Faith Hope And Charity (US Band)
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Faith Hope And Charity (US Band)
Faith Hope and Charity was the name of a vocal group from Tampa, Florida. They are best known for their 1975 hit, " To Each His Own". They were also an in-demand group of session singers in New York studios during the 1970s. Career The founding members of the group were Zulema Cusseaux, Brenda Hilliard and Al Bailey. They were originally a trio called the Lovelles, when they met record producer Van McCoy, who signed them to a recording contract at Maxwell Records. At this time, the group's name was changed to Faith, Hope and Charity. Their song "So Much Love" hit #14 on the ''Billboard'' R&B chart and #51 on the Hot 100 in 1970. The subsequent release "Baby Don't Take Your Love" reached #36 R&B and #96 in the Hot 100. Cusseaux left Faith, Hope and Charity in 1971, shortly after a label switch to Sussex Records, and started a solo career. She was eventually replaced by Diane Destry in 1974. Their biggest hit came with a switch to RCA Records in the mid-1970s. With Van McCo ...
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Tampa, Florida
Tampa ( ) is a city on the Gulf Coast of the United States, Gulf Coast of the U.S. state of Florida. Tampa's borders include the north shore of Tampa Bay and the east shore of Old Tampa Bay. Tampa is the largest city in the Tampa Bay area and the county seat of Hillsborough County, Florida, Hillsborough County. With an estimated population of 403,364 in 2023, Tampa is the List of United States cities by population, 49th-most populous city in the country and the List of municipalities in Florida, third-most populous city in Florida after Jacksonville, Florida, Jacksonville and Miami. Tampa was founded as a military center in the 19th century, with the establishment of Fort Brooke. The cigar industry was brought to Tampa by Vicente Martinez Ybor, Vincente Martinez Ybor, after whom Ybor City is named. Tampa was reincorporated as a city in 1887 following the American Civil War, Civil War. Tampa's economy is driven by tourism, health care, finance, insurance, technology, construction ...
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Van McCoy
Van Allen Clinton McCoy (January 6, 1940 – July 6, 1979) was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit " The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations, David Ruffin, The Stylistics, The Presidents, Faith, Hope & Charity, New Censation, Gladys Knight & the Pips, Aretha Franklin, Peaches & Herb, Lesley Gore, and Stacy Lattisaw. Background and early years Early life Van McCoy was born on January 6, 1940, in Washington, D.C., the second child of Norman S. McCoy, Sr. and Lillian Ray. He learned to play piano at a young age and sang with the Metropolitan Baptist Church choir as a youngster. By the age of 12, he had begun writing his own songs, in addition to performing in local amateur shows alongside his older brother, Norman Jr. The two brothers formed a doo-wop combo named the Starlighters with two friends w ...
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Clarama Records
Sussex Records Inc. was an American, Los Angeles-based record label, founded by music executive and businessman Clarence Avant, that existed from 1969 to 1975. Its catalog is now controlled by Universal Music. History Sussex Records was launched in December 1969 by Avant, who had previously set up another mainly black music label, Venture Records for MGM. An offshoot of Buddah Records, who also distributed its records until 1974, when Sussex switched to independent distribution until its closure. The company folded in July 1975, due to unpaid state and federal taxes amounting to $62,000. The Internal Revenue Service padlocked the offices and auctioned off all assets. Many of the label's master tapes disappeared and were presumed destroyed. Bill Withers was the label's best-selling artist with a string of pop and R&B hits and several successful albums. They included three Platinum singles, "Ain't No Sunshine" (#3 pop, #6 R&B, 1971), the label's only chart-topper, " Lean on Me" ( ...
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Don't Pity Me
"Don't Pity Me" was a hit for Faith Hope & Charity in 1978. A Van McCoy composition, it made it onto the ''Billboard'', ''Cash Box'', and ''Record World'' music charts. Background Early version Former 1976 Eurovision British contestant Louisa Jane White recorded a version of the song as the B side of her single "Don't Stop" which was released on Pye Records, Pye 7N 45661 in 1977. It was produced by Gerry Shury and Ron Roker. Faith Hope & Charity version The Faith Hope & Charity single was released on 20th Century Fox Records, 20th Century TC-2370. In addition to composing the song, Van McCoy also produced it. With Faith Hope & Charity now consisting of Brenda Hilliard and Albert Bailey (singer), Albert Bailey, their 1978, self-titled album was their 20th Century Fox debut. In the ''Billboard Magazine, Billboard'' review of the album, Adam White commented on the 1970s sound of Van McCoy as reaching its peak of perfection in Faith Hope & Charity. White named "Don't Pity Me" as the a ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph (or "gramophone", "turntable", or "record player"). Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights"). After the 1940s, "vinyl" records made from polyvinyl chloride (PVC) became standard replacing the old 78s and remain so to this day; they have since been produced in various sizes and speeds, most commonly 7-inch discs pla ...
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Doris Troy
Doris Troy (born Doris Elaine Higginsen; January 6, 1937 – February 16, 2004) was an American R&B singer and songwriter, known to her fans as "Mama Soul". Her biggest hit was " Just One Look", a top 10 hit in 1963. Life and career She was born as Doris Elaine Higginsen, in the Bronx, the daughter of a Barbadian Pentecostal minister. She later took her grandmother's name and grew up as Doris Payne. Her parents disapproved of "subversive" forms of music like rhythm & blues, so she cut her teeth singing in her father's choir. At age 16, she was working as an usherette at the Apollo where she was discovered by James Brown. Under the name Doris Payne, she began songwriting and earned $100 in 1960 for the Dee Clark hit " How About That". Going into the recording industry, Troy worked as a backup vocalist for Atlantic Records alongside Dionne and Dee Dee Warwick. She was also part of the original lineup of The Sweet Inspirations in 1963, with Cissy Houston and the two Warwi ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ...
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Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ...
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Solo (music)
In music, a solo () is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was ''Concertino (group), concertino''. An instrumental solo is ...
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Record Label
"Big Three" music labels A record label or record company is a brand or trademark of Sound recording and reproduction, music recordings and music videos, or the company that owns it. Sometimes, a record label is also a Music publisher, publishing company that manages such brands and trademarks, coordinates the production, manufacturing, manufacture, distribution (marketing), distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting Artists and repertoire, talent scouting and development of new artists, artist financing and maintaining Recording contract, contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer ...
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ...
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