Ezekiel's Vision (Raphael)
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Ezekiel's Vision (Raphael)
''Ezekiel's Vision'' is a c. 1518 painting by Raphael showing the prophet Ezekiel's Merkabah, vision of God in majesty. It is housed in the Palatine Gallery of Palazzo Pitti, Florence, central Italy. History The work is remembered by Renaissance art biographer Giorgio Vasari as property of a Bologna, Bolognese nobleman, Vincenzo Ercolani. There is trace of payment by him to Raphael for 8 ducat (Italian coin), ducats in 1510, but this is generally considered just a down payment, since stylistically the work (inspired for example by Michelangelo's Sistine Chapel ceiling) cannot be dated before 1518. In Florence since as early as 1589, it was ceded to Francesco I de' Medici and was placed at the Uffizi. The painting is known to be at Palazzo Pitti in 1697. In 1799 it was robbed by the French, who kept it in Paris until returning it back in 1816. The work was once considered to be by the hand of Giulio Romano, with Raphael providing only the drawing. However, it has been subsequent ...
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Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ...
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Uffizi
The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance painting, Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa de' Medici, Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici, Grand Duke of Tuscany, Cosimo I de' M ...
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Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine Empire, Byzantine and European paintings and sculpture. Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the Living creatures (Bible), living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many historical depictions of angels may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention ...
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Cattle In Art
Cattle (''Bos taurus'') are large, domesticated, bovid ungulates widely kept as livestock. They are prominent modern members of the subfamily Bovinae and the most widespread species of the genus '' Bos''. Mature female cattle are called cows and mature male cattle are bulls. Young female cattle are called heifers, young male cattle are oxen or bullocks, and castrated male cattle are known as steers. Cattle are commonly raised for meat, for dairy products, and for leather. As draft animals, they pull carts and farm implements. Cattle are considered sacred animals within Hinduism, and it is illegal to kill them in some Indian states. Small breeds such as the miniature Zebu are kept as pets. Taurine cattle are widely distributed across Europe and temperate areas of Asia, the Americas, and Australia. Zebus are found mainly in India and tropical areas of Asia, America, and Australia. Sanga cattle are found primarily in sub-Saharan Africa. These types, sometimes classifie ...
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Lions In Art
The lion has been an important symbol to humans for tens of thousands of years. The earliest graphic representations feature lions as organized hunters with great strength, strategies, and skills. In later depictions of human cultural ceremonies, lions were often used symbolically and may have played significant roles in magic, as deities or close association with deities, and served as intermediaries and clan identities. History and mythology First depictions The earliest known cave paintings of lions (which are of the extinct species ''Panthera spelaea'') were found in the Chauvet Cave and in Lascaux in France's Ardèche region and represent some of the earliest paleolithic cave art, dating to between 32,000 and 15,000 years ago. The zoomorphic Löwenmensch figurine from Hohlenstein-Stadel and the ivory carving of a lion's head from Vogelherd Cave in the Swabian Jura in southwestern Germany were carbon-dated 39,000 years old, dating from the Aurignacian culture. Ancien ...
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Paintings Based On The Hebrew Bible
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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Paintings In The Galleria Palatina
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1518 Paintings
__NOTOC__ Year 1518 ( MDXVIII) was a common year starting on Friday of the Julian calendar. Within much of Christian Europe, New Year's Day was celebrated on January 1, the rule in the Roman Empire since 45 BC, and in 1518, the year ran from January 1, 1518 to December 31, 1518. In England (until 1752) and Scandinavia, the year ran from the Feast of the Annunciation (March 25, 1518) to March 24, 1519; and in France (funtil 1565) from Easter Sunday (April 4, 1518) to April 23, 1519. For instance, the will of Leonardo da Vinci, drafted in Amboise on 23 April 1519, shows the legend "Given on the 23rd of April 1518, before Easter".* See Wikisource " 1911 Encyclopædia Britannica/Easter". Events January–March * January 25 – Piri Mehmed Pasha is appointed as the new Grand Vizier of the Ottoman Empire by the Sultan Selim I, replacing Yunus Pasha, who was executed four months earlier on September 13. * January 27 – Sir John Ernley is selected as the new Chief J ...
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List Of Paintings By Raphael
The following is a list of paintings by the Italian Renaissance painter Raphael. Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific. Despite his early death at 37, a large body of work remains, especially in the Vatican, where Raphael and a large team of assistants, executing his drawings under Raphael's direction, frescoed the Raphael Rooms known as the Stanze. He was extremely influential in his lifetime, but after his death the influence of his rival Michelangelo was more widespread until the 18th and 19th centuries, when his more tranquil qualities were again widely taken as models. List of paintings See also *Portrait of a Young Man (Raphael), ''Portrait of a Young Man'' (Raphael) *Saint John the Baptist in the Desert (Raphael), ''Saint John the Baptist in the Desert'' (Raphael) Footnotes Notes References * * Further reading * Christof Thoenes. ''Raphael''. TASCHEN. 2007. * Offic ...
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Giulio Romano
Giulio Pippi ( – 1 November 1546), known as Giulio Romano and Jules Romain ( , ; ), was an Italian Renaissance painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the leading painter and architect Raphael. He became an important member of Raphael's large team working on the frescos in the Raphael Rooms and Vatican loggias using designs by Raphael and, later painting a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly ...
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Francesco I De' Medici
Francesco I (25 March 1541 – 19 October 1587) was the second Grand Duke of Tuscany, ruling from 1574 until his death in 1587. He was a member of the House of Medici. Biography Born in Florence, Francesco was the son of Cosimo I de' Medici, Grand Duke of Tuscany, and Eleanor of Toledo. He served as regent for his father Cosimo after he retired from his governing duties in 1564. Marriage to Joanna of Austria On 18 December 1565, Francesco married Archduchess Joanna of Austria, Grand Duchess of Tuscany, Joanna of Austria, youngest daughter of Ferdinand I, Holy Roman Emperor and his wife Anne of Bohemia and Hungary. By all reports, it was not a happy marriage. Joanna was homesick for her native Austria, and Francesco was neither charming nor faithful. In 1578, Joanna died at the age of thirty-one, after falling down a flight of stairs while pregnant with their eighth child. Bianca Cappello Soon after Grand Duchess Joanna had died, Francesco went on to marry his Venetian ...
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