|
Folk Music Of Ireland
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the '' crwth'' (a small rubbed strings harp) and '' cláirseach'' (a bigger harp with typically 30 strings), the '' tiompán'' (a small string instrument played with a bow or plectrum), the ''feadán'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''beannbhuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''storgán'' ( clarions or trumpets), and the ''cnámha'' ( bones).''A Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clannad On Stage At Leeds Folk Festival, UK, 1982 (photograph By Tony Rees) (4)
Clannad () were an Irish band formed in 1970 in Gweedore, County Donegal, by siblings , Pól Brennan, and Moya Brennan, (Moya) (in English, Brennan) and their twin uncles The Duggans, Noel and (Duggan). They have adopted various musical styles throughout their history. Beginning as an acoustic folk group mainly performing rearranged Traditional Irish music, traditional Irish songs in Irish language, Irish, they expanded their sound with original songs in English, vocal harmonies, electronic keyboards, and elements of rock, Celtic music, Celtic, New-age music, new age, smooth jazz, and Gregorian chant. Initially known as ('Family from Dore'), they shortened their name to Clannad in 1973. By 1979 they had released three albums and toured Europe and the US. From 1980 to 1982 they operated as a six-piece with their sister and niece (Enya). In 1982, they gained international attention with their single "Theme from Harry's Game, Theme from ''Harry's Game''". They experimented w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and '' hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Goodman (musicologist)
Canon James Goodman (22 September 1828 – 18 January 1896) was a Church of Ireland clergyman, a piper and a collector of Irish music and songs. Life As a cleric Goodman was born in Ballyameen, Dingle, County Kerry and was raised in Ventry, County Kerry, a Gaeltacht area, and studied at Trinity College, Dublin, having gained a scholarship in 1847. He was ordained in the Church of Ireland in 1851 (his father the Reverend Thomas Chute Goodman had been rector of Dingle). He married Charlotte King in 1852. They had three sons, one of whom later drowned while a student, the other two set up a medical practice in Brigg, Lincolnshire. Goodman's first clerical appointment was to Creagh parish in West Cork in 1852. In 1859, he moved to Killaconagh, on the Beara peninsula, where he preached in Irish. He was posted to the parish of Abbeystrewry in Skibbereen in 1866 as a Canon of Ross, remaining there until his death in 1896. In 1867 he self-financed the rebuilding of the local ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis O'Neill
Francis O'Neill (; August 28, 1848 – January 26, 1936) was an Irish-born American police officer and collector of Irish traditional music. His biographer Nicholas Carolan referred to him as "the greatest individual influence on the evolution of Irish traditional dance music in the twentieth century". Life O'Neill was born in Tralibane (also Trawlebane), near Bantry, County Cork. At an early age he heard the music of local musicians, among them Peter Hagarty, Cormac Murphy and Timothy Dowling. At the age of 16, he became a cabin boy on an English merchant vessel and remained a seaman until 1869. On a voyage to New York, he met Anna Rogers, a young emigrant whom he later married in Bloomington, Illinois. The O'Neills moved to Chicago, and in 1873 O'Neill became a Chicago policeman. He rose through the ranks quickly, eventually succeeding Joseph Kipley as the Chief of Police from 1901 to 1905.To Serve and Collect, Richard Lindberg accessed 2 November 2018 He had the rare di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Bunting
Edward Bunting (1773– 17 March 1843) was an Irish musician and Folk music of Ireland, folk music collector active in Belfast. Life Bunting was born in County Armagh, Ireland. At the age of seven he was sent to study music at Drogheda and at eleven he was apprenticed to William Ware, organist at St. Anne's church in Belfast and lived with the family of Henry Joy McCracken. At nineteen he was engaged to transcribe music from oral-tradition harpists at the Belfast Harp Festival in 1792. As Bunting was a classically trained musician, he did not understand the unique characteristics of Irish music, such as Musical mode, modes, and when transcribing tunes he 'corrected' them according to Classical music rules. One proof of this is that some tunes published by him were in keys that could not have been played by the harpists. His notes on the harpists, how they played and the terminology they used is however invaluable, and also many tunes would have been lost if he had not collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Petrie (artist)
George Petrie (1 January 1790 – 17 January 1866) was an Irish painter, musician, antiquarian and Archaeology, archaeologist of the Victorian era who was instrumental in building the collections of the Royal Irish Academy and National Museum of Ireland. Personal life George Petrie was born in Dublin, Ireland, and grew up there, living at 21 Great Charles Street, just off Mountjoy Square. He was the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He was interested in art from an early age. He was sent to the Royal Dublin Society, Dublin Society's Schools, being educated as an artist, where he won the silver medal in 1805, aged 15. Career After an abortive trip to England in the company of friends Francis Danby and James Arthur O'Connor, he returned to Ireland where he worked mostly producing sketches for engravings for travel books – including among others, George Newenham Wright's guides to Killarney, Wicklo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colm Ó Lochlainn
