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Filmmuseum Der Landeshauptstadt Düsseldorf
Eye Filmmuseum is a film archive, museum, and cinema in Amsterdam that preserves and presents both Dutch and foreign films screened in the Netherlands. Location and history Eye Filmmuseum is located in the Overhoeks neighborhood of Amsterdam in the Netherlands. Its predecessor was the Dutch Historical Film Archive, founded in 1946 by David van Staveren, Felix Halverstad, and directors of Filmtheater Kriterion Piet Meerburg and Paul Kijzer. Following the accession of the archives of the Filmtheater de Uitkijk, the archive was renamed the Netherlands Filmmuseum under the leadership of its first director, film collector Jan de Vaal. The Filmmuseum was located in Kriterion and Stedelijk Museum until 1975, when de Vaal succeeded in acquiring a discrete space for the Filmmuseum in the Vondelpark Pavilion. In 2009, Nederlands Filmmuseum merged with Holland Film, the Netherlands Institute for Film Education and the Filmbank and plans were announced for a new home on the north bank o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Archive
An archive is an accumulation of Historical document, historical records or Historical source, materials, in any medium, or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the history and function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities. They have been metaphorically defined as "the secretions of an organism", and are distinguished from documents that have been consciously written or created to communicate a particular message to posterity. In general, archives consist of records that have been selected for permanent or long-term preservation on the grounds of their enduring cultural, historical, or evidentiary value. Archival r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmbank
Experimental filmmakers ask whether things could not be done differently. Underground films analyse and critique the mainstream film industry. They step back and reflect. Simultaneously, they take forward leaps to assess new options. Sometimes the makers are self-taught visual artists who make innovative work thanks to their original point of view. Other filmmakers primarily play with the medium film and seek an alternative to the dominant visual culture. The 1920s The history of Dutch experimental or avant-garde film dates back to the 1920s. 1927 saw the publication of a manifesto for the founding of the Filmliga. The movement's leaders Menno ter Braak and E. du Perron's embraced free film art, paying particular attention to the editing, rhythm and composition of films. The Filmliga movement includes the Soviet avant-garde inspired documentaries of Joris Ivens, the scientific films of J.C. Mol (who evoked an aesthetic, abstract world with his 'Het rijk der kristallen') and the work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Federation Of Film Archives
The International Federation of Film Archives (, FIAF) was founded in Paris in 1938 by the Cinémathèque Française, the Reichsfilmarchiv in Berlin, the British Film Institute and the Museum of Modern Art in New York City. FIAF brings together the world's leading institutions in the field of moving picture heritage. Its affiliates describe themselves as "the defenders of the twentieth century's own art form". They are dedicated to the rescue, collection, preservation and screening of moving images, which are valued both as works of art and culture and as historical documents. As of April 2021, it comprises 171 institutions in 79 countries - a reflection of the extent to which preservation of moving image heritage has become a world-wide concern. Aims * to uphold a code of ethics for film preservation and practical standards for all areas of film archive work * to promote the creation of moving image archives in countries which lack them * to seek the improvement of the legal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EYE Film Institute Netherlands - Eye Study - Collection Building - Front - 2017
An eye is a sensory organ that allows an organism to perceive visual information. It detects light and converts it into electro-chemical impulses in neurons (neurones). It is part of an organism's visual system. In higher organisms, the eye is a complex optical system that collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, classified into compound eyes and non-compound eyes. Compound eyes are made up of multiple small visual units, and are common on insects and crustaceans. Non-compound eyes have a single lens and focus light onto the retina to form a single image. This type of eye i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that uses pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lens (optics), lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides are inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony McCall
