|
Exotica (Martin Denny Album)
''Exotica'' is the first album by Martin Denny, released in 1957. It contained Les Baxter's most famous piece, " Quiet Village", and spawned an entire genre bearing its name. It was recorded December 1956 in Webley Edwards' studio in Waikiki (not, as often reported, the Aluminum Dome at Henry J. Kaiser's Hawaiian Village Complex). The album topped Billboard's charts in 1959. The album was recorded in mono. It was re-recorded in stereo in 1958; by then, however, Denny's sideman Arthur Lyman had left the group, and was replaced by Julius Wechter. Denny preferred the original mono version: "It has the original spark, the excitement, the feeling we were breaking new ground." In 2025, '' Uncut'' ranked ''Exotica'' at number 408 in their list of "The 500 Greatest Albums of the 1950s", with contributor Jason Anderson writing that "Denny's landmark reelease remains a shimmering jewel of ersatz "world" music." Track listing # " Quiet Village" ( Les Baxter) – 3:39 # "Return ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Music
"World music" is an English phrase for styles of music from non-English speaking countries, including quasi-traditional, Cross-cultural communication, intercultural, and traditional music. World music's broad nature and elasticity as a musical category pose obstacles to a universal definition, but its ethic of interest in the culturally exotic is encapsulated in ''Roots'' magazine's description of the genre as "local music from out there".Chris Nickson. ''The NPR Curious Listener's Guide to World Music''. Grand Central Press, 2004. pp. 1-2. Music that does not follow "North American or British Pop music, pop and Folk music, folk traditions" was given the term "world music" by music industries in Europe and North America. The term was popularized in the 1980s as a marketing category for non-Western traditional music. It has grown to include subgenres such as ethnic fusion (Clannad, Ry Cooder, Enya, etc.) and worldbeat. Lexicology The term "world music" has been credited to et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instruments
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.'' The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to similar instruments of the lithophone and metallophone types. For example, the Pixiphone and many similar toys described by the makers as xylophones have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone (also called the vibraharp) is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using Percussion mallet, mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the Marimbaphone, steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of classical music. Eighteenth century J. S. Bach frequently made arrangements of his own and other composers' p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Similau
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book '' Lydian Chromatic Concept of Tonal Organization'' (1953). Early life Russell was born in Cincinnati, Ohio, on June 23, 1923, to a white father and a black mother. He was adopted by a nurse and a chef on the B & O Railroad, Bessie and Joseph Russell. Young Russell sang in the choir of the African Methodist Episcopal Church and listened to the Kentucky Riverboat music of Fate Marable. He made his stage debut at age seven, singing "Moon Over Miami" with Fats Waller. Surrounded by the music of the black church and the big bands which played on the Ohio Riverboats, and with a father who was a music educator at Oberlin College, he began playing drums with the Boy Scouts and Bugle Corps, receiving a sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyril Scott
Cyril Meir Scott (27 September 1879 – 31 December 1970) was an English composer, writer, poet, and occultist. He created around four hundred musical compositions including piano, violin, cello concertos, symphonies, and operas. He also wrote around 20 pamphlets and books on occult topics and natural health. Biography Scott was born in Oxton, Cheshire to Henry Scott (1843-1918), shipper and scholar of Greek and Hebrew, and Mary (née Griffiths), an amateur pianist of Welsh origin. He showed a talent for music from an early age and was sent to the Hoch Conservatory in Frankfurt, Germany to study piano in 1892 at age 12. He studied with Iwan Knorr and belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s. At 20, the German poet Stefan George helped Scott organize a performance of Scott's first symphony. He played his Piano Quartet with Fritz Kreisler, Emil Kreuz, and Ludwig Lebell in St. James' Hall in 1903. In 1902 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor, author and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s and 1940s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as old-time radio broadcasts, television, microphones, and sound recordings (musical records). Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing four of the most-recorded American songs of all time: " Stardust" (1927), with lyrics by Mitchell Parish, "Georgia on My Mind" (1930), with lyrics by Stuart Gorrell, " The Nearness of You" (1937), with lyrics by Ned Washington, and " Heart and Soul" (1938), with lyrics by Frank Loesser. He also collaborated with famed lyricist-songwriter Johnny Mercer (1909-1976), on " Lazybones" (1933), and later " Skylark" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Blues
"Hong Kong Blues" is a popular song composed by American songwriter Hoagy Carmichael in 1939. It was featured in the 1944 film '' To Have and Have Not'', an adaptation of Ernest Hemingway's novel by the same name. George Harrison version Former Beatle George Harrison covered the tune on his 1981 album '' Somewhere in England''. It was later featured as a b-side to " This Is Love" single in 1988. Other versions Martin Denny covered it on his 1957 album ''Exotica''. In 1964 it was a UK single from Kenny Ball and his Jazzmen. Spanky and Our Gang covered "Hong Kong Blues" on their third album, ''Anything You Choose/Without Rhyme or Reason'', 1969. Japanese musician Haruomi Hosono, who was influenced by Denny to found the Yellow Magic Orchestra, covered the song on his 1976 album '' Bon Voyage co.'', as well as on two live albums, ''Harry Hosono and Tin Pan Alley in Chinatown'', recorded in Yokohama the same year, and ''America'', recorded in Los Angeles Los Angeles, ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