Colm Ó Lochlainn (1892 – 26 June 1972) was an Irish printer, typographer, collector of Irish ballads and traditional Irish Uilleann piper. He was notably the author of ''Irish Street Ballads'' published in 1939 and ''More Irish Street Ballads'' in 1965. Life A native of Kilkenny, Ó Lochlainn was a member of the Irish volunteers in 1916. He was part of a team which was sent to Kerry on Good Friday in a bid to seize radio equipment for communication with The Aud, a German ship transporting arms from Germany for the Easter Rising. He and a colleague, Denis Daly made it to their destination but a second car transporting three others crashed into the river at Ballykissane, Killorglin, killing three members of the team, Con Keating, Donal Sheehan and Charlie Monaghan. Ó Lochlainn established the Candle Press in 1916. It was the winner of a bronze medal for bookbinding in 1924. He founded his own press, At the Sign of the Three Candles Press, in 1926. He gave the aspiring piper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Irish Music Collectors
This is a list of notable collectors of Irish traditional music: Collectors * Breandan Breathnach (1912–1985) – collected over 7,000 tunes, published from 1963 * Edward Bunting (1773–1843) – collected tunes from the harpers at the Belfast Harp Festival; made extensive collections of tunes which he published in three collections of ''The Ancient Music of Ireland'' * Séamus Clandillon – ''see'' Maighréad Ní Annagáin * Eileen Costello – ''Amhrain Mhuighe Seola'', 1923, 80 songs from County Galway and County Mayo * Seamus Ennis (1919–1982) – uilleann piper; collected for the BBC/Irish Folklore Commission, 1952–57 * William Forde (c.1759–1850) * A. Martin Freeman (1878–1959) – important collector of songs from West Cork * Canon James Goodman (1828–1896) – collected over 2000 tunes and songs, mainly from the south-west of the country. * Carmel Gunning – a singer, flute and tin whistle player and collector of songs and ballads; author of ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Music Collecting
Irish music collecting is an area concerned with preserving the large body of traditional Irish music. Collections have been gathered by individual collectors of Irish music as well as organisations such as the Irish Traditional Music Archive, which was formed in the 1980s. Early period Very little Irish music composed before 1700 survives. Some airs from this period are preserved in manuscript, the Fitzwilliam Virginal Book being one of the more notable examples. A reference to ''Callen O Costure Me/Cailin O Chois tSuire Me'' in William Ballet's book of lute music in the late 16th century is the first known record of an Irish traditional song written in musical notation. Irish traditional tunes were recorded in John Playford's ''The Dancing Master'' (mid 17th century), and Durfey's ''Pills to Purge Melancholy'' (late 17th century). In 1724, the first recorded collection of Irish traditional music, ''A Collection of the Most Celebrated Irish Tunes'' was published by John and W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiddle
A fiddle is a Bow (music), bowed String instrument, string musical instrument, most often a violin or a bass. It is a colloquial term for the violin, used by players in all genres, including European classical music, classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a Violin construction and mechanics#Bridge, bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a Timbre#Brightness, ''brighter'' tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (Folk music, folk) styles, which are typically Music#Oral and aural tradition, aural traditions— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bones (instrument)
The bones, also known as rhythm bones, are a folk instrument that, in their original form, consists of a pair of animal bones, but may also be played on pieces of wood or similar material. Sections of large rib bones and lower leg bones are the most commonly used bones, although wooden sticks shaped like true bones are now more often used. Metal spoons may be used instead, as is common in the United States, known as " playing the spoons". The technique probably arrived in the U.S. via Irish and other European immigrants, and has a history stretching back to ancient China, Egypt, Greece, and Rome. They have contributed to many music genres, including 19th century minstrel shows, traditional Irish and Scottish music, the blues, bluegrass, zydeco, French-Canadian music, and music from Cape Breton in Nova Scotia. The clacking of the loose rib bones produces a much sharper sound than the zydeco washboard or frottoir, which mimics rattling a bone up and down a fixed ribcage. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarion (instrument)
Clarion is a name for a high-pitched trumpet used in the Middle Ages and the Renaissance. It is also a name for a 4' organ reed stop that produces a high-pitched or clarion-like sound on a pipe organ in the clarion trumpet's range of notes. The word ''clarion'' has changed meanings over centuries and across languages. Today, in modern French'' clairon'' refers to the bugle, while in Italy '' chiarina'' refers to modern trumpets of historic design, made from bent tubing and without valves, similar to the natural trumpet. Resembling these instruments is the modern fanfare trumpet, like the ''chiarina'' or natural trumpet, but with the option of using valves. ''Clarion'' became a musical term to refer the upper register of the standard trumpet. However, a ''clarin'' trumpet did exist with a narrower bore than the standard trumpet and a "broad, flat mouthpiece," designed to "play the high partials." In war the trumpet historically had a harsh sound, often described as, "like the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
