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Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidental (music), accidentals) indicate interval (music), intervals, chord (music), chords, and non-chord tones that a musician playing piano, harpsichord, organ (music), organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with #Basso continuo, basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque music, Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for Chord (music)#Notation, denoting or representing chords include plain staff notation, used in classical music; Roman numeral analysis, Roman numerals, commonly used in harmonic analysis (music), harmonic analysis; chord letters, sometimes used in modern music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purcell Diatonic Chromaticism
Henry Purcell (, rare: ; September 1659 – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas, ''Dido and Aeneas''; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream, ''A Midsummer Night's Dream'' called The Fairy-Queen, ''The Fairy Queen''. Purcell's musical style was uniquely English, although it incorporated Music of Italy#Baroque and Classical, Italian and Music of France#Baroque, French elements. Generally considered among the greatest English opera composers, Purcell has been ranked alongside John Dunstaple and William Byrd in the pantheon of English early music. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster, in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Numeral Analysis
In music theory, Roman numeral analysis is a type of Harmony, harmonic analysis in which chord (music), chords are represented by Roman numerals, which encode the chord's Degree (music), degree and Function_(music), harmonic function within a given musical key. Specific notation conventions vary: some theorists use uppercase numerals (e.g. I, IV, V) to represent Major chord, major chords, and lowercase numerals (e.g. ii, iii, vi) to represent Minor chord, minor chords. Others use uppercase numerals for all chords regardless of their chord quality, quality.Roger Sessions (1951). ''Harmonic Practice''. New York: Harcourt, Brace. . p. 7. (As the II, III, and VI chords always are minor chords and the VII always diminished, a further distinguishment is thought unneeded, see table for Major Diatonic scale below) Roman numerals can be used to notate and analyze the harmonic progression of a composition independent of its specific Key (music), key. For example, the ubiquitous twelve-bar bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony (music)
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Seventh
Domination or dominant may refer to: Society * World domination, structure where one dominant power governs the planet * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Chauvinism in which a person or group consider themselves to be superior, and thus entitled to use force to dominate others * Sexual dominance involving individuals in a subset of BDSM behaviour * Hierarchy Music * Dominant (music), a diatonic scale step and diatonic function in tonal music theory Albums * ''Domination'' (Cannonball Adderley album) or the title track, 1965 * ''Domination'' (Morbid Angel album), 1995 * ''Domination'', by Domino, 2004 * ''Domination'', by Morifade, 2004 Songs * "Domination" (song), by Pantera, 1990 * "Domination", by Band-Maid from ''World Domination'', 2018 * "Domination", by Symphony X from '' Paradise Lost'', 2007 * "Domination", by Way Out West from '' Way Out West'', 1996 * "Domination", by Within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Chord
In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on A, called an A minor triad, has pitches A–C–E: In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation . A minor triad can also be described by its intervals: the interval between the bottom and middle notes is a minor third, and the interval between the middle and top notes is a major third. By contrast, a major triad has a major third on the bottom and minor third on top. They both contain fifths, because a minor third (three semitones) plus a major third (four semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called '' tertian.'' In Western classical music from 1600 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Chord
In music theory, a major chord is a chord (music), chord that has a root (chord), root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major Triad (music), triad. For example, the major triad built on C, called a C major triad, has pitches C–E–G: In harmonic analysis and on lead sheet, lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the Pitch class#Integer notation, integer notation . A major triad can also be described by its Interval (music), intervals: the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third. By contrast, a minor triad has a minor third interval on the bottom and major third interval on top. They both contain fifths, because a major third (four semitones) plus a minor third (three semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' As a kind of popular art, it stands in contrast to art music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through sound recording, recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the populati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Names And Symbols (jazz And Pop Music)
Musicians use various kinds of chord names and symbols in different contexts to represent Chord (music), musical chords. In most List of popular music genres, genres of popular music, including jazz, pop music, pop, and rock music, rock, a chord name and its corresponding symbol typically indicate one or more of the following: * the root (chord), root note (e.g. C) * the #Chord quality, chord quality (e.g. Minor chord, minor or lowercase m, or the symbols or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) * whether the chord is a Triad (music), triad, seventh chord, or an extended chord (e.g. 7) * any Altered note, altered notes (e.g. augmented fifth, sharp five, or 5) * any added tone chord, added tones (e.g. Added tone chord, add2) * the bass note if it is not the root (e.g. a slash chord) For instance, the name augmented seventh chord, C augmented seventh, and the corresponding symbol C, or C, are both composed of par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nashville Number System
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. It resembles the Roman numeral and figured bass systems traditionally used to transcribe a chord progression since the 1700s. The Nashville Number System was compiled and published in a book by Chas. Williams in 1988. The Nashville Number System can be used by anyone, including someone with only a rudimentary background in music theory. Improvisation structures can be explained using numbers, and chord changes can be communicated mid-song by holding up the corresponding number of fingers. The system is flexible and can be embellished to include more information (such as chord color or to denote a bass note in an inverted chord). The system makes it easy for bandleaders, the record producer, or the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
