Fonds National D’Art Contemporain
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Fonds National D’Art Contemporain
The Fonds national d'art contemporain (FNAC; National Foundation for Contemporary Art) is a public collection of contemporary art in France. It does not hold exhibitions but acquires and stores works of art that it loans to Museum, museums, cultural institutions and temporary exhibitions in France and abroad. It is the largest collection of contemporary art in France. Collection FNAC is little-known, but is the largest collection of living art in France. As of 2014 it had 70,000 works of Visual arts, visual art, photography, decorative art and design. The FNAC has its origins in the ''Bureau des travaux d'art'' (Office of Art Works) created in 1878, which became the FNAC in 1976. In 1981 it became the responsibility of the ''Délégation aux arts plastiques'' of the Ministry of Culture (France), French Ministry of Culture. It supports creation of art through acquisition of the work of living artists, and disseminates the work. As well as purchasing work by established artists, it t ...
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La Défense
La Défense () is a major business district in France's Paris metropolitan area, west of the city limits. It is located in Île-de-France region's Departments of France, department of Hauts-de-Seine in the Communes of France, communes of Courbevoie, La Garenne-Colombes, Nanterre, and Puteaux. La Défense is Europe's largest purpose-built business district, covering , for 180,000 daily workers, with 72 glass and steel buildings (of which 20 are completed skyscrapers, out of 24 in the Paris region), and of office space. Around its Grande Arche and Parvis de la Défense, esplanade ("le Parvis"), La Défense contains many of the Paris Paris aire urbaine, urban area's List of tallest buildings in France, tallest high-rises. Les Quatre Temps, Westfield Les Quatre Temps, a large shopping mall in La Défense, has 220 stores, 48 restaurants and a 24-screen movie theatre. Paris La Défense Arena, the largest indoor arena in Europe, was inaugurated in 2017. The district is located at th ...
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Jean-Baptiste Mallet
Jean-Baptiste Mallet (1759, in Grasse – 16 August 1835, in Paris) was a French painter in the Troubadour style. Life and work He originally studied with in Toulon, then with Pierre-Paul Prud'hon in Paris. His style shows the strong influence of Jean-Baptiste Greuze, Jean-Honoré Fragonard (also from Grasse) and Louis Léopold Boilly. He is also known to have studied 17th-century Dutch painting. Most of his works were gouaches and watercolors, done in relatively small formats, and consist largely of genre scenes depicting life under the Directorate and the First Empire. In 1795, he was commissioned by Pierre Didot to provide illustrations for an edition of La Fontaine's Fables. Preparatory sketches were made, but never used. He was an exhibitor at every Salon from 1793 to 1827; winning a second-class medal in 1812 and the first-class in 1817.
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Auguste Renoir
Pierre-Auguste Renoir (; ; 25 February 1841 – 3 December 1919) was a French people, French artist who was a leading painter in the development of the Impressionism, Impressionist style. As a celebrator of beauty and especially femininity, feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Peter Paul Rubens, Rubens to Antoine Watteau, Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d'Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the yo ...
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A Clinical Lesson At The Salpêtrière
''A Clinical Lesson at the Salpêtrière'' () is an 1887 group tableau portrait painted by the history and genre art, genre artist André Brouillet (1857–1914). The painting, one of the best-known in the history of medicine, shows the neurologist Jean-Martin Charcot giving a clinical demonstration with patient Marie Wittman to a group of postgraduate students. Many of his students are identifiable; one is Georges Gilles de la Tourette, the physician who described Tourette syndrome. It hangs in a corridor of the Paris Descartes University, Descartes University in Paris. History The painting is a large work—"remarkable for its dimensions, the figures being nearly life size"—measuring 290 cm × 430 cm, and is painted in bright, highly contrasting colours. It was painted by Brouillet at the age of thirty from individual studies made of the thirty participants, and presented in the prevailing tradition of academic group portraits. It was first displayed (with favo ...
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André Brouillet
Pierre Aristide André Brouillet (; 1 September 1857 – 6 December 1914) was a French Academic art, academic painter specialising in genre painting, portraits and landscapes. Life Born in Charroux, Vienne, Charroux, the son of sculptor Pierre-Amédée Brouillet and Élisabeth Leriget, Brouillet began engineering studies at the École centrale Paris in 1876 before entering the École nationale supérieure des beaux-arts three years later, where he was a student of Jean-Léon Gérôme.. In the year of his reception at the Salon de peinture et de sculpture in 1879, he attended Jean-Paul Laurens' lessons. During his career, he received numerous exhibition awards and numerous public commissions. He is best known for his painting ''A Clinical Lesson at the Salpêtrière'' which represents the neurologist Jean Martin Charcot examining the hysterical patient Marie Wittman, during one of these famous "Tuesday lessons", which he had made a real show. Charcot is represented there with a ...
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Gustave Doré
Paul Gustave Louis Christophe Doré ( , , ; 6January 1832 – 23January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's ''Divine Comedy''. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image. He created over 10,000 illustrations, the most important of which were copied using an electrotype process using cylinder presses, allowing very large print runs to be published simultaneously in many countries. Although Doré's work was popular with the general public during his life, it was met with mixed reviews from contemporary art critics. His work has bee ...
