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Francesco De' Rossi
Francesco Salviati or Francesco de' Rossi (1510 – 11 November 1563) was an Italian Mannerist painter who lived and worked in Florence, with periods in Bologna and Venice, ending with a long period in Rome, where he died. He is known by various names, usually the adopted one of Francesco Salviati or Il Salviati, after an early patron, but also Francesco Rossi and Cecchino del Salviati. He worked in fresco and oils, on ambitious history paintings, but also painted many portraits, and designed tapestries for the Medici. Biography Salviati was born in Florence, Italy. He apprenticed under Giuliano Bugiardini, Baccio Bandinelli, Andrea del Brescianino, and finally (in 1529–1530) Andrea del Sarto. In 1531 he travelled to Rome, where he met another pupil of Bandinelli's, Giorgio Vasari, and helped to complete the frescoes on the ''Life of John the Baptist'' in the Palazzo Salviati for his patron, the Cardinal Giovanni Salviati. It is from his attachment to this household ...
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Museo Di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy designed by Giovanni Antonio Medrano. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the list of largest art museums, largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese Collection which he had inherited from his mother, Elisabetta Farnese, last de ...
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Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ...
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Cosimo I De' Medici, Grand Duke Of Tuscany
Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second and last duke of Florence from 1537 until 1569, when he became the first grand duke of Tuscany, a title he held until his death. Cosimo I succeeded his cousin to the duchy. He built the Uffizi (office) to organize his administration, and conquered Siena to consolidate Florence's rule in Tuscany. He expanded the Pitti Palace and most of the Boboli Gardens were also laid out during his reign. Life Rise to power Cosimo was born in Florence on 12 June 1519, the son of the famous condottiere Ludovico de' Medici (known as Giovanni delle Bande Nere) and his wife Maria Salviati, herself a granddaughter of Lorenzo the Magnificent. He was the grandson of Caterina Sforza, the Countess of Forlì and Lady of Imola. Cosimo became Duke of Florence in 1537 at age 17, after the former Duke of Florence, Alessandro de' Medici, was assassinated. Cosimo was from a different branch of the Medici family, descended from ...
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The J
J, or j, is the tenth letter of the English alphabet. J may also refer to: * Palatal approximant in the International Phonetic Alphabet * J, Je (Cyrillic), Cyrillic letter Je Astronomy * J, a provisional designation in astronomy, provisional designation prefix for some objects discovered between May 1 and 15 of a year Computing * J (programming language), successor to APL * J Sharp, J# programming language for the Microsoft .NET Framework * J operator, a programming construct * J (operating system), an operating system for ICL's System 4 series of computers Genetics and medicine * Haplogroup J (mtDNA) * Haplogroup J (Y-DNA) * ATC code J ''Antiinfectives for systemic use'', a section of the Anatomical Therapeutic Chemical Classification System Mathematics * J, symbol used to denote the Bessel function * ''j'', used as the symbol for the imaginary unit (\sqrt) in fields where ''i'' is used for a different purpose (such as electric current) * ''j'' and ''j2'' (or \bar) a ...
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Saint Louis Art Museum
The Saint Louis Art Museum (SLAM) is an art museum located in St. Louis, Missouri, United States. With paintings, sculptures, cultural objects, and ancient masterpieces from around the world, its three-story building stands in Forest Park in St. Louis, Missouri, where it is visited by up to a half million people every year. Admission is free through a subsidy from the cultural tax district for St. Louis City and County.Saint Louis Art Museum Visitor Guide (2007) In addition to the featured exhibitions, the museum offers rotating exhibitions and installations. These include the ''Currents'' series, which features contemporary artists, as well as regular exhibitions of new media art and works on paper.Library and Archives - Saint Louis Art Museum Web Site History The museum's origins date to 1879, when the Saint Louis School and Museum of Fine Arts was founded as part of Washington University.''Saint Louis Art Museum Handbook of the Collection'' (2004), p. 8 The nascent mu ...
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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italians, Italian Mannerism, Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist, but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures al ...
