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Eros And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called ''The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , ) and Cupid (, ) or (, Greek Eros, ), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from the 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, '' Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370. The '' first printed version'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. The story has been retold in poetry, drama, and opera, and depic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard FrancoisPascalSimon-Cupid Psyche End
Gerard is a masculine forename of Proto-Germanic origin, variations of which exist in many Germanic and Romance languages. Like many other early Germanic names, it is dithematic, consisting of two meaningful constituents put together. In this case, those constituents are ''gari'' > ''ger-'' (meaning 'spear') and -''hard'' (meaning 'hard/strong/brave'). Common forms of the name are Gerard (English, Scottish, Irish, Dutch, Polish and Catalan); Gerrard (English, Scottish, Irish); (Italian, and Spanish); ( Portuguese); (Italian); (Northern Italian, now only a surname); (variant forms and , now only surnames, French); ( Irish); Gerhardt and Gerhart/Gerhard/Gerhardus (German, Dutch, and Afrikaans); ( Hungarian); ( Lithuanian) and / ( Latvian); (Greece). A few abbreviated forms are Gerry and Jerry (English); (German) and (Afrikaans and Dutch); (Afrikaans and Dutch); (Afrikaans); (Dutch) and ( Bulgarian). The introduction of the name 'Gerard' into the English language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Boccaccio
Giovanni Boccaccio ( , ; ; 16 June 1313 – 21 December 1375) was an Italian people, Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanism, Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the 14th century, fourteenth century. Some scholars (including Vittore Branca) define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism. His most notable works are ''The Decameron'', a collection of short stories, and ''De Mulieribus Claris, On Famous Women''. ''The Decameron'' became a determining element for the Italian literary tradition, especially after Pietro Bembo elevated the Boccaccian styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium (Plato)
The ''Symposium'' (, ''Symposion'') is a Socratic dialogue by Plato, dated . It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a Symposium, banquet. The men include the philosopher Socrates, the general and statesman Alcibiades, and the comic playwright Aristophanes. The Panegyric, panegyrics are to be given in praise of Eros, the god of love and sex. In the ''Symposium'', Eros is recognized both as erotic lover and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death. It is seen as transcending its earthly origins and attaining spiritual heights. The extraordinary elevation of the concept of love raises a question of whether some of the most extreme extents of meaning might be intended as humor or farce. ''Eros'' is almost always translated as "love," and the English word has its own varieties and ambiguities that provide additional challenges to the effor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimon
The daimon (), also spelled daemon (meaning "god", "godlike", "power", "fate"), denotes an "unknown superfactor", which can be either good or hostile. In ancient Greek religion and Greek mythology, mythology a daimon was imagined to be a lesser deity or guiding spirit. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the Ensoulment#Ancient Greeks, souls of men of the golden age, Tutelary deity, tutelary deities, or the forces of fate. Description Daimons are lesser divinity, divinities or spirits, often personifications of abstraction, abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's ''Symposium (Plato), Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedrus (dialogue)
The ''Phaedrus'' (; ), written by Plato, is a dialogue between Socrates and Phaedrus (Athenian), Phaedrus, an interlocutor in several dialogues. The ''Phaedrus'' was presumably composed around 370 BC, about the same time as Plato's ''Republic (Plato), Republic'' and ''Symposium (Plato dialogue), Symposium''. Although ostensibly about the topic of love, the discussion in the dialogue revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as metempsychosis (the Greek tradition of reincarnation) and erotic love, and the nature of the human soul shown in the famous chariot allegory. Setting Socrates runs into Phaedrus (Athenian), Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that he is "sick with passion for hearing speeches", walks into the countryside with Phaedrus. Socrates is hoping that Phaedrus will repea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irony