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Jean-Léon Gérôme
Jean-Léon Gérôme (; 11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as Academic painting, academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his works includes historical paintings, Greek mythology, Orientalism, portraits, and other subjects. He is considered among the most important painters from the academic period and was, with Ernest Meissonier, Meissonier and Cabanel, one of "the three most successful artists of the Second French Empire, Second Empire". He was also a teacher with a long List of pupils of Jean-Léon Gérôme, list of students, including Mary Cassatt, Thomas Eakins, and Osman Hamdi Bey, among others. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. It was here that Gérôme first received instruction in drawing during his youth in school. He was instructed by local artist and teacher Claude-Basile Cariage, under ...
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Christ In The Garden Of Olives
''Christ in the Garden of Olives'' is an oil on canvas painting created in 1840 by French painter Théodore Chassériau. It was executed following a commission from the Ministry of the Interior. The large format painting was presented at the Salon of Paris, in 1840. After a transfer from the church of Saint-Jean-d'Angély, in Charente-Maritime, it was moved to the Museum of Fine Arts of Lyon. Description and analysis The work depicts the Christian iconographic subject of the Agony of Jesus in the Garden of Olives. In this painting, Jesus Christ is accompanied by three apostles: Peter, John and James the Greater. After praying three times to God on Mount Gethsemane, Jesus receives, from three angels, the chalice and the symbols of the Passion of Christ. In the background, Roman soldiers are shown with Judas leading them to Christ. Chassérieu had been a disciple of neoclassical master Jean-Auguste-Dominique Ingres but was also an admirer of the romanticism of Eugène Delacroix. N ...
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Théodore Chassériau
Théodore Chassériau (; ; September 20, 1819 – October 8, 1856) was a Dominican-born French Romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate Shakespeare's ''Othello''. The portrait he painted at the age of 15 of Prosper Marilhat makes Chassériau the youngest painter exhibited at the Louvre museum.Jean-Baptiste Nouvion, ''Chassériau Correspondance oubliée'', preface by Marianne de Tolentino, Paris, Les Amis de Théodore Chassériau, 2014 Life and work Chassériau was born in El Limón, Samaná, in the Spanish colony of Santo Domingo (now the Dominican Republic). His father Benoît Chassé ...
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Dante In Hell
''Dante in Hell'' or ''Dante, led by Virgil, Consoles the Souls of the Envious'' is an 1835 oil painting on canvas by the French painter Hippolyte Flandrin. Contrary to its primary title, it shows a scene from the Circle of the Envious, the second circle of Purgatory in Canto III of ''Purgatorio''. The scene depicts Dante on the mountain of Purgatorio trying to comfort the blind men. It is now in the Museum of Fine Arts of Lyon The Museum of Fine Arts of Lyon (, ) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was res .... Sources * This source analyzes the third canto of Purgatorio. * "Flandrin family." Grove Art Online. 2003. Oxford University Press. Date of access 10 Dec. 2020, This article focuses on the Flandrin family. Contains a long portion about Jean-Hippolyte Flandrin and his artistic career. Highlights his achieve ...
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Hippolyte Flandrin
Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, ''Study (Young Male Nude Seated Beside the Sea), Jeune Homme Nu Assis au Bord de la Mer'' (1836) is held in the Louvre. Biography Early life From an early age, Flandrin showed interest in the arts and a career as a painter. He was the second of three sons, all of whom were painters. Auguste, his older brother, spent most of his life as a professor at Lyon and later died there. Paul Jean Flandrin, Paul, his younger brother, was a painter of portraits and religious imagery. Hippolyte and Paul spent some time at Lyon, saving to leave for Paris in 1829 and study under Louis Hersent. Eventually, they settled in the studio of Jean-Auguste-Dominique Ingres, who became not only their instructor but their friend for life. In 1832, he won the Prix de Rome#Winners from the Painting Category, Prix de Rome for his painting ''Recognition of Theseus by his Father''. This pres ...
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The Martyrdom Of Saint Symphorian
''The Martyrdom of Saint Symphorian'' is an 1834 painting by the French artist Jean-Auguste-Dominique Ingres. It shows the death of Saint Symphorian, the first Christian martyr in Gaul. Painted in oil on canvas and measuring 407 x 339 cm, it is now in Autun Cathedral. Although Ingres considered the painting—completed only after ten years of diligent work—one of his crowning achievements, it was criticized harshly when he exhibited it in the Paris Salon of 1834. It subsequently has been considered emblematic of Ingres' ambition to excel as a history painter. Background Frustrated during the early part of his career by the need to paint portraits to earn a living, Ingres was determined to make his reputation in the more prestigious genre of history painting, which he considered to be his true calling. His ambition was fulfilled when his '' The Vow of Louis XIII'' achieved a triumphant success at the Salon of 1824. The painting's calm classicism—which testified to Ingres' cl ...
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