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Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ...
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Palazzo Grimani Di Santa Maria Formosa
The Palazzo Grimani of Santa Maria Formosa is a State museum, located in Venice in the Castello district, near Campo Santa Maria Formosa. History The palace can be reached by land from Ruga Giuff(map) The water entry, very used in ancient times, is located on the San Severo canal. The Palazzo constitutes for the city of Venice a particularly precious novelty for the originality of the architecture, for the decorations and for its history. The original medieval building was built at the confluence of the canals of San Severo and Santa Maria Formosa, and purchased later by Antonio Grimani, who became a Doge (title), doge in 1521, and subsequently passed on as a legacy, in the third decade of the 16th century, to the grandsons Vettore Grimani, ''Procurator de Supra'' for the Venetian Republic, and Giovanni Grimani, Patriarch of Patriarchate of Aquileia, Aquileia, who refurbished the old structure inspired by architectural models taken from classicism. The two brothers wanted to giv ...
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San Giovanni Battista Decollato
San Giovanni Decollato (''the Beheaded John the Baptist'') is a Roman Catholic church in Rome, sited on ''via di San Giovanni Decollato'' in the Ripa rione, a narrow road named after the church. Its construction took most of the 16th century. It was controlled by a confraternity from Florence, where John the Baptist was the city's patron saint, and Florentines, including popes, sponsored much of the important art in the church, mostly by Florentine artists. The confraternity's Oratory of San Giovanni Decollato, to the left of the main church facade, has Mannerist frescos by Francesco Salviati, Jacopino del Conte, both originally Florentine, and Pirro Ligorio, from the years around 1540. These run round the upper walls of the room , above wall seats, with an altar at the far end. Members of the confraternity included Michelangelo and Vasari, as well as the Florentine popes Clement VIII, Urban VIII and Clement XII. After 1540 they were allowed to contermand one execution a ye ...
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Web Gallery Of Art
The Web Gallery of Art (WGA) is a virtual art gallery website. It displays historic European visual art, mainly from the Baroque, Gothic art, Gothic and Renaissance periods, available for educational and personal use. In February 2025, the website was inaccessible for a few days but everything became normal again in March. Overview The website contains reproductions of over 48,600 works and includes accompanying text on the artworks and artists, accessible through a searchable database. The site is a leading example of an independently established collection of high-quality historically important pictures. The viewer can select the size of the image; associated music is also included to accompany viewing, and posters of displayed artworks are available. The facility was created by Emil Kren and Daniel Marx. Copyrights Most of the images in the gallery are of works that are out of copyright, as they were all produced before 1900 and all named artists in the collection were born we ...
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Jacopino Del Conte
Jacopino del Conte (1510–1598; also spelled ''Iacopino'') was an Italian Mannerist painter, active in both Rome and Florence. A native of Florence, Jacopino del Conte was born the same year as another Florentine master Cecchino del Salviati (whom Conte outlived by 35 years) and, like Salviati and a number of other painters, he initially apprenticed with the influential painter and draftsman Andrea del Sarto. Conte's first frescoes, including ''Annunciation to Zachariah'' (1536), ''Preaching of Saint John the Baptist'' (1538), and ''Baptism of Christ'' (1541) were in the Florentine-supported Oratory of San Giovanni Decollato, in Rome. The ''Preaching'' fresco was based on a drawing by Perin del Vaga. In 1547–48, in collaboration with Siciolante da Sermoneta, Conte completed the fresco decoration of the chapel of San Remigio in San Luigi dei Francesi. In 1552, he painted another work for the San Giovanni Decollato Oratory, the altarpiece ''Deposition'', whose designs ar ...
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Giulio Romano
Giulio Pippi ( – 1 November 1546), known as Giulio Romano and Jules Romain ( , ; ), was an Italian Renaissance painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the leading painter and architect Raphael. He became an important member of Raphael's large team working on the frescos in the Raphael Rooms and Vatican loggias using designs by Raphael and, later painting a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly ...
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