|
Experimental Pop
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental music, experimental techniques such as musique concrète, aleatoric music, or eclecticism in music, eclecticism into pop contexts. Often, the compositional process involves the use of electronic music, electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously. Experimental pop music developed concurrently with experimental jazz as a new kind of avant-garde, with many younger musicians embracing the practice of making studio recordings along the fringes of popular music. In the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, orchestration, reverb, unnatural reverb, and other sound ef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.S. Frith, W. Straw, and J. Street, eds, ''iarchive:cambridgecompani00frit, The Cambridge Companion to Pop and Rock'' (Cambridge: Cambridge University Press), , pp. 95–105. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, wikt:ephemeral, ephemeral, and accessible. Identifying factors of pop music usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse–chorus structure), and rhythms or tempos that can be easily danced to. Much of pop music also borrows elements from other styles such as rock, hip hop, urban contemporary, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''. In this hierarchy, the single pitch or the root (music), root of a triad (music), triad with the greatest ''stability'' in a melody or in its harmony is called the tonic (music), ''tonic''. In this context "stability" approximately means that a pitch occurs frequently in a melody – and usually is the final note – or that the pitch often appears in the harmony, even when it is not the pitch used in the melody. The ''root'' of the tonic triad forms the name given to the key (music), key, so in the key of C major, C major the note C can be both the tonic of the scale (music), scale and the root of the tonic triad. However, the tonic can be a different Musical tone, tone in the same scale, and then the work is said to be in one of the mode (music), ''modes'' of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, Musical tone, tones, and chord changes. Musicians during this period believed that the bebop and modal jazz that had been played before them was too limiting, and became preoccupied with creating something new. The term "free jazz" was drawn from the 1960 Ornette Coleman recording ''Free Jazz: A Collective Improvisation''. Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big band, big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Hear A New World
''I Hear a New World'' is a studio concept album written and produced by Joe Meek with the Blue Men, partially released as an EP in 1960 before financial issues at the Triumph label prevented further release of the material. In 1991, the full LP was issued by RPM Records. In 1998, ''The Wire'' listed the album as one of "100 Records that Set the World on Fire (When No One Was Listening)". Production The Blue Men were originally the West Five, a skiffle group from Ealing in London. In addition to ''I Hear a New World'', they also recorded under the name of Rodd, Ken and the Cavaliers for Meek. The tracks were recorded at his Holland Park flat and at Lansdowne Studios. Music Vlad Nichols of '' Ultimate Guitar'' said the album was "the notable exception from general space pop in that it made extensive use of free-form song structure and lingering, weirdly distorted melodies to invoke that feeling of floating in space while struck with amazement which made it much clos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer and songwriter considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Meek pioneered space age and experimental pop music, and assisted in the development of recording practices like overdubbing, sampling and reverberation. Charting singles Meek produced for other artists include " Johnny Remember Me" ( John Leyton, 1961), " Just Like Eddie" (Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), " Have I the Right?" ( the Honeycombs, 1964), and " Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five weeks at number one in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leigh Landy
Leigh Landy (born 1951) is a composer and musicologist of Dutch and American citizenship. He holds a Research Chair at De Montfort University where he directs thMusic, Technology and Innovation Research Centre Composition Landy's compositions include several works for video, dance and theatre. He has worked extensively with the late playwright, Heiner Müller, the new media artist, Michel Jaffrennou and the composer-performer, Jos Zwaanenburg. He was composer in residence for the Dutch National Theatre during its first years of existence and is currently co-director of ''Idée Fixe'' – Experimental Sound and Movement Theatre with the choreographerEvelyn Jamieson A complete list of his compositions, recordings, publications and other creative endeavours can be found on hipersonal website Musicology Landy's musicological publications focus on studies of electroacoustic music, including the notion of musical dramaturgy, contemporary music in a cross-arts context, access and the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxymoron
An oxymoron (plurals: oxymorons and oxymora) is a figure of speech that Juxtaposition, juxtaposes concepts with opposite meanings within a word or in a phrase that is a self-contradiction (other), self-contradiction. As a rhetorical device, an oxymoron illustrates a point to communicate and reveal a paradox. A general meaning of "contradiction in terms" is recorded by the 1902 edition of the ''Oxford English Dictionary. The term ''oxymoron'' is first recorded as Latinized Greek ', in Maurus Servius Honoratus (c. AD 400); it is derived from the Ancient Greek, Greek word ' "sharp, keen, pointed" Retrieved 26 February 2013. and "dull, stupid, foolish"; as it were, "sharp-dull", "keenly stupid", or "pointedly foolish".. Retrieved 26 February 2013. "Pointedly foolish: a witty saying, the more pointed from being paradoxical or seemingly absurd." The word ''oxymoron'' is autological, i.e., it is itself an example of an oxymoron. The Greek compound word ', which would corre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Martin (philosophy)
Bill Martin (born 1956) is a professor of philosophy at DePaul University whose academic work concerns Badiou, Derrida, Sartre, Marxist theory, Aesthetics, and critiques of Richard Rorty. Martin has also written on progressive rock bands including Yes. Works *"Avant Rock: Experimental Music from the Beatles to Björk" *"Humanism and Its Aftermath: The Shared Fate of Deconstruction and Politics" *"Marxism and the Call of the Future: Conversations on Ethics, History, and Politics" co-written with Bob Avakian. *"Matrix and Line: Derrida and the Possibilities of Postmodern Social Theory" *"Music of Yes: Structure and Vision in Progressive Rock" *"Listening to the Future: The Time of Progressive Rock, 1968–1978" *"Politics in the Impasse: Explorations in Postsecular Social Theory" *"The radical project: Sartrean investigations". *"Ethical Marxism: The Categorical Imperative of Liberation (Creative Marxism)" *"Into the Wild: Badiou, actually-existing Maoism, and the “vital mix� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverb
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. Two notable exceptions to this are Ravel's orchestration of Mussorgsky's solo piano work Pictures at an Exhibition and Malco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