Irony, in its broadest sense, is the juxtaposition of what, on the surface, appears to be the case with what is actually or expected to be the case. Originally a rhetorical device and literary technique, in modernity, modern times irony has also come to assume a metaphysical significance with implications for the correct human attitude towards life. The concept originated in ancient Greece, where it described a dramatic character who pretended to be less intelligent than he actually was in order to outwit boastful opponents. Over time, ''irony'' evolved from denoting a form of deception to, more liberally, describing the deliberate use of language to mean the opposite of what it says for a rhetorical effect intended to be recognized by the audience. Due to its double-sided nature, irony is a powerful tool for social bonding among those who share an understanding. For the same reason, it is also a source of division, sorting people into insiders and outsiders depending upon w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mise En Abyme
In Western art history, ''mise en abyme'' (; also ''mise en abîme'') is the technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the story within a story technique. The term is derived from heraldry, and means ''placed into abyss'' (exact middle of a shield). It was first appropriated for modern criticism by the French author André Gide. A common sense of the phrase is the visual experience of standing between two mirrors and seeing an infinite reproduction of one's image. Another is the Droste effect, in which a picture appears within itself, in a place where a similar picture would realistically be expected to appear. The Droste effect is named after the 1904 Droste cocoa package, which depicts a woman holding a tray bearing a Droste cocoa package, which bears a smaller version of her image. Heraldry In the terminology of heraldry, the ''abyme'' or ''ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isis
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom () as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom (), as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic In The Greco-Roman World
Magic in the Greco-Roman world – that is, ancient Greece, ancient Rome, and the other cultures with which they interacted, especially ancient Egypt – comprises supernatural practices undertaken by individuals, often privately, that were not under the oversight of official priesthoods attached to the various state, community, and household cults and temples as a matter of public religion. Private magic was practiced throughout Greek and Roman cultures as well as among Jews and early Christians of the Roman Empire. Primary sources for the study of Greco-Roman magic include the Greek Magical Papyri, curse tablets, amulets, and literary texts such as Ovid's ''Fasti'' and Pliny the Elder's ''Natural History''. Terminology Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, ''mágos'', "Magian" or "magician", was influenced by (and eventually displaced) Greek '' goēs'' (γόης), the older word for a practitioner of mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protagonist
A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist. The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. A particularly noble, virtuous, or accomplished protagonist is commonly called a ''hero,'' though the terms are not synonyms. Etymology The term ''protagonist'' comes , combined of (, 'first') and (, 'actor, competitor'), which stems from (, 'contest') via (, 'I conten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First-person Narrative
A first-person narrative (also known as a first-person perspective, voice, point of view, etc.) is a mode of storytelling in which a storyteller recounts events from that storyteller's own personal point of view, using first-person grammar such as "I", "me", "my", and "myself" (also, in plural form, "we", "us", etc.). It must be narrated by a first-person character, such as a protagonist (or other focal character), re-teller, witness, or peripheral character. Alternatively, in a visual storytelling medium (such as video, television, or film), the first-person perspective is a graphical perspective rendered through a character's visual field, so the camera is "seeing" out of a character's eyes. A classic example of a first-person protagonist narrator is Charlotte Brontë's '' Jane Eyre'' (1847), in which the title character is telling the story in which she herself is also the protagonist: "I could not unlove him now, merely because I found that he had ceased to notice me" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano - Psyche Honoured By The People - WGA09015
Luca or LUCA may refer to: People * Luca (masculine given name), including a list of people * Luca (feminine given name), including a list of people * Luca (surname), including a list of people Places * The ancient name of Lucca, an Etruscan city of Roman Italy Fictional characters * Luca Tsukino, in the 2019 film '' Doraemon: Nobita's Chronicle of the Moon Exploration'' * Luca Paguro, in the 2021 film '' Luca'' * Luca (Yu-Gi-Oh! 5D's), in the anime series * Luca (''Final Fantasy'' character) Arts and entertainment * Luca (''Final Fantasy'' setting), of the video games * Luca Family Singers, US * ''Luca'' (2019 film), in Indian Malayalam-language * ''Luca'' (2021 film), Disney/Pixar animation * A song by Brand New from the album '' The Devil and God Are Raging Inside Me'' * Luca, a scrub jay from Angry Birds Stella and the animation Biology * ''Luca'' (genus), moths in the family Notodontidae * Last universal common ancestor, of all organisms on Earth Other us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