Anthony McCall (born 1946) is a British-born New York based artist known for his ‘solid-light’ installations, a series that he began in 1973 with " Line Describing a Cone," in which a volumetric form composed of projected light slowly evolves in three-dimensional space. Occupying a space between cinema, sculpture, and drawing, his work's historical importance has been recognised in such exhibitions as "Into the Light: the Projected Image in American Art 1964–77,” Whitney Museum of American Art (2001–02); "The Expanded Screen: Actions and Installations of the Sixties and Seventies,” Museum Moderner Kunst, Vienna (2003–04); "The Expanded Eye," Kunsthaus Zurich (2006); "Beyond Cinema: the Art of Projection,” Hamburger Bahnhof, Berlin (2006–07); "The Cinema Effect: Illusion, Reality and the Projected Image,” Hirshhorn Museum, Washington DC (2008); and "On Line: Drawing Through the Twentieth Century,” Museum of Modern Art (2010–11) and “Solid Light”, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryoji Ikeda
Ryoji Ikeda (池田 亮司 ''Ikeda Ryōji'', born 1966) is a Japanese Visual arts, visual and sound artist who currently lives and works in Paris, France. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. Rhythmically, Ikeda's music is highly imaginative, exploiting Beat (acoustics), beat patterns and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music and lowercase (music), lowercase; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse. Early life and education Ryoji Ikeda was born in Gifu, Gifu Prefecture, Japan in 1966. Career In addition to working as a solo artist, he has also collaborated with, among others, Carsten Nicolai (under the name "Cyclo.") and the art collective Dumb Type. His work ''mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricciotto Canudo
Ricciotto Canudo (; 2 January 1877, Gioia del Colle – 10 November 1923, Paris) was an early Italian film theoretician who lived primarily in France. In 1913, he published a bimonthly avant-garde magazine entitled ''Montjoie!'', promoting Cubism in particular. Involved in numerous movements yet confined to none, Canudo exuded seemingly boundless energy. He ventured into poetry, penned novels (pioneering a style emphasizing interpersonal psychology, which he dubbed sinestismo), and established open-air theatre in southern France. As an art critic, he unearthed talents like Chagall, curating a Chagall exhibition in 1914. In that same year, alongside Blaise Cendrars, he issued a call for foreigners residing in France to enlist in the French army. Among the 80,000 who responded was Canudo himself. He saw cinema as "plastic art in motion", and gave cinema the label "the Sixth Art", later changed to "the Seventh Art", still current in French, Italian, and Spanish conceptions of art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architectural Digest
''Architectural Digest'' (stylized in all caps) is an American monthly magazine founded in 1920. Its principal subjects are interior design and landscaping, rather than pure external architecture. The magazine is published by Condé Nast Condé Nast () is a global mass media company founded in 1909 by Condé Nast (businessman), Condé Montrose Nast (1873–1942) and owned by Advance Publications. Its headquarters are located at One World Trade Center in the FiDi, Financial Dis ..., which also publishes international editions of ''Architectural Digest'' in China, France, Germany, India, Italy, Mexico/Latin America, the Middle East, Poland, and Spain. ''Architectural Digest'' is aimed at an affluent and style-conscious readership, and is subtitled "The International Design Authority." The magazine releases the annual AD100 list, which recognizes the most influential interior designers and architects around the world. History Architectural Digest originated in 1920 as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porsche Museum, Stuttgart
The Porsche Museum is an automobile museum in the Zuffenhausen district of Stuttgart, Germany on the site of carmaker Porsche. It ranks second among the most visited museums in Stuttgart, behind the Mercedes-Benz Museum, in 2015, it attracted approximately 450,000 visitors. History The original Porsche museum opened in 1976 in a side-road near the Porsche factory. It was a relatively small ''works museum'' with little parking space and it was only big enough to hold around 20 exhibits (in rotation). Porsche built the museum as a kind of "rolling museum" with rotating exhibits from a stock of 300 restored cars, many in pristine condition and still in full driving order. Originally there was discussion that the new museum would be built alongside a new Mercedes-Benz Museum on former trade fair grounds in the Killesberg area of Stuttgart. After the new Mercedes-Benz Museum opened in the east of Stuttgart in 2006, Porsche went ahead with plans to upgrade and extend its museum in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
