph-Gabriel de Lurieu (1792–1869), with whom he is sometimes mistaken, was also a playwright, who used the pseudonym "J. Gabriel", under which he cowrote the libretto for the opera '' La perle du Brésil'' by Félicien David, and the collective pseudonym "Monsieur Sapajou" (with Armand d'Artois and Francis d'Allarde). Biography The son of a captain of Dragons from a family of the minor nobility (squire) of the former Forez province, parallel to its inspector general career in the watch of Benevolent Institutions of the City of Paris, he started writing theatre plays. He authored numerous plays and libretti for opéras comiques, most of them written in collaboration, in particular with Théophile Marion Dumersan, Francis baron d'Allarde, Armand d'Artois, Nicolas Brazier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sewrin
Sewrin, real name Charles-Augustin Bassompierre, (9 October 1771 – 22 April 1853�Paris», ''Journal de débats'', 24 avril 1853, at Gallica) was a French playwright and goguettier. In addition to his writing of comedies, opéras-comiques, vaudevilles and songs, he also was a librettist for François Adrien Boieldieu, Ferdinand Hérold and Luigi CherubiniNotice d'autorité sur le site de la BNF Biography Charles-Augustin Bassompierre was born 9 October 1771 in , a French fortress in the |
Maurice Ourry
Maurice Ourry (19 October 1776 – 19 February 1843) was a French poet, playwright and journalist. Biography After his studies at the College of Juilly, he moved to Paris in 1794. His career was launched with his first vaudeville, ''La Danse interrompue'', which obtained an important success. But the plays that followed, even if numerous, would not equal the success of the first. An editor by the ''Journal des arts'' and the ''Journal de Paris'' of which he became chief editor, after the cessation of the newspaper, he founded the ''Nouveau journal de Paris'', solely dedicated to the arts and literature. He also participated to the Encyclopédie des gens du monde'' and to the ''Dictionnaire de la conversation''. His plays were presented on the most important Parisian stages of the 19th century, including the Théâtre des Variétés, the Théâtre du Vaudeville, and the Théâtre de la Gaîté. A member of the and the ''Soupers de Momus'', seriously ill, he died from an oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-François-Jean-Baptiste Moreau De Commagny
Charles-François-Jean-Baptiste Moreau de Commagny (Paris, 1783 – Paris, 1 July 1832) was a French playwright, librettist, poet and chansonnier. His plays, sometimes signed with different names (C.-F.-J.-B. Moreau, C.-A. Moreau, A. Moreau, Eustache Lasticot or simply M), were presented on the most important Parisian stages of his time: (Théâtre du Vaudeville, Théâtre du Palais-Royal, Gymnase dramatique, Théâtre des Variétés, etc.) Works *1801: ''Les Portraits au salon, ou le Mariage imprévu'', comédie en vaudeville in 1 act, with Michel-Nicolas Balisson de Rougemont, *1801: ''La Vaccine'', folie-vaudeville in 1 act and in prose, with Théophile Marion Dumersan *1802: ''Les Amours de la halle'', vaudeville poissard in 1 act, with Charles Henrion *1802: ''Allons en Russie'', vaudeville épisodique in 1 act, with Henrion *1803: ''Cassandre aveugle, ou le Concert d'Arlequin'', comédie-parade in 1 act, mingled with vaudevilles, with René de Chazet and Dumersan *180 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